The Enterprise lighting up and leaving space dock in Wrath of Khan is one of the finest scenes in cinema history.
I will die on that nebula
As I've said before, Wrath and Undiscovered are the best Trek films because they show Kirk for what he is: a brilliant, arrogant, bloody warrior.
And then they have him realise that it is everyone else pays the price for that, not him. And, for a moment, he hates himself for it.
Nicholas Meyer was one of the few to realise that Kirk is an anti-hero, not a hero. He's a borderline, narcissistic, brilliant weapon of war.
But he's surrounded by friends who he lets become his conscience. That's his salvation. His one noble strength.
That's the only difference between Kirk and Khan, or Kirk and General Chang. He trusts his friends when they tell him he's fucked up.
The other films never got that. They saw all the stuff about Kirk the intergalactic boyscout and play it as a compliment, not a sarcastic insult
This is also the main reason why the director's cut of Wrath is WORSE than the regular cut, btw.
In it, the dead young engineering officer isn't just another victim of Kirk's stupidity over shields. He's also Scotty's nephew.
NO WAY Scotty forgives Kirk that death. Ever.
Ultimately, both Wrath and Undiscovered are films about loss. About how our flaws and prejudices only define us if we let them. That the real enemy isn't external, it's internal.
They just hide that inside pew pew space opera. They're the Roddenberry ethos of Star Trek distilled and refined to perfection.
Back onto effects, Wrath and Undiscovered both go the whole hog and show us TORPEDOES BEING LOADED.
They treat the Enterprise as an actual fucking ship. With crew who have to do things in battle. Not just some magical box that farts energy on demand.
"Scotty. I need warp speed in three minutes or we're all dead."
Literally every tech director I've had has done the web version of this to me at some point.
@garius I really liked that Wrath of Khan sort of channelled starship combat as being like man-o-war galleons, unleashing fusillades at one another as they slowly went past.
It was such a distinctive change in ādescribingā space combat, and I was disappointed that they didnāt lean it into more in subsequent stuff. It gave the starships a real sense of mass which is typically lacking.
@PlaneSailingGames Wrath does it better than any of the others. Undiscovered comes close, but feels more like frigates than ships of the line.
Both at least treat Starship crews as MATTERING though. These crews are there for a reason. they have jobs.
@garius Last summer I listened to a series of podcasts about HMS Belfast - one from a historian, one from a current curator and one from someone who actually served on her. Fascinating stuff and something that Iād never twigged before was that āBattle stationsā wasnāt just some general alert - it was the station you went to for battle.
For kitchen crew it mean going down to the magazines to feed the turrets. Hairy stuff.
@paisley_peinforte i don't want to make it sound like Kirk is a bad person. I don't think he is. I think his default state is just "self-obsessed neutral who wants to be persuaded to be good"
And who, at several big moments, goes one further and accepts and recognises his own flaws.
@garius those two are my favourites too, for similar reasons. The central relationships (Kirk-Spock in particular) are what, when handled well, make Trek so special to me.
Search for Spock is my next favourite because it shows what happens when Kirk doesnāt have Spock (or McCoy, in a different way) there to anchor him.
Itās also why I hate Into Darkness with a passion.
@PlaneSailingGames definitely.
I'd back-to-back it with Wrath. To be honest it's best thought of as a direct sequel, but with a "10 years later..." card between them.