Live Reaction to the Debut of AEW Collision and CM Punk’s Return in Chicago

All Elite Wrestling debuted a brand new, two-hour show on TNT called Collision last Saturday night on June 17. The show also brought the return of CM Punk after over nine months away from the company. I attended CM Punk's return to pro wrestling in August 2021 at the United Center in Chicago, Illinois. It was a much different vibe then. The crowd was absolutely insane. I hadn't experienced a show like that before. The whole United Center literally shook with how loud everyone got. It was awesome to have Punk back in wrestling. He still had massive fan support after his exit from WWE in 2014 and the way that company treated him during his time there and on his way out. The show was also the debut episode for Rampage, aptly titled The First Dance. Everyone got ice cream bars from Punk after the show and were happy. Those good time feelings didn't even last a year. Punk had great matches and feuds in AEW with the likes of Darby Allin, Eddie Kingston and MJF. He was building to more until he broke his left foot last June while stagediving into the crowd during one of his entrances. His wrestling feud over the AEW world title with Hangman Adam Page turned real after comments made by the champion about worker's rights during a promo between the two on a May 25, 2022 episode of Dynamite deeply upset Punk. The line by Page was related to Colt Cabana not appearing on AEW programming since Punk's arrival in the company and potentially getting fired. Page thought Punk was responsible for after the two former best friends had a bad falling out several years ago. According to Punk the comments took him off guard. A few months later on Dynamite during his first night back after recovering from his foot injury, Punk called out Page unexpectedly. He said Hangman not coming out and confronting him right there was coward shit and not cowboy shit. He also said that the apology must be as loud and as public as the disrespect, in reference to their personal issues over Page's comments. That's also a great line considering what came afterwards from Punk just a month later. Hangman had no idea the promo was happening and wasn't scheduled to come out. Punk was so mad about the Page situation that he went to AEW upper management to discuss the issue and had increasing frustrations within the company. At the time, the line and promo from Hangman flew over most people's heads until it became a big story a few months later. His actions following the Hangman feud, his blowup at the press conference following the All Out pay-per-view on Sept. 4, 2022 and repeated situations since then diminished the star aura around Punk. Even though Punk beat Jon Moxley to become the AEW world champion for a second time, the post-match media scrum had nothing to do with the show or the match he just won. Punk's rant at the press conference attacked Page, the EVPs (Nick and Matt Jackson (the Young Bucks) and Kenny Omega) and Colt Cabana with insults and complaints all while AEW president Tony Khan sat there frozen next to him for most of the rant. It made the company look terrible as Punk basically crapped over the whole promotion. As a fan it was incredibly disappointing to watch and I haven't viewed Punk the same way since. Brawl Out happened in the Now Arena immediately afterwards, where Punk, Ace Steel (an AEW agent/producer and personal friend of Punk's), Kenny Omega and the Young Bucks had an altercation. While Punk had said during his rant that anyone with a problem with him in the company could tell him to his face, when that actually happened it didn't go so well. Doors were supposedly kicked down, chairs were thrown, someone got bit and a dog supposedly got hurt. Punk supposedly threw the first punch during the altercation. Lawyers got involved, stories supposedly leaked to the wrestling media and non-disclosure agreements were signed. Punk was injured during his match with Moxley and went away for months to recover from a left torn triceps. The situation was never addressed publicly or on AEW television. An incredible amount of drama has followed all those events since last May. A black cloud hung over AEW that brought the company's tremendous progress to a halt. Omega and the Young Bucks were suspended for a few months and stripped of the Trios tag titles while not much repercussion seemed to fall on Punk except him now getting his own show. Some of Punk's postings on platforms like Instagram are just bizarre, where he continues to call out wrestling media people, called his coworkers like Chris Jericho liars and complained about his feud Moxley too. Fans became split between wanting Punk fired or thinking the Elite caused all the drama. A lot of fans were simply turned off on AEW by the whole situation. It wasn't even known if Punk would ever return to AEW. Punk is using the same force that got fans behind him in WWE against the bad corporation, except this time people really like the corporation and the guys who formed it, like the Elite. In retrospect the whole situation makes a lot of the things Punk said on his return run in question. It also makes the whole persona of being a man of the people less authentic. Speaking truth to power and those catchphrases really doesn't seem to mean much anymore. Through his own actions Punk comes across as very difficult to be around and like some of the wrestling stars of the past like Shawn Michaels and Hulk Hogan. Imagine having a coworker like that at your own job. It would be brutal. Punk's other public comments about standing in solidarity with co-workers just makes him look hypocritical and insincere after his own actions goes against that. Basically it all comes across like Punk acts one way for his public persona but in reality he might not be that person, which disappointed a lot of fans. Some fans keep pushing for The Elite and Punk to have a match or feud over the whole controversy, and make money. Why would the Elite guys need to? Punk also keeps pushing to make amends with them so they can obviously make money on a big PPV match. At this point, they really don't need to work together. I can't imagine Punk and Omega having a match on the quality level that Omega is known for. They legally can't talk about anything either way so the build up would be a lot of running in circles. The constant complaining from Punk about wrestling journalists and wrestling media in this whole situation reeks of the fake news talking points we hear in politics in an attempt to absolve legitimacy of a report or story. For some people, Dave Meltzer of the Wrestling Observer is supposedly the root of all problems in this AEW situation. A lot of the wrestling media does fall short but to specifically keep calling these specific guys out by name as liars is weird. A lot of these wrestlers talk to the dirt sheets and get stuff out there (like Punk and his camp even probably have). I'm still not sure what the big lie is or what truths the general public doesn't know, especially