A climate research centre in Greenland features in today's Dezeen Weekly newsletter

The latest edition of our Dezeen Weekly newsletter features a climate research centre in Greenland designed by Dorte Mandrup Arkitekter.

Dorte Mandrup Arkitekter has revealed the first photographs of the Ilulissat Icefjord Centre, a climate research and visitor centre on Greenland's rugged coastal landscape.

Located 250 kilometres north of the Arctic Circle, the centre will function as a hub of research, education and exhibitions exploring the impact of climate change in this region.

Readers are wowed. One called it, "A masterpiece."

Bright Skies named Colour of the Year 2022

Other stories in this week's newsletter include Dulux's Colour of the Year 2022, the world's largest direct air carbon capture and storage plant, and an exhibition of Vincent Van Gogh's works featuring walls that are covered in Laura Owens' wallpaper.

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The post A climate research centre in Greenland features in today's Dezeen Weekly newsletter appeared first on Dezeen.

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A climate research centre in Greenland features in today's Dezeen Weekly newsletter

The latest edition of our Dezeen Weekly newsletter features a climate research centre in Greenland designed by Dorte Mandrup Arkitekter.

Dorte Mandrup completes climate research centre in Greenland

Dorte Mandrup Arkitekter has revealed the first photographs of the Ilulissat Icefjord Centre, a climate research and visitor centre on Greenland's rugged coastal landscape.

Located 250 kilometres north of the Arctic Circle, the centre will function as a hub of research, education and exhibitions exploring the impact of climate change in this region.

Ilulissat Icefjord Centre is located on Greenland's west coast

The architecture studio, led by Danish architect Dorte Mandrup, designed the building with a twisted, triangular structure and a rooftop viewing platform. The aim was to make it appear open and lightweight, so visitors feel connected to the landscape.

"The Icefjord Centre offers a refuge in the dramatic landscape and aims to become a natural gathering point from which you can experience the infinite, non-human scale of the Arctic wilderness, the transition between darkness and light, the midnight sun, and the northern lights dancing across the sky," said Mandrup.

A series of trusses give the building a twisted form

In line with the building's function, the structure was designed to have a minimal impact on the environment.

To reduce the need for concrete, a material understood to have a significant carbon footprint, Mandrup's team specified a steel frame.

Lightweight steel beams effectively pin the building to the bedrock terrain, allowing it to be slightly raised. This means the space underneath the building can continue to be a habitat for plants and wildlife.

Visitors can access the roof for an elevated view of the Kangia Icefjord icebergs

The main form of the building is generated by a series of steel trusses that gradually curve and rotate as they extend across the landscape. This create the unusual twisted shape, which helps to prevents snow build-up on the roof.

Mandrup likens the form to "a snowy owl's flight through the landscape".

The building includes sheltered, open-air terraces at both ends

The twist also has the benefit of providing pedestrian access onto the sloping roof. This elevated viewpoint naturally forms a new end point for local hiking routes, offering a view out to the icebergs of the Kangia Icefjord.

Interior spaces are fully glazed on all sides, plus there are also some open-air terraces sheltered beneath the roof. The aim was to allow visitors to experience Greenland's dramatic lighting conditions throughout.

Interior spaces are fully glazed so visitors can always see the landscape

"In Greenland, you only have daylight during the summertime. In the winter it's very dark, but you have reflection from the snow and the ground," said Mandrup, speaking about the project while it was still under construction.

"In the summer, the colour of the light is very different; you have blue light on one side and a very reddish light on the other side," she explained. "Hopefully you will experience that when you move through the building."

JAC Studios designed the exhibition, which charts the history of the Arctic landscape

Ilulissat Icefjord Centre is now open to the public, with facilities including an exhibition gallery, a movie theatre, research and educational facilities, a cafe and a shop.

The exhibition, designed by JAC Studios, features archeological objects and films contained in glass prisms that were designed to replicate real-life ice blocks. It also includes ice core drillings, dating from 124,000 BC to the present.

Facilities include a cafe and shop for visitors

Dorte Mandrup Arkitekter first unveiled its design for the Ilulissat Icefjord Centre back in 2016 and also presented the design at the Venice Architecture Biennale in 2018.

The project was funded by local and national government, with support from Danish philanthropical foundation Realdania.

Research and educational facilities are also provided, along with a movie theatre

The studio previously completed the thatched Wadden Sea Centre and the angular Ama'r Children's Culture House, both in Denmark, and has also designed a whale watching centre for the northern coast of Norway. However this is its first project in Greenland.

Other major architecture projects in Greenland – the world's largest island that is not a continent – include the Katuaq Cultural Centre designed by Schmidt Hammer Lassen and a proposal by BIG for a National Gallery.

Photography is byAdam Mørk.

The post Dorte Mandrup completes climate research centre in Greenland appeared first on Dezeen.

