Based on everything I’ve heard of it, this seems a bit too high.

It’s not. I personally love the game, but it has a lot of flaws and that number seems about right to me. I think it’s a better game than Fallout 4.

Some of the storylines are fantastic, but they’re pretty disjointed from the rest of the world. Some of them feel like they have loose ends that didn’t get finished in time.

There are several game systems that are neat, but unfinished, and superfluous.

I really don’t understand the dog pile this game has gotten.

I really don’t understand the dog pile this game has gotten.

It’s similar to the situation Cyberpunk 2077 faced. When expectations are set extremely high, nothing can meet them, and Starfield fell far short of the immense hype it generated. And frankly, the mistakes Starfield made are the same issues people have been criticizing Bethesda for since Fallout 3, and even earlier with Oblivion, depending on who you ask. Combined with Fallout 76’s disastrous PR and release, this has left many people frustrated with Bethesda. Consequently, there’s a strong wave of negativity surrounding the game.

For what it’s worth, I’m a big fan of Bethesda’s formula, and I genuinely enjoyed Starfield. However, I’m not surprised by the negative reactions. In fact, I’m somewhat glad that people are expressing their disappointment because Bethesda has a unique style, and I don’t want to see them stay stuck in this creative rut. If they finally genuinely listen to the complaints, there are a lot of valuable suggestions they could benefit from.

This will sound weird, but I believe these complaints stem from a place of love for Bethesda’s games. People know that Bethesda is capable of so much more, and that’s why they are so passionate. Other game companies don’t inspire this level of passion. Hence why I feel it is reminiscent of the negativity that surrounded Cyberpunk 2077. Both games were genuinely good, but they felt generic, safe, and they were overhyped and well below the potential of their respective developers.

The negativity doesn’t make it a bad game, it really is a lot of fun. But it is warrented all the same.

P.S. I agree that some of the story lines in Starfield were fantastic, especially the faction quest lines.

Edit: Someone replied to this and then deleted it saying something to the effect of, “Cyberpunk’s biggest issue is that it tried to run on old consoles, while Starfield’s biggest issue is that it feels old and outdated”.

Which in a lot of ways is very true. In adding my 2 cents regarding the “complaint dog pile” on Starfield, I only intended to compare the two games hype and lack of quality compared to what fans expect from their respective publishers as a way to explain why Starfield (and Cyberpunk) got more vocal hate than worse games.

I realize that my comment makes it sound like I’m saying both games have similar design issues, which I do not believe to be the case. Fwiw, I think Cyberpunk was a much more enjoyable and polished game than Starfield.

Ehhh I’m not sure cyberpunk is a great example in this regard. It was truly busted at launch. Sony forced CDPR to pull the game from PS4 listings, which is incredibly rare in general and completely unheard of for a AAA release.

So was Witcher 3 at launch, but that doesn’t stop all the people with goldfish memory from sucking its dick either.

Cyberpunk’s launch shouldn’t even have been that much of a surprise. People set their expectations for Cyberpunk’s launch based on Witcher 3 after it had years of post-launch work put into it, not based on how Witcher 3 launched.

No need for the homophobic description but that aside, I did play W3 at launch and while it definitely had serious issues, cyberpunk is truly a benchmark in disastrous launches.

There’s nothing gay about sucking dick. It’s a common metaphor. And yeah, Witcher 3 was definitely buggy on launch, particularly for consoles what with the crashing, and while it was marginally more stable on PC (sounds familiar, right?), there was a massive controversy about them silently downgrading PC graphics between the trailers and launch.