given we've heard a lot out there from Punk's side and not much from the other. Collision was officially announced on May 17. It was created as a third show for AEW, a weekly program that will be equally important as their flagship Dynamite. One of the potential ideas is that Collision could be sort of a soft brand split between talent, where guys like Omega, the Young Bucks and Page will appear on Wednesday while Punk and others will be on Saturday nights. The company's other show Rampage on Friday nights has basically gone off a cliff in relevancy and viewership over the last year so it's crucial that Collision doesn't follow the same pattern. In the last few months AEW started getting over the fallout from the Punk situation and a combination of other factors that led the shows to feel flat and uninspired for most of the past year. AEW also recently sold over 65,000 tickets at Wembley Stadium in London for All In on Aug. 27, without Punk on weekly television or even his status in the company clear. In a recent ESPN interview Punk brought up Page again, saying their match at Double or Nothing last May was ruined for him because of everything surrounding it. At one point during the match he claimed Page hit him harder than usual and he wasn't sure if the move was done on purpose. Punk is still going on about the Hangman situation and said, here we are over a year later and ain't shit been done about it. Page still hasn't said anything publicly about the whole ordeal. In the interview Punk did say he apologized to Khan after the press conference by putting him in that situation and they supposedly have a great relationship now. His view of the whole situation is that it wasn't a big issue, shit happens and that lies being put out have made the situation worse than it actually is. There were audible boos on Dynamite when Khan made the announcement on May 31 of Punk's return to the company on the debut show of Collision. Punk's return to AEW almost didn't happen again, as the company delayed the announcement of the debut episode's location in Chicago at the United Center by a week to May 24. His name was initially removed from press material put out by Warner Bros. Discovery on May 17 until some things were sorted out, as the media company said Punk was not affiliated with Collision. It came out there were some issues with Ace Steel getting his job back as an agent and the role he would have, who had been fired after the Brawl Out events. This led to Punk being at odds again with AEW and jeopardizing the launch of the show. Collision would have a harder chance of success without Punk, as Saturday nights already face tough competition from other sports and live events. In the make-believe world of pro wrestling, the illusion has been pretty much exposed. The debut show for Collision wasn't sold out, as there were visibly empty seats scattered all throughout the United Center. For Punk coming back in his hometown after so much time away and surrounded by all this controversy, you think it would have been a sell out. AEW actually heavily promoted Collision for weeks, going as far as announcing the main event featuring CM Punk ahead of time. For several weeks leading up to the show, Tony Khan would drop another announcement on Dynamite about Collision. This is a lot different than when Rampage debuted, where it was built on a rumor of Punk returning to wrestling. Collision was a fun show to attend though. The two hours of Collision went by pretty quickly. I initially debated even going to this show because how centered around Punk it would be but figured it would be interesting to be there for the first-ever episode. It's crazy to think about just how much the sentiment towards Punk has negatively changed since he first came back. I had seats in section 217 that were $60, which wasn't bad for the view they had. I was also able to get them pretty easily on the first day tickets went on sale. Having pro wrestling in the United Center is really cool though. The atmosphere in the arena was filled with passion and excitement. The Collision entrance stage looked awesome. There were Ring of Honor matches taped before and after Collision. Seeing someone like Kyle Fletcher wrestle was cool, who has a ton of potential to be a big star. Before the taping started as fans began to fill the arena, CM Punk chants broke out with a lot of fans booing them down. I thought that was a sign that when the show actually started Punk would get a mixed reaction. That wasn't the case tough. Tony Khan came out right before the show started and got loud boos, which showed the fans were more on Punk's side. Punk opened Collision and stood in an AEW ring for the first time in over nine months. He started talking about how he's tired of being nice. He repeated, tell me when I'm telling lies a few times. He said there are some people who hate him for the same reasons the Chicago fans all love him. He said he's the truth, and the truth is painful. One of the big moments during the promo was when Punk said, I am the one true genuine article in a business full of counterfeit bucks, which was a clever line aimed at Nick and Matt Jackson. His other big line about how the only people softer than the fans who want an apology from him are the wrestlers they like was just eye-rolling when he himself has had so many issues in the last year. It all just comes across now as fake pro wrestling instead of blurring the lines between reality and fiction, which is what the sport can do so incredibly well sometimes. Punk is easily one of the best talkers in wrestling but there are holes in the armor now. It's a lot harder to suspend belief and also sympathize with him being the victim in all this. He comes across as incredibly unlikable now. His promo mentioned guys that he will probably never work with or who will never get to say anything in return because of lawyers and NDAs. If it doesn't lead to a match then what's the point? https://youtu.be/6-9FQQHbH7w This return and promo would only work in Chicago, where Punk's hometown fans will basically support him no matter what. The crowd was really into Punk's promo. There were also loud Fuck the Elite chants during the opening segment. Unless Collision takes place in Chicago every week, Punk is potentially going to have problems with fan reaction on this show. It's also a big test for him and if he can carry Collision in metrics like ticket sales and ratings. It's not a guaranteed success like when he first came in and AEW had already established itself with Dynamite and sold-out PPVs. Even after the Punk announcement a few weeks ago, the United Center didn't sell out. Ticket sales for the upcoming Canadian shows of Collision were at pretty low sales too until the past few days when the numbers picked up. The crowd in the United Center was loud but not as high energy as Punk's debut in 2021. That's one of the main things I noticed being in the building. The CM Punk chants were loud but not earth-shattering anymore. It felt like more of