"Fargo" (1996) is just over an hour and a half long.
They managed to fit all of that world-building and intricate storytelling into 90 minutes.
What a durable and economical masterpiece.
"Fargo" (1996) is just over an hour and a half long.
They managed to fit all of that world-building and intricate storytelling into 90 minutes.
What a durable and economical masterpiece.
To paraphrase Griffin and David on "Zodiac"—
Every scene in this movie is my favorite scene in this movie.
Frances McDormand doesn't even show up until 30 minutes in.
What an amazingly confident movie.
@jsatk @hotdogsladies I remember season two was critically acclaimed to put it mildly. I just thought 🤷. My favorite was season three. I didn’t watch season four. I’ve been planning on starting the new one.
They don’t really have the feel of the movie or the Coens.
@hotdogsladies
https://en.wikipedia.org/wiki/Barton_Fink
my fave, of which the same could be said, Barton Fink
https://nerdist.com/article/barton-fink-william-faulkner-clifford-odets-real-life-inspiration/
In 1932, Faulkner signed a contract with MGM for $500 a week,…This is the same amount as Barton Fink’s contract with Capitol Pictures in the film…
As Fink works on his Wallace Beery film, the producer Ben Geisler (Tony Shalhoub) has him watch the dailies from a wrestling picture written by Faulkner surrogate Mayhew. In fact, one of Faulkner’s earliest screen credits is for a 1932 wrestling picture called Flesh, starring none other than…Wallace Beery.
@hotdogsladies I read this in relation to superhero/pre-existing IP films. The economy of Fargo is that no one save the Coens has the greater world in mind before going into the theater. The durability and intricacy comes the artifice of the writing/directing and the infilling by viewers’ imagination.
No baggage means that viewers have more space to fill with their own stuff that’s inspired by the world the artists give them.
@genuineted @hotdogsladies I think you’re right. It’s interesting that films in the 80s and 90s can feel so focused and maybe even feel “bigger than they are” because of how well they are constructed. Even silly comedies sometimes.
Whereas now we have these three hour films that say lots of things but don’t really say anything at all.
@hotdogsladies Has anybody watched the Coen’s remake of’True Grit’, lately?
That’s a great one too and perfect for this time of year.
@hotdogsladies surprising, even compared to contemporary films (e.g. LA Confidential 2h20m)… maybe because the pace of the dialog feels relaxed, yah.
A modern film would add an hour of CGI “spectacle”