#cultural #all #architecture #visitorscentres #greenland #culturalbuildings #dortemandruparkitekter #climatechange

Dorte Mandrup completes climate research centre in Greenland

Dorte Mandrup Arkitekter has revealed the first photographs of the Ilulissat Icefjord Centre, a climate research and visitor centre on Greenland's rugged coastal landscape.

Hopkins Architects creates cluster of shell-like pods for turtle sanctuary on Sharjah coast

British studio Hopkins Architects has created a cluster of prefabricated concrete pods to house the Khor Kalba Turtle Wildlife Sanctuary on the eastern coast of the emirate of Sharjah in the UAE.

Built for Sharjah's Environmental Protected Areas Authority, the turtle sanctuary and visitor centre stands on the edge of the Kalba nature reserve.

Hopkins Architects aimed to design a series of interconnected structures that were sensitive to the site, which is located by the Indian Ocean alongside a lagoon and dense mangroves.

The Khor Kalba Turtle Wildlife Sanctuary stands on the edge of a nature reserve

"In many ways the site and the design are inseparable – the project itself is dedicated to the preservation of the site and its wildlife," said Simon Fraser, principal at Hopkins Architects.

"Our client was very keen that the project would both celebrate nature and teach visitors about environmental responsibility," he told Dezeen.

"The challenge was really how to preserve the site's character and create buildings that sit in harmony with the setting."

The visitor centre is housed in seven concrete pods

Created as a base for research and monitoring of the reserve and to provide information to visitors, the structure occupies seven interconnected circular pods.

Informed by fisherman's baskets, the low structures were designed to be unobtrusive within the protected setting.

A foyer space connects several of the pods

"Our core concept was to create a series of soft, rounded forms that touch the ground lightly, complementing the setting and having minimum impact on the skyline," explained Fraser.

"We initially explored more rectangular forms and larger volumes but felt they were too dominant. A series of smaller fragmented forms seemed more appropriate, a bit like the kinds of fishing baskets often left around these coastal areas."

Two pods contain exhibitions about the local wildlife

Visitors to the sanctuary arrive at the smallest of the circular pods before walking along a path to the main structure, which consists of five pods of varying sizes surrounding a covered atrium.

Two of the pods contain exhibition space – one dedicated to the marine life in the park and one to the wildlife.

Offices and toilets are in two further pods, while the final connected pod contains a gift shop and cafe with views across the park.

From the visitor centre, a path passes an indoor classroom in a small pod, the wildlife care facility and a circular turtle pond, before leading into the sanctuary and across a footbridge to the mangroves.

The cafe has views across the sanctuary

The turtle sanctuary was designed as the sister building to the Buhais Geology Park Interpretive Centre, which Hopkins Architects designed for a desert site within Sharjah.

While the previous building was clad in metal, the studio chose to enclose the coastal building in white concrete.

Designed to reference the shells found on the local shoreline, the pods were constructed from prefabricated concrete segments that were made from aggregates sourced nearby.

The pods are made from prefabricated concrete segments

"At Jebel Buhais we used a metal cladding, but for the Turtle Sanctuary we needed something a lot more durable to withstand the aggressive coastal environment, so we developed a different skin using a scalloped precast cladding with a white aggregate blended with discarded shells from the site," said Fraser.

"The result was a softer shape with a finish that is more sensitive to its context and blends in better."

Each pod has the same form

Both projects were made from prefabricated modules designed to sit lightly on the surface of their sensitive sites and both were informed by shells that were found nearby.

"What the two projects have in common are sites of exceptional beauty," said Fraser. "There were also logistical challenges of building at these remote locations, as well as the need not to disrupt the ground and build as lightly as possible."

"Both had challenging budgets which created the need for a modular system that could be standardised, prefabricated off-site and fitted together as a kit of parts," he continued.

"Even though the sister project Jebel Buhais was located in the desert, we found similar sea shell fossils scattered across both sites – 65 million years ago that desert site was actually at the bottom of the sea bed."

It is located next to a lagoon

UK-based studio Hopkins Architects was founded by high-tech architecture pioneers Michael and Patty Hopkins in 1976.

The studio was responsible for several highlights of the style, including their own home and the Portcullis House office block alongside Parliament in London.

Photography is by Mark Goodwin.

Project credits:

Architect: Hopkins Architects
Structural engineer: E.Construct
MEP engineer: Godwin Austen Johnson
Architectural lighting: Lux Populi
Acoustics: Gillieron Scott Acoustics Design
Landscape: Spencer
Main contractor: Hardco Building Contracting
Pre-cast concrete specialist subcontractor: Dubai Precast
MEP subcontractor: Al Muhanad Electro-Mechanical Contracting

The post Hopkins Architects creates cluster of shell-like pods for turtle sanctuary on Sharjah coast appeared first on Dezeen.

#all #architecture #cultural #visitorscentres #hopkinsarchitects #unitedarabemirates #sharjah

Hopkins Architects creates cluster of shell-like pods for turtle sanctuary on Sharjah coast

Hopkins Architects has created a cluster of concrete pods for the Khor Kalba Turtle Wildlife Sanctuary on the eastern coast of Sharjah.