a typical Chicago wrestling audience instead of a big show/big return crowd. I think all the drama definitely hurt Punk's brand, even somewhat in Chicago. The rest of the card for Collision was announced before this show. Kevin Kelly, Nigel McGuinness and Jim Ross were announced as the broadcast team, which could be the best in wrestling. Andrade El Idolo and Miro would make their returns to AEW after both being off television for months. Wardlow would defend his TNT title against Luchasaurus. There would be a tag match between Ruby Soho and Toni Storm vs. Skye Blue & Willow Nightingale. The Acclaimed would also appear. The main event featured CM Punk and FTR (Dax Harwood and Cash Wheeler) vs. Juice Robinson and Jay White (Bullet Club Gold) with Samoa Joe. There's something about Wardlow that's not clicking right now. It also feels like he has had the TNT title too many times now and needs to get away from it. Christian continues to be pretty great though, as he acted like he was the one who actually beat Wardlow for the title. The Andrade match against Buddy Matthews didn't work live and killed the crowd in the building. Both guys worked through the match supposedly injured. Maybe it came better on television but I thought it was bad. What are the Acclaimed doing? Ever since losing the tag team titles in February they have been floundering. The fans love them but they seem to be pretty aimless now. They got a huge reaction in Chicago but aren't involved in anything significant. They also recently lost to House of Black in a Trios title match on Double or Nothing. The first Collision had a good main event. It was slow at times, but they had almost half an hour to close the show out. The match had a lot of back and forth. I was surprised there wasn't more outpouring from the crowd at times for Punk to get in the ring. A lot of the match had Cash getting beat up. Towards the end of the match Punk did get a hot tag from Cash and the crowd erupted but for most of it the reaction felt normal. It did not feel like a big return match for him. Punk looked okay in the ring but he's obviously going to need more time to get back into full gear. Joe beat the hell out of Punk and they had some great interactions, which is the rumored big first feud for Collision. Punk vs. Joe should be good given their long history back in the early days of Ring of Honor. It was great to see Jay White, who had worked for New Japan Pro Wrestling for years so I hadn't had a chance to see him since he became such a big star. It was a solid match but there were no angles set up for next week's show. After the show ended Punk and FTR talked to the crowd for several minutes. Dax complained about journalists again, saying the media wants people to think its Dynamite vs. Collision when it's really just all AEW. He also said he gets a lot of criticism for being Punk's best friend. Dax is another guy who went from fan-favorite to completely unlikeable, partly because of his ties to Punk and stuff he posts on social media or said on his own weekly podcast. Punk also talked about how he wasn't sure if people were going to hate him or not, even in Chicago. Punk and FTR also visibly supported gay and trans rights by bringing a fan into the ring and holding up their sign, which is great and hopefully was genuine. More Ring of Honor matches followed Collision. The matches after Collision were tough as more than half the arena immediately left and the remaining crowd were totally dead for the first few matches. Dalton Castle has something special to him. The crowd woke up and really got behind him during the third match. I left early around 10 p.m. because I had no idea how long they were going to tape for. I did miss out on the Chicago Street Fight match between Athena and Kiera Hogan for the ROH women's title, which I read turned out to be great. I don't think the featured guys like Andrade, Miro and Scorpio Sky are going to keep people tuned in every week to Collision. The show needs its own identity and it already feels like the land of misfits and troublemakers within AEW. Andrade hasn't done much in AEW and Miro has been a mixed bag too. Right now the entire show really boils down to CM Punk carrying the program. It does gives other talent a chance to rise up though and become new stars like Powerhouse Hobbs or others from the company's deep talent roster. The real question is whether Punk is going to last or will there be another issue that happens behind-the-scenes? Physically Punk also isn't the same as he was during his WWE run. He also got injured a few times in just a year with AEW. Is he going to be able to hang with the crazy talent level in the company? One of the other issues following the debut is what's the hook for the next Collision. There was nothing major set up for the following weeks, outside from House of Black beating up Andrade. Even Miro's return didn't really cement much since he beat Tony Nese pretty quickly. Collision sort of already feels like just another AEW show, which is exactly what needs to be avoided. The other problem that AEW sometimes faces is just having shows with matches, like what happened to Rampage on a lot of weeks. It could be pretty cool to have Punk as the real champion who never lost, as he alluded to in his promo by carrying a red bag with presumably the title belt he was stripped of inside it. That story was tried before in WWE, when that company brought him back after just a few weeks from winning and leaving with the world title at Money in the Bank 2011, completely killing the storyline. On Dynamite this week, Punk came out during the opening segment to give backup against Bullet Club Gold beating up FTR and Ricky Starks. Afterwards Punk said, I'm a Collision guy, I'm not even supposed to be here, which hints again at the two shows being more of a brand split. There's just another tag match announced for the second episode of Collision taking place in Toronto, with most of the same guys returning from the first main event like Punk and FTR with Bullet Club Gold but adding Ricky Starks and The Gunns. The other matches for Collision announced on Dynamite were Swerve Strictland vs. Hiroshi Tanahashi, Nyla Rosa vs. Willow Nightingale in the women's Owen Hart Foundation tournament, and Brody King vs. Andrade El Idolo. Christian will also address the TNT title situation and Sting/Darby Allin reveal their tag team partner for the Forbidden Door pay-per-view this Sunday. It sounds like a decent card but also completely skippable. Punk will also be facing Satoshi Kojima as part of the men's Owen Hart Foundation tournament at Forbidden Door, which feels like such a random, nothing match compared to the other high-profile New Japan cross-over contests on the card. Hopefully the company finally moves past the CM Punk/Elite drama and Collision grows to be successful. There's still potential to do some cool things with Punk but it's going to be an uphill battle against public perception and with the personalities involved. Photo Gallery:

Tim Bowman

#Ingrown were in #Chicago this past Tuesday night opening for Obituary and Immolation. The band ripped on stage with some great #hardcore. Check out a few songs from their set:

https://www.youtube.com/watch?v=SZRsq3m0tAs

#hardcoremusic #livemusic #tbcontent

Ingrown Live in Chicago - May 9, 2023

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#Obituary played a lot of songs from their new album "Dying of Everything" this past Tuesday night at the Metro in Chicago. The songs all killed live. Here's the band playing one of them, "Barely Alive":

#DyingOfEverything #deathmetal #metal #metalmusic #metalshow #metalconcert #livemusic #tbcontent

https://www.youtube.com/watch?v=2qcs5z_kpPo

Obituary: Barely Alive Live in Chicago - May 9, 2023

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Blood Incantation were in Chicago this past Tuesday night supporting Obituary and Immolation. They're a really awesome band that I've wanted to see live for a long time. Here's them playing "Chaoplasm" off the band's album "Starspawn."

https://www.youtube.com/watch?v=hVrsteYkM2g

#BloodIncantation #Starspawn #deathmetal #metal #metalmusic #metalshow #metalconcert #tbcontent

Blood Incantation: Chaoplasm Live in Chicago - May 9, 2023

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#Immolation came through Chicago last night and destroyed. Here's the band playing the new song "The Age of No Light "from their latest album "Acts of God."

https://www.youtube.com/watch?v=GZedB85EIu4

#TheAgeOfNoLight #ActsOfGod #deathmetal #metal #metalmusic #metalconcert #tbcontent

Immolation: The Age of No Light Live in Chicago - May 9, 2023

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#Obituary came to Chicago last night and crushed it! Here's the band playing "The Wrong Time" from their new album:

https://youtu.be/6Bb_r7j79dU

#DyingOfEverything #deathmetal #metal #metalmusic #metalconcert #tbcontent

Obituary: The Wrong Time Live in Chicago - May 9, 2023

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Death To All, Suffocation and Nukem Live in Chicago-March 29, 2023

