Hasbro/Wizards has laid off almost all of the people responsible for the $63M in digital licensing profits from BG3 they brag about in their investor letter. Two weeks before Christmas.

Meanwhile, Dropout (Game Changer, Dimension 20) has instituted a full profit sharing program with everyone who worked on their productions, the majority of whom are contractors.

Get the D&D people in your life a Dropout subscription instead of the newest 5E book this Christmas!

@dylnuge The best part about this idea is maybe it will give people more exposure to TTRPG content that is Produced, so I can watch more of it. (I'm sure critical role is great but each campaign is like 400 unedited hours and I just can't deal with so much blank spaaaaaace.)

@RethinkJeff There's lots of great stuff that's produced/edited!

DesiQuest (https://www.desiquest.com/) is a new show with an excellent cast and phenomenal production (including the director of D20, Michael Schaubach).

CR has a few shorter and more tightly produced side-seasons like Exandria Unlimited and Candela Obscura.

Wizards briefly was doing good stuff with Battle for Beyond, though the team was laid off.

In audio-only land, NADDPOD and Worlds Beyond Number are both edited.

DesiQuest

A high-quality actual play Dungeons & Dragons show featuring an all South Asian cast

DesiQuest
@dylnuge This is good info, but I think the only one of these I wasn't aware of was Battle for Beyond 😂. I'm always grateful for more visibility on all of it though :)

@RethinkJeff Yeah, totally fair. There's not a lot that quite hits the production of Dimension 20, either.

I'm a newer Actual Play convert (been playing for forever but also never really felt I had the time for something like CR; I came to Dropout through Game Changer) so I can't tell how much is just me and how much is this is actually the case, but it does feel like there's a huge surge in AP popularity and new programs right now!