I watched “Three Billboards Outside of Ebbing, Missouri” this morning at the gym and thought it fucking sucked. https://boxd.it/3NK0GD
A ★½ review of Three Billboards Outside Ebbing, Missouri (2017)

Okay. I’m using this review as my opportunity to talk a little about the films of Martin McDonagh, which I watched this week after seeing “The Banshees of Inisherin” last month. I liked “Banshees.” It was quiet, contemplative, a little mean at times, and quite beautiful. I thought Colin Farrell and Brendan Gleeson were marvelous, although the standout performances, in my view, were from Kerry Condon and Barry Keoghan. I thought the film worked both as a self-contained drama and as an allegory, of sorts, for conflict and especially civil conflict of the kind that forms the setting of the

@jbouie Here's a fascinating read on McDonagh's relationship with Ireland that looks at Banshees in the context of his theater work and the particular Irish playwriting tradition he's drawing on. Lots of stereotypes there too it seems https://slate.com/culture/2023/01/martin-mcdonagh-irish-banshees-inisherin-blarney.html
The Banshees of Inisherin’s Writer-Director Has Made a Career of “Irishness.” It’s All a Load of Blarney.

Does Martin McDonagh understand Ireland at all?

Slate
@Silver_Tusk @jbouie Was just about to recommend this
@stevebikes It’s really good isn’t it. What’s interesting to me is I still feel like Banshees is a much more nuanced piece than Three Billboards. But now I’m not sure if that’s true in spite of his reliance on stereotypes, or because he’s been working with those Irish ones for so much longer

@Silver_Tusk I don't remember Three Billboards that well.

I do have affection for In Bruges, which I've seen twice but not for a while now. But I didn't really recall the problematic elements when I read Jamelle's review just now, so I guess I've edited those from my memory.