A Death tribute act celebrated the legacy of all the band's music with a crushing set. Date: Wednesday, March 29, 2023 Place: House of Blues Chicago (329 N. Dearborn St.; Chicago, Illinois 60654) Ticket Price: $27.50 ($38.61 after fees) This was one of the best shows I have ever been to. I do kind of say that like every show I go to, but this time it's really for real. I didn't expect Death To All to be so good. They were incredible and they had great support too with Nukem and Suffocation. The House of Blues in Chicago is a cool venue. It's located right downtown. I like the way the building looks inside, with a big open floor and surrounding area with bars and then a balcony area. The sound is great too, especially for metal bands. The last time I was at House of Blues Chicago was in May 2019 to see Overkill and Death Angel. The place got really packed for this show. Death is one of my all-time favorite bands. Chuck Schuldiner, the main force behind the band, passed away in December 2001 from brain cancer. There are a few official tribute groups with direct ties to the band that exist and are currently touring. Death To All (DTA) has been around for a long time now, forming in 2012 and doing various shows and tours throughout the years. The band has had different members with ties to Death, touring and playing songs from the band's entire catalog. Having actual members from those albums and time periods adds a lot of credibility to the band, even though it's a tribute act. It's separate from Death but still has a lot of the elements that made the band successful when it was around. Left to Die is a newer band that features two members from Death's '80s period with guitarist Rick Rozz and bassist Terry Butler of the Scream Bloody Gore and Leprosy era. Both guys are joined by Matt Harvey from Exhumed and Gruesome who plays guitar and sings while Gus Rios from Malevolent Creation and Gruesome plays drums. Unlike Death To All's tour, Left to Die just plays the whole Leprosy album and a few songs from Scream Bloody Gore in their sets. I saw Left to Die last July and they killed. The 30th anniversary of Death's Individual Thought Patterns album is coming up this June. That's still a phenomenal album. The more I listen to it, the more it becomes one of my all-time favorites. This Death To All tour was advertised as celebrating that album's anniversary and the rest of Death's music too. The current Death To All lineup feature Steve Di Giorgio on bass, Gene Hoglan on drums, Bobby Koelble on guitar and Max Phelps doing vocals and guitar. Both Di Giorgio and Hoglan both played on a couple Death albums in the '90s and were on Individual Thought Patterns together. Bobby Koelble played on 1995's Symbolic album with Hoglan and the tour for it. Phelps is in his own band called Exist and has also played live with Cynic throughout the past decade. Exist released their third album Egoiista in August 2020 on Prosthetic Records. This tour had 23 shows, running from March 2 in Seattle to April 1 in Denver. I had seen both Di Giorgio and Hoglan play together with Testment before. Both guys are incredible and legendary musicians. Seeing them live is pretty special. Suffocation are a legendary death metal band from Long Island, New York. I haven't listened to them much but had bought one of their newer albums from 2017 before called …Of the Dark Light that was really good. Their first record Effigy of the Forgotten released in 1991 and is considered one of the most important metal albums for its influence on brutal/technical death metal and the genre as a whole. I don't think I have seen Suffocation live before but expected them to be super heavy based on their reputation. They might have opened for somebody once at a show I went to but I'm pretty sure this would be my first time seeing them. Ricky Myers is the band's current vocalist, who replaced original singer and founding member Frank Mullen who retired from music in 2018. Myers had previously played live with Suffocation for several years singing for the band in place of Mullen when he couldn't make certain tours. Myers is also in his own death metal band called Disgorge that he started in 1992 who have released several albums since the late '90s. Nukem are a newer thrash metal band from California. I hadn't heard of them before this show. Nukem have only put out one album since forming in 2012 called The Unholy Trinity that released in September 2016. They just recently put out a new single called Empress of Evil that's pretty good so I would assume they would have a new album coming out soon. It just sucked getting into downtown Chicago. The traffic was awful, more so because of the new major construction project that started in March on the Kennedy Expressway that shrunk the road to just two lanes. I could have walked there faster. I got inside the House of Blues at around 6:32. There were a few rows of people near the front of the stage and aa lot of people spread out across the room at the bars, food areas and just standing around in the back. There were maybe a few hundred people all across the different areas when I got in. There were a lot of younger people at this show too, probably in their late teens to early 20s. It was a good demographic and mix of people. There was a merch area set up in the back for all three bands. I got a Death To All tour shirt for $30. They had signed posters limited to 250 for $20 each. They also had some signed drum items. Suffocation had shirts for $30. Nukem had a smaller table set up with a few shirts for $30 too but didn't have any vinyl or CDs for sale. After buying the shirt I was able to get like right near the stage. There was a guy in some banana costume outfit in the front row by the barricade, which really stood out. Nukem had a big task opening for two huge bands but they really pulled it off. They had great energy on stage. I liked them a lot. Their sound was really tight. The lights went off in the room at 7 p.m. and the band came on stage with red lighting on them. Nukem are also a bit unique since they have a woman playing lead guitar with them, which you don't see a lot in metal. Laura Christine rips on guitar and is a great live player. She's also married to Gene Hoglan, so it's cool they were able to tour together in different bands. Nukem played about 35 minutes with eight songs. They opened with Lethal Injection and D.O.I. They played their new song Empress of Evil after those. The new song sounded pretty good live. Nukem played WarWolf next, which is a cool, thrashy song that sounds great live. All the different colored lighting effects and flashing on stage that Nukem had during the set almost gave me a seizure. The fifth song they played called The Atomic Age had some really great guitar soloing near the ending. It was ripping pretty hard. Steve Brogden on vocals and rhythm guitar played great. He sounded great singing the songs too, with his voice really fitting the thrash metal style. On the sixth song The Deceiver I could feel the riffing and down picking in my chest. The band's playing was vibrating throughout the whole room. The bass playing from Don Lauder sounded especially good on this song too. Later in the song the riffing picked up and a pit opened up in the center of the floor. It was a pretty good size. The riff on the seventh song Evelyn's Awakening sounded amazing live. The last song Nukem All ripped hard too. There were some melodic solos near the end, with both Brogden and Christine playing off each other. They had good chemistry on stage together. The band's guitar tones sounded sick live. Nukem were a really great opening band and strong thrash act too. If you're into thrash metal you would probably dig them. Their set went by really quick and was fun to watch. The crowd got pretty into them. It was pretty packed for Nukem. Most of the floor was filled out along with the surrounding standing areas. The balcony area was also filled too. I'm looking forward