Éliane Radigue, Composer of Ti...
“ l’œuvre de Radigue s’auto-génère au-delà des interprètes sur le plan sonore et, par jeux combinatoires, au-delà de la compositrice elle-même.”
https://ressources.ircam.fr/fr/composer/eliane-radigue/workcourse
Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”
from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres
#electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue
https://talktothechip.podbean.com/e/eliane-radigues-lile-re-sonante/
Disque du jour, bonjour !
Eliane #Radigue - Naldjorlak
Musique à l'image de ma motivation d'aujourd'hui : très très très lentement progressive, jusqu'au coucher.
3 track album
Donaueschingen Music Days. RAGE Thormbones (trombone), Clara Iannotta, Chris Swithinbank, electronics, Carol Robinson, musical production and the SWR Symphony Orchestra conducted by Baldur Brönnimann perform: Matana ROBERTS: Elegy for Tyre: 'Wel...
Donaueschingen Music Days. RAGE Thormbones (trombone), Clara Iannotta, Chris Swithinbank, electronics, Carol Robinson, musical production and the SWR Symphony Orchestra conducted by Baldur Brönnimann perform: Matana ROBERTS: Elegy for Tyre: 'Wel...
Dafne Vicente-Sandoval, bassoon, Robin Hayward, tuba, Charles Curtis, cello, Rhodri Davies, harp, and Leandro Gianini, sound, perform: Alvin LUCIER: Slices, for cello and orchestra. Éliane RADIGUE: Occam Ocean: Occam XIII, for bassoon; Occam R...