J'ai toujours dit qu'on sous-estimait totalement la puissance science-fictionnèsque du dub.

Et voila qu'une rencontre improbable entre mes idoles de jeunesse : Mouse On Mars et Lee Scratch Perry vient apporter de l'eau à mon délire !

Mouse on Mars releasing Lee “Scratch” Perry collab LP ‘Spatial, No Problem’
first single :

Lee "Scratch" Perry & Mouse On Mars - Rockcurry

https://www.youtube.com/watch?v=8Xh4_72b8Mo

#Music
#PouetRadio
#MouseOnMars
#LeeScratchPerry
#IDM
#Dub
#SpaceIsThePlace
#ScienceFiction

Deep Listening Day #81 — Max Romeo & The Upsetters: War Ina Babylon (1976). stone cold classic. I was quite late on this. I probably bought my copy in the late 80s. vocal #reggae at its finest with #LeeScratchPerry at the controls. tune after tune.

#DeepListening #MaxRomeo #WarInaBabylon

"They're at the turning point
They're at the turning point, to reality
They keep on burning
They keep on burning"

The Congos - Sodom and Gomorrow (1977)
https://youtu.be/CVtQDr8Fsz4

#Music #Reggae #TheCongos #LeePerry #LeeScratchPerry

#AlternateFridayMusic
Jan 16 2026
This week it’s time for #Renewal

Greentea Peng, “I AM (Reborn)” from TELL DEM IT'S SUNNY (2025)

I think it was during last year’s World Series when I heard an absolutely SLAMMIN hook in a commercial, intoning:

I AM NOT WHO I WAS YESTERDAY

I AM NOT WHO I WAS YESTERDAY

I kept watching, trigger finger on Shazam ready to get the track ID the next time - and then I had it. The artist? Greentea Peng.

I’m sorry, What-tea who? Man, do I feel old.

Anyway, I found this is her third full-length album, and from what I can tell from bits I’ve found online, the most diverse. She’s worked with Nightmares on Wax, added vocals on a track by Lee "Scratch" Perry, and been remixed by Tricky - quite the pedigree in my sonic worldview. I hear a lot of similarities with Tricky in his more experimental moments, but with at times more warmth, and at others, as in this track, more DRIVE.

https://www.youtube.com/watch?v=Ubriq3dw54U

#GreenteaPeng #Tricky #LeeScratchPerry #NightmaresOnWax

#LeeScratchPerry

#TheUpsetters

#Dub

#RootsReggae

#JamaicanMusic

#DubPioneer

#MusicPhotography

#Music

#Socialmedia

https://www.youtube.com/watch?v=YRXTKrXs2dA&list=RDax5phXqMjCU&index=36

https://www.youtube.com/watch?v=TesAHKG9iMI

https://www.youtube.com/watch?v=rbb192bVGAU&list=RDrbb192bVGAU&start_radio=1

Many Moods of the Upsetters is a studio album by the Upsetters, released in 1970.

"...This album could have been termed Clint Eastwood Part 2 as a lot of the tracks are inter-connected. For instance, LP opener Ex-Ray Vision provided the basis for Selassie on Clint Eastwood and Taste Of Killing is done over as archetypal organ stomper Beware Fade on Many Moods. Carl Dawkins again shines on the Temptations cover Cloud Nine and I found Pat Satchmo’s Louis Armstrong impressions droll on the rude Goosy and Boss Society. I always like to hear Val Bennett on sax and he does so with gusto on Mean And Dangerous and Soul Stew is another tasteful instrumental and very danceable. Many Moods Of “The Upsetters” draws to a close with Perry offering up a version of Games People Play in his own special way, with a steel drum sound substituting for vocals." Louder Than War

https://www.youtube.com/watch?v=XTxTH8M-Wyc&list=OLAK5uy_mcBcDcod3cHitQQJmbcVZJ_CzqAV6FY70

#LeeScratchPerry #TheUpsetters #Dub #RootsReggae #Music

To Be A Lover by George Faith, released on Black Swan in 1977.

"In 1977, Perry again produced the song, this time for Earl George Turner. This version, also called simply "To Be a Lover",[a] was heavily shaped by Perry's Black Ark sound and effects and featured backing vocals from the Meditations and Mighty Diamonds. His first recording saw little success, but after renaming to George Faith, he released a new version of the song on his debut studio album, Super Eight (1977), which was released as To Be a Lover in the UK. More popular than any of the previous Jamaican versions of the track, it became a hit there and in the UK" Wikipedia

https://www.youtube.com/watch?v=3os0JQgh68c&list=PLdSzdSlsJO3AQuAsisM7dSK2rOxe-q8Il&index=2

#GeorgeFaith #LeeScratchPerry #RootsReggae #Music #Meditations #MightyDiamonds

Heart of the Congos is a roots reggae album by the Congos, produced by Lee "Scratch" Perry at his Black Ark studio with a studio band including Boris Gardiner on bass and Ernest Ranglin on guitar. The album was released in 1977. It is noted as being one of Perry's masterpiece productions of the Black Ark era.

Barrow and Peter Dalton called Heart of the Congos "the most completely successful of all the albums recorded at the Black Ark," and "one of the prime examples of Jamaican vocal technique" due to the dynamic combination of Cedric Myton’s falsetto lead vocals, Roy "Ashanti" Johnson’s tenor lead vocals and backing vocals by noted singers such as Gregory Isaacs and members of the Meditations and the Heptones - Wikipedia

https://www.youtube.com/watch?v=mFTxmDy74LI&list=OLAK5uy_lZ-jLMzonI-U97lPiXhPQvfqFMW9V5uxE

#TheCongos #LeeScratchPerry #BlackArk #RootsReggae #ErnestRanglin #Music