to Nukem's eventual new album and seeing them live again. https://www.youtube.com/watch?v=d5ltCAh2iV8 Suffocation were so heavy. They were super intense live. Suffocation were so loud that I could feel the riffs and the drumming vibrating in my body the entire time they played. It was crazy. I knew it was about to get real when this built security guard came out before the set and stood by the stage, who wasn't there when Nukem played. Suffocation had a big mosh pit going for most of their set. The pit went pretty hard too, much more than your typical thrash metal pit. They started playing at around 7:58, opening with Thrones of Blood off Pierced from Within (1995). Even though Death To All were headlining, there were a lot of people there to see Suffocation too. Almost immediately a huge put opened up on the floor with a ton of people in it. There was a huge wall of people running around in a circle and moshing around. The pit for Suffocation looked more violent than at other shows I've been to. The guitar solo by Terrance Hobbs for this first song was awesome, especially being so close to the stage. The third song Catatonia went really hard, which is from their 1991 debut EP Human Waste. The crowd was really into the song and got another big pit going. The fourth song Funeral Inception from another EP Despise the Sun (1998) went really crazy. The pit had this huge running fast circle going in it that looked insane. During this song a girl was crowd surfing right over me and the security guard picked her up. I didn't even notice her until she was being pushed forward and almost hit me. Pierced from Within was the next song and was also incredibly intense. The guitar solo at the end of the song was awesome. Hobbs is a fantastic guitar player. Seeing him play live was really cool. The drumming from Eric Morotti the whole night was just wild. His double bass playing and drumming was so loud and intense. You could just feel it down to your bones. He played incredibly fast. It was pretty amazing to experience live and blew me away. Derek Boyer on bass also killed it. He has a unique style where his bass guitar hangs so low to the ground that he practically sometimes plays it standing upright or like positioned on his foot. It looked like he was crouch walking on stage at points too. I've never seen anyone play bass like that before. Charlie Errigo on rhythm guitar was going hard the whole night and headbanging like crazy. He kept up the energy the whole time. Myers' vocals and growling were so brutal. It's amazing how he held those deep growls and kept doing them the whole night. From my limited knowledge of Suffocation and never seeing them live before, he really seems to fit the band. He's a super big dude too, like really tall. All these death metal dudes are intense as hell and look intimidating but I bet they're all nice guys. https://www.youtube.com/watch?v=3icKI6T5qF4 Liege of Inveracity from Effigy of the Forgotten was the seventh song that Suffocation played. The playing on this song was intense too. Hobbs melted out another awesome guitar solo. I really liked the band's guitar playing live because the solos sounded a lot different compared to the rest of the music. Those sections weren't downtuned so the contrast worked really well into the songs. The bass playing was heavy all night but especially on Liege of Inveracity. People were going hard in the pit during this song. The last song Suffocation played was Infecting the Crypts from Human Waste and their debut album. Myers stopped during the song and said it was the last chance to open the pit up, which a ton of people did. Suffocation ended at 8:40 after eight songs. Suffocation absolutely killed and crushed my mind. Each song just brought so much intensity. The whole set was a really incredibly sensory experience, from the flashing colored lights all over, to the crazy drumming, to the death vocals from Myers and the demolishing guitar playing. It was a sensory overload both visually and to your ears. If you didn't have earplugs in for Suffocation you would probably get your hearing blown out. They were still really loud even with wearing plugs. Physically you could just feel the music down to your core from how loud and chaotic it all was. I hardly ever experience that at shows. I loved the guitar playing from Hobbs and Errigo. You can't help but headbang along to Suffocation's music. The room was super packed for Suffocation. There were a ton of people here. It must have been close to a sell out. Suffocation had a lot of fans here. Most people were super into them, even rocking out in the balcony areas. It's probably one of the best sets I've seen, and I'm not even a mega fan and really only casually know the band. I need to listen to Suffocation more. I haven't got around to getting into them. Death To All were simply incredible. This band is the best way to experience Death without Chuck being with us. The level of talent that all four guys have is amazing. Di Giorgio is one of the best bassists and Hoglan is one of the best drummers, so putting them together is an all-time combo. They played around 20 songs. That's a really long set, way longer than most headlines play. There was a longer wait for Death To All to start. I'm not sure what took so long since it looked like everything was set up for awhile before they finally came out. The lights in the room went down at 9:15. Some sound effects start playing, almost like an underwater effect. It seemed like it played forever though. Some guy near me commented that this was the show. That really made me laugh. Hoglan came out at 9:21and the Death To All sign lit up red, with the rest of the band following. The opening song had so much energy. Death To All opened with the beginning part of Infernal Death from Scream Bloody Gore then went right into Overactive Imagination from Individual Thought Patterns. This song was so good live and set the tone for the rest of the show. https://www.youtube.com/watch?v=64jEx6V0yH8 They did The Philosopher next that was also great. They played Bite the Pain from Death's final album The Sound of Perseverance (1998). Max Phelps would adjust his vocals depending on the era of the song, as Chuck's voice was also varied during the different periods of the band. I thought that was a cool touch. The drumming from Hoglan was fantastic on this song. They went into Zero Tolerance from Symbolic as the fifth song. Steve's fingers were going crazy on his bass during this one. He was urging crowd surfers on when one guy got picked up by security. I noticed he was also playing on stage barefoot, which is a pretty hippie and metal thing to do. The guitar solo from Bobby Koelble was so good on this song. He's a fantastic player and really underrated. There were a lot of crowd surfers that kept the security guards busy the whole set. After the song Steve talked to the crowd and said Chicago came in hot and hoped we had that energy for him all night. He thanked the crowd for keeping live music alive. He said what the band does is a bit of a nostalgic trip but it feels relevant because we all love to hear it and they love playing it. He said they were here to immortalize our fallen brother Chuck Schuldiner. The crowd erupted into cheers and loud Chuck chants. That was really cool. Steve said this is what Chuck envisioned. Steve said they have songs off all the records tonight, something for everyone. They were keeping Chuck's vision and memory alive. This show definitely didn't feel like a cash grab but a legitimate tribute and cool way for people to experience all that music live in the present day. Spiritual Healing was the next song, the title track from that 1990 album. Phelps adjusted his voice again for it. The song was so sick live, with the drumming and riffing played really fast, faster than on the album. A ton of people in the crowd were headbanging. The solos at the end of the song were fantastic. Both Phelps and Koelble