What I love about this and everything I've read from Gilroy about Andor is that it was about hiring people, recognising their talents, and renegotiating the project to take advantage of that. Genuine collaboration, not Hollywood "I loved working with him!"

The original trilogy (like Andor, shot in the UK) was also a weird mishmash of Lucas, but also a crack creative team of editors, directors, writers, sound, music, design, and of course SFX. No single element triumphs.

https://www.vulture.com/article/andor-tony-gilroy-finale-interview.html

And also, of course, that it is ABOUT something, and in a textual way, not metaphorically, not intertextually, not subtextually. I know writers who use subtext and they're all cowards
@dangolding there’s a good interview with Tony Gilroy on the music of Andor in the Soundtracking podcast
@dangolding of course, I could be filmsplaining to an expert:/