StereobarPerry's final album Spatial, No Problem arrives June 5 via Domino. Recorded with Mouse on Mars in Berlin in 2019 — motorik rhythms, dub, dada poetry, digital glitches. Lead single Rockcurry is out now. #LeeScratchPerry #MouseOnMars #BestNewMusic2026 #W13 #DominoRecordingCo https://go.stereobar.net/u
Culture | The Guardian USAdd to playlist: the coffee-shop pop of Gianna and the week’s best new tracks https://www.theguardian.com/music/2026/mar/27/add-to-playlist-the-coffee-shop-pop-of-gianna-and-the-weeks-best-new-tracks #Music #Culture #PopAndRock #LeeScratchPerry
matiu biduleJ'ai toujours dit qu'on sous-estimait totalement la puissance science-fictionnèsque du dub.
Et voila qu'une rencontre improbable entre mes idoles de jeunesse : Mouse On Mars et Lee Scratch Perry vient apporter de l'eau à mon délire !
Mouse on Mars releasing Lee “Scratch” Perry collab LP ‘Spatial, No Problem’
first single :
Lee "Scratch" Perry & Mouse On Mars - Rockcurry
https://www.youtube.com/watch?v=8Xh4_72b8Mo
#Music
#PouetRadio
#MouseOnMars
#LeeScratchPerry
#IDM
#Dub
#SpaceIsThePlace
#ScienceFiction
Lee "Scratch" Perry & Mouse On Mars - Rockcurry (Official Video)
dj zennDeep Listening Day #81 — Max Romeo & The Upsetters: War Ina Babylon (1976). stone cold classic. I was quite late on this. I probably bought my copy in the late 80s. vocal #reggae at its finest with #LeeScratchPerry at the controls. tune after tune.
William Kretschmer
john.brown_typeface"They're at the turning point
They're at the turning point, to reality
They keep on burning
They keep on burning"
The Congos - Sodom and Gomorrow (1977)
https://youtu.be/CVtQDr8Fsz4
Sodom & Gomorrow
John Tugby
fc#AlternateFridayMusic
Jan 16 2026
This week it’s time for #Renewal
Greentea Peng, “I AM (Reborn)” from TELL DEM IT'S SUNNY (2025)
I think it was during last year’s World Series when I heard an absolutely SLAMMIN hook in a commercial, intoning:
I AM NOT WHO I WAS YESTERDAY
I AM NOT WHO I WAS YESTERDAY
I kept watching, trigger finger on Shazam ready to get the track ID the next time - and then I had it. The artist? Greentea Peng.
I’m sorry, What-tea who? Man, do I feel old.
Anyway, I found this is her third full-length album, and from what I can tell from bits I’ve found online, the most diverse. She’s worked with Nightmares on Wax, added vocals on a track by Lee "Scratch" Perry, and been remixed by Tricky - quite the pedigree in my sonic worldview. I hear a lot of similarities with Tricky in his more experimental moments, but with at times more warmth, and at others, as in this track, more DRIVE.
I AM (Reborn)
100Dhttps://www.youtube.com/watch?v=YRXTKrXs2dA&list=RDax5phXqMjCU&index=36
https://www.youtube.com/watch?v=TesAHKG9iMI
https://www.youtube.com/watch?v=rbb192bVGAU&list=RDrbb192bVGAU&start_radio=1
Andi ChorleyMany Moods of the Upsetters is a studio album by the Upsetters, released in 1970.
"...This album could have been termed Clint Eastwood Part 2 as a lot of the tracks are inter-connected. For instance, LP opener Ex-Ray Vision provided the basis for Selassie on Clint Eastwood and Taste Of Killing is done over as archetypal organ stomper Beware Fade on Many Moods. Carl Dawkins again shines on the Temptations cover Cloud Nine and I found Pat Satchmo’s Louis Armstrong impressions droll on the rude Goosy and Boss Society. I always like to hear Val Bennett on sax and he does so with gusto on Mean And Dangerous and Soul Stew is another tasteful instrumental and very danceable. Many Moods Of “The Upsetters” draws to a close with Perry offering up a version of Games People Play in his own special way, with a steel drum sound substituting for vocals." Louder Than War
https://www.youtube.com/watch?v=XTxTH8M-Wyc&list=OLAK5uy_mcBcDcod3cHitQQJmbcVZJ_CzqAV6FY70