sounded awesome. Di Giorgio was slapping his bass right in front of me on stage too. They went into Evil Dead from Scream Bloody Gore as their seventh song. It sounded incredible. There was a really big pit going during the song. When Death To All played the earlier material from the first two albums the songs sounded fresh and new. They added something to those songs in the live setting that just elevated them all. After the song Steve said he loved the reaction. He thanked the security staff and said no one gets hurt and we all get along. He talked about it being the 30th anniversary of Individual Thought Patterns and that he was a young lad when he recorded it. He said he's 37 now and they were like 5 when they made the album. He talked about how The Philosopher was the Beavis and Butt-head song, which pissed Chuck off but it gave the band exposure. Steve is actually really charismatic and funny, which I wasn't expecting. He basically acted like the frontman the entire night as Phelps didn't say much the whole show. After talking about the album the band went into Trapped in a Corner from it. Steve played a little extra bass section at the end, like a solo with the rest of the band stopping their parts. It sounded sick. They went right into Lack of Comprehension from Human (1991). The drumming from Hoglan was so heavy on this song. The whole song sounded amazing live. Death To All went back to Leprosy (1988) with that album's title track. It's one of my favorite Death songs and these guys played it so good. Phelps did the screams on the song great. Hoglan was like a machine on the drums during the song. Seeing him play the song in person was crazy. Her was headbanging and going along with the playing so effortlessly. The band played Leprosy was faster than it was on the album. Leprosy had a good pit going too. Before going to Jealousy off Individual Thought Patterns Di Giorgio and Hoglan did a big intro, talking about the recording process of that album. Steve talked about how they connected with Hoglan through Dark Angel and how they now have a bond decades later. He called Hoglan The Atomic Clock and really put him over before Hoglan talked to the crowd. Hoglan kind of sounded like an auctioneer or boxing announcer when he talked. He said the number one thing is us all having fun and leaving all our leaving our troubles at the door by listening to some metal. Jealously sounded fantastic live. They continued on and played Suicide Machine from Human and then Living Monstrosity from Spiritual Healing. Living Monstrosity was another old song that sounded excellent live. The guitar playing was awesome on it. Phelps even kind of stood like Chuck used to do on stage. He really nailed down Chuck's parts while adding his own style to it as well. Di Giorgio did another intro before the band went into Symbolic, which was like the 15th song they played. He said it was around the 28th anniversary of the Symbolic album, which brought in new members like Bobby Koelble that's part of this tribute. Symbolic was yet again another phenomenal live song. After the song the band left the stage and came back a few minutes later for the encore. For the encore they did another five songs. They started up again with Flattening of Emotions from Human. The drumming from Hoglan was so heavy on this song. It was so sick. Phelps' singing was also really tight on the song and sounded fantastic. Death To All went back to the first album with Zombie Ritual, which the crowd popped really loud for once the band started playing the intro to it. The song was so good live and like the other older material sounded so modern when they played it on stage. It really shows how great all of Death's music is and how much it all still holds up over 35 years later. The pit went really strong during Zombie Ritual. Phelps' vocals sounded sick still too, especially this late into the show with this type of extreme music. https://www.youtube.com/watch?v=PypzTXkQmys After the song Steve talked to the crowd again. Someone from the crowd yelled out asking how his feet were, since he was on stage with no shoes on. Steve said he had a chunk of wood in it but they took it out. He thanked everyone for coming out and making it a great show. He said it's a great memory for the band to be playing for us. He went on to formerly introduce Phelps and said that Max was under the weather. He said it's not easy to do this on stage for a tribute band for an iconic band. Steve also said it's hard to sing all the songs that Chuck wrote and sang on too. Steve called Max the Baltimore kid and that he has his own band called Exist from Maryland. I had no idea that Phelps was sick during this whole show. That makes it even more impressive with how awesome he played and sang the entire night with how complex all this music is. Just going through all the vocal changes to fit the different songs must have killed his throat too while already being sick. He filled Chuck's shoes incredibly well for this band. Koelble talked on stage during this part too. He's also a pretty funny dude as he would crack jokes or make funny mannerisms between some of the songs. He did a quick knock-knock joke here and said Orange. The crowd yelled back, Orange who? Phelps responded, Orange you glad I didn't say banana? He said it's not everyday you get a banana in the front row, referencing that one guy near the barricade wearing a banana suit. Bobby said that Steve is the king of the heavy metal fretless bass, is on a three string guitar tonight and that he's one of his favorite people on the planet. The crowd broke out into loud Steve chants after this. Di Giorgio said that someone asked him earlier during the VIP fan meeting if he was born here. He said he was born in Waukegan, Illinois but he's a California boy through and through. The crowd booed and he was like, boo? He said he liked the Blackhawks but the Bears need a lot of work. I didn't know that Di Giorgio was actually born in Illinois. That's cool, although I dunno how great Waukegan is. He listed off all of Death's albums and asked the crowd if we wanted to hear something from The Sound of Perseverance. The crowd cheered and the band went into Spirit Crusher. The bass intro on this song was so sick live. Phelps adjusted his voice again to sound like Chuck's on the final album. The drumming was also so heavy. Hoglan didn't even look tired this late into the show. Phelps sounded fantastic on Spirit Crusher. I don't know how he didn't blow out his voice on this song, especially if he was sick. Afterwards the band played Crystal Mountain from Symbolic. Hoglan killed it on drums during this song. It was amazing to have a straight view of him drumming from where I stood. He was hitting the double bass so heavy and drumming all over his kit like nothing. Death To All played Pull the Plug from Leprosy as the final song in the set. Pull the Plug is another favorite Death song of mine. There was one final pit going hard during the song. The band stopped halfway and waited for the crowd to get pumped up then went back into the song. There were some awesome sounding guitar solos live during Pull the Plug. Hoglan played fantastic on this last song. After it was all done Hoglan just walked from behind the kit to join the rest of the guys, like nothing. He didn't even look phased or tired. He really is a machine. The band bowed on stage together as the crowd chanted for one more song. Death To All ended at 11:18 after about two hours of playing a set filled with nearly 20 songs of crushing music. Seeing Death to All was an amazing experience. I have to see these guys again. It's so cool that Chuck's legacy and his music are able to keep going in this way. It's not just some local cover band doing these songs but people that are high-level musicians who actually worked and performed with Chuck when he was alive. The show was out of this world and just incredible to witness all the songs played live. Photo Gallery:

Tim Bowman

In addition to my recap video on Midwest Gaming Classic, I also wrote an article with more details about my experience and photos from the show:

https://timbowman.me/2023/04/08/my-recap-and-experience-at-midwest-gaming-classic-2023/

#MidwestGamingClassic #gaming #videogames #retrogames #retrogaming #retro #Nintendo #PlayStation #Xbox #Atari #Sega #photography #tbcontent

My Recap and Experience at Midwest Gaming Classic 2023!

One of the best conventions for gaming history took place last weekend. I've been wanting to go the Midwest Gaming Classic for years. The convention takes place every year in downtown Milwaukee, Wisconsin. It's one of the largest gaming conventions in the country and also one with a heavy retro game focus. This was also my first time going to Milwaukee. I live in Chicago so it's not that bad of a drive. It took about an hour and a half to get there. My plan was to check out the convention on Sunday, April 2. I drove into Milwaukee early Saturday afternoon and stayed overnight at a hotel near the downtown area. I wanted to check out parts of the city while I was also there for the convention. Last Saturday I went to an art gallery at the Grohmann Museum. The art collection there is incredible and pretty unique. It's basically a large exhibit about the history of working people and different professions over the last 400 years. It's funny seeing that like 90% of all those jobs have been eliminated today or done more efficiently by machines and computers. I wonder what some dude in the 18th century would think about our society now. He would probably just collapse to the floor and die on the spot. I ate a calzone for the first time from Foltz at the Milwaukee Public Market, which is a really cool and busy place with different food and dessert shops all inside this one building. All I could think about was the Seinfeld episode where George Constanza is getting calzones for his boss at the New York Yankees, George Steinbrenner. Costanza is in the building! And he's not in this office! He's got the Calzone! Costanza! I'll get you! I sort of cheated because instead of a traditional calzone with marinara sauce, I got a BBQ chicken pizza one. It did feel like I had just drank an entire bottle of BBQ sauce afterwards. It was worth it though. Parking across the city seemed to be all free as the meters weren't requiring payment, unlike Chicago where they charge you like 25 bucks just to have your car pull into the parking lot for an hour. Even the parking I got near the convention building was only $6 for the whole day on Sunday. The only problem was the garage didn't have an elevator or even an open stairwell so I had to walk all the way down like five floors on the ramps that are supposed to be for the cars just to reach the street. I got to the convention just after it opened around 10 a.m. Getting in was pretty easy since I had already purchased tickets online. The convention took place at the Wisconsin Center (400 W. Wisconsin Avenue) between March 31-April 2. There was a long line of people trying to buy tickets. Sunday is advertised as more of a family day for the show and the doors close earlier at 5 p.m. The convention building had like three floors and a big escalator sending people up and down between them. They had so many playable games in one of the halls. It was so cool. The room was massive. There were rows of tables set up with mostly old CRTVs and every game console imaginable from the late '70s to present day. Each set up also had a little historical card next to them explaining what the console was and some of the more popular games for it. They even had some Japanese consoles I had never heard of before. It was also cool to see a little tribute area to Ralph Baer, who doesn't seem to get enough credit for his contributions to video games. There was also a row of old computers from the '80s as well, which I had never seen in person before. This was seriously awesome to see and play on too. I feel like as time goes on that part of video game history becomes more forgotten about too because that was some really hardcore stuff to play on back then when gaming wasn't as mainstream. It's probably pretty expensive to find those now too, especially the games. There were so many people there too, probably like thousands all over the different rooms at the show. I loved the historical aspect and focus of Midwest Gaming Classic. It was cool seeing all the kids checking out these old games, which I bet is kind of shocking to them. A lot of these consoles are either hard to find, too expensive or difficult to connect on a modern television. It's great that there's a place for people to experience them still. I'm assuming most people don't have the old tube TVs anymore so it makes older consoles harder to play these days. The convention also had a huge selection of new and old pinball machines. The modern pinball machines are basically semi-video games now, like The Godfather that had a bunch of stuff that appears on screen for you to select from and levels to choose. Stern Pinball had an area set up with their games and several machines for the new Foo Fighters. There weren't a lot of arcade machines though but still enough to get some games in. I love pinball games and this has to be one of the biggest collections in one place that I've seen. I'm not into board games, table top games or trading card games but there was a big focus on those hobbies at Midwest Gaming Classic too. Later on as I walked around the convention halls, I overheard some kid who was with his family say, Board games are boring. Get it? Do you get the joke? They did have big rooms set up for each hobby that a lot of people were playing in, especially board games and stuff like Magic the Gathering. They had some of the cast from the original Mortal Kombat games at tables inside the vendor hall. I definitely geeked out when I saw the actors for Kano and Shang Tsung. I still remember playing the original Mortal Kombat arcade machine for the first time as a young kid in the early '90s and also all the hours of playing the game on consoles against friends. I should have gotten their autograph but when I went back later they were already gone. I was able to meet YouTuber John Riggs, who does a lot of great retro gaming videos and content. He had a table set up in the vendor hall. I was able to act like a dork and shake his hand. It was cool meeting him. I haven't met anyone in gaming really so that was pretty cool he was there. The vendor hall was ginormous. There were so many games for sale and different vendors on the show floor. Pretty much any game for any system you could want, someone probably had it here. It was nuts. The only thing I knew I hoped to get was an official Super Nintendo power adaptor. I recently bought a Super Nintendo console bundle with a bunch of games off Facebook Marketplace but I didn't realize until I got back home that it didn't come with a power adaptor. The deal was way too good to pass up so I wasn't mad about that. I noticed there has been a shift in what's popular and being collected. When I was in high school like 15-20 years ago, there was a lot of collecting for Atari and NES. I remember online and even on the early days of YouTube that's what people were going after. Then it shifted to the 16-bit consoles of SNES and Sega Genesis, but more so now to the Nintendo 64 and then into PlayStation 2 and GameCube. The stuff for GameCube has really gone up in price. It was so cool seeing all the boxed Super Nintendo games. The SNES was my first game console I owned and is probably my second favorite behind the PS2. There were tons of games I had never heard of before. Most of those were pretty expensive too. There were so many games that cost in the hundreds of dollars, some even going up to $700-800. I guess it's partly because of the complete in box factor. I wasn't expecting a lot of the games to be going for that much money. Unfortunately it seems like the game collecting market now has pretty much priced out most people. I don't know the exact reason but it probably has to do a lot with nostalgia for the '90s and early 2000s along with the skyrocketing prices during the Covid pandemic. At this show I saw so many expensive games. Even games for the Super Nintendo or Sega Genesis I was casually interested in checking out to actually play the game that would be considered not that collectable, the price for those loose cartridges were still $30-40. If a game doesn't have a price on it, the vendor or some other person will just take out their phone and probably look on eBay and quote you from there. Some of the vendors also only accept cash as payment. I don't know why anyone would be walking around with hundreds or potentially thousands of dollars on cash on them to get these games. This isn't the fault of the convention or Midwest Gaming Classic but where game collecting and retro gaming is unfortunately at right now. Even boxes and cases for games are going for $60-70 and up. It's crazy. For a box. With no game. I guess people are buying these games though otherwise there wouldn't be so many vendors and people shopping at them during Midwest Gaming Classic. Unless you're collecting PlayStation 3/Xbox 360 era to current day releases, you're pretty much out of luck on a lot of games. A lot of the games from that era and current stuff on PS4 and Xbox One were reasonably priced and pretty cheap at Midwest Gaming Classic. I think for the average gaming fan or someone looking to get into the hobby from a collecting standpoint or to experience older games you can't easily play on modern consoles, they're basically screwed. With that kind of money for a few games you could just buy a PlayStation 5 or build a nice gaming PC. A lot of the prices aren't accessible at all. I think it's only going to get worse as these games become harder to find. It's still awesome to see so many old, rare and collectible games all in one place though. It's funny seeing games that are now incredibly valuable and pricey that I used to see all the time at stores like Best Buy or KMart and cheap used copies at EB Games and GameCrazy. I ended up spending around $104 in total on nine games and lucked out on a Super Nintendo power adaptor. Next year I want to go and really map out some specific games I want for my collection. It's kind of overwhelming seeing everything there and having so many choices of games to buy. It feels like you really do need to go the whole weekend to experience everything at Midwest Gaming Classic. I definitely want to go again next year for the whole weekend! It was an awesome experience being there. If you're able to do it, definitely make the trip one of these years to go to the convention yourself. Watch my video recap of my time at Midwest Gaming Classic this year and my game haul: (Note: In some of the footage there's distortion and weird scanlines on the TVs during some of the gameplay. That's just from the recordings for some reason. In person all the TVs looked great and the games did too with no technical issues.) https://www.youtube.com/watch?v=apzKUdn4csU Photo Gallery:

Tim Bowman

I went to the Midwest Gaming Classic last weekend in downtown Milwaukee, Wisconsin and it was so awesome! It's one of the best conventions out there. Watch my recap video of my time at the show, playing games, exploring video game history, checking out vendors and my game haul from the convention!

#MidwestGamingClassic #gaming #videogames #retrogames #retrogaming #retro #Nintendo #PlayStation #Xbox #Atari #Sega #tbcontent

https://www.youtube.com/watch?v=apzKUdn4csU

My Recap and Experience at Midwest Gaming Classic 2023!

YouTube

Played through one of the chapters in the new Resident Evil 4 remake. The game is fantastic. Check out the gameplay:

#ResidentEvil4 #ResidentEvil4Remake #ResidentEvil #RE4 #RE4Remake #PS5 #PlayStation #Capcom #gaming #videogames #tbcontent

https://youtu.be/vXiAvYXSyRE

Resident Evil 4 Remake: Extended Gameplay on PS5 (4K)

YouTube