Tour continues in 🇱🇻 Riga tonight!

04:00 PM M&G check-in
04:30 PM Kreator M&G
05:30 PM Regular entry
06:20 PM - 06:50 PM #Nails
07:10 PM - 07:55 PM #Exodus
08:15 PM - 09:00 PM #Carcass
09:30 PM - 11:00 PM #Kreator

❗ The M&G was very much delayed (by over half an hour) at every single show I've been to, so I wouldn't bother getting there at 4:00 PM if that's too inconvenient, 4:30 PM will do.

Limited tickets left:

🎟️ https://ticketshop.lv/lv/events/106279

VIP SOLD OUT

#thrash #metal #thrashMetal

Final German show of this tour happens in 🇩🇪 Berlin tonight!

04:00 PM M&G check-in
04:30 PM Kreator M&G
05:30 PM Regular entry
06:20 PM - 06:50 PM #Nails
07:10 PM - 07:55 PM #Exodus
08:15 PM - 09:00 PM #Carcass
09:30 PM - 11:00 PM #Kreator

❗ The M&G was very much delayed (by over half an hour) at every single show I've been to, so I wouldn't bother getting there at 4:00 PM if that's too inconvenient, 4:30 PM will do.

Limited tickets left:

🎟️ https://www.eventim.de/en/event/kreator-krushers-of-the-world-tour-2026-uber-eats-music-hall-20701888/

VIP SOLD OUT

Getting to the venue https://www.uber-eats-music-hall.de/en/your-visit/getting-there

Bag policy https://www.uber-eats-music-hall.de/en/your-visit/bag-policy-security

Cup deposit https://www.uber-eats-music-hall.de/en/your-visit/reusable-cup-system

Venue FAQ https://www.uber-eats-music-hall.de/en/your-visit/faqs

Be wild for me, Berlin!

#TheMetalDogArticleList
#Blabbermouth
EXODUS And SLAYER Guitarist GARY HOLT: 'ROCK AND ROLL HALL OF FAME Is F***ing Lame'

https://blabbermouth.net/news/exodus-and-slayer-guitarist-gary-holt-rock-and-roll-hall-of-fame-is-fing-lame

#EXODUS #SLAYER #Guitarist #heavymetal #interview #RockAndRollHallOfFame #Blabbermouth #metal #music

Samael

Also spelled Smil, Samil, or Samiel.

He’s an archangel in Talmudic & post-Talmudic tradition. He’s a figure who is the accuser or adversary (Satan in the Book of Job), seducer, & destroying angel (in the Book of Exodus).

Although many of his functions resemble the Christian idea of Satan, to the point of being sometimes classified as a fallen angel. He’s not necessarily evil, since his functions also result in good, like destroying sinners.

In Midrashic texts, he’s considered to be a member of the heavenly host, often with grim & destructive duties. 1 of Samael’s most significant roles in Jewish lore is that of the main angel of Death & the head of satans. He appears frequently in the story of the Garden of Eden & engineered the Fall of Adam (& Eve) with a snake in writings, during the Second Temple period. However, the serpent isn’t a form of Samael. But a beast he rode, like a camel.

In a single account, he’s also believed to be the father of Cain. As well as the partner of Lilith.

In early Talmudic & Midrashic literature, he hasn’t yet been associated with Satan. Only in later Midrashim is he given the title “head of satans.”

As a guardian angel & prince of Rome, he’s Israel’s archenemy. By the beginning of Jewish culture in Europe, Samael had been established as a representative of Christianity due to his identification with Rome.

In some Gnostic cosmologies, Samael’s role as a source of evil became identified with the Demiurge, the creator of the material world.

Samael was 1st mentioned during the Second Temple period & immediately after its destruction. He’s 1st mentioned in the Book of Enoch, which is a part of the Jewish apocrypha, along with other rebellious angels. In 1 Enoch, he’s 1 of the Watchers who descended to Earth to have adult spicy time with human women. Although he’s not their leader. Samayaza is their leader. (A post about Samyaza is coming soon. Research on him is ongoing, right now.)

In the Greek Apocalypse of Baruch, he’s the dominant evil figure. Samael plants the actual Tree of the Knowledge of Good & Evil. He’s then banished & cursed by God. To take revenge, he tempts Adam & Eve into sin by taking the form of the serpent.

He further appears as the embodiment of evil in the Ascension of Isaiah & is called by various names:

• Melkira, “King of evil/wicked.”
• Malkira/Malchira, “Messenger of evil.”
• Belkira, “Lord of the Wall.”
• Bechira, “Elect/Chosen of evil.”

The names Belial & Satan are also applied to him. He gains control of King Manasseh to accuse Isaiah of treason.

In Talmudic & Midrash, Samael’s role as an agent of evil is relatively marginal. From the 5th or 6th century onward, he becomes 1 of the most prominent among the demonic entities. Samael hasn’t been identified with the angel of Death in the Talmud.

In the Exodus Rabbah (the Exodus Midrash), Samael is pictured as the accuser in the heavenly court & tempter to sin, while Michael defends Israel’s actions. Here, Samael is identified with Satan. While “Satan” describes his function as an “accuser,” Samael is considered his real/proper name.

He also fulfills the role of the Angel of Death when he comes to take the body of Moses & is called the leader of Satan.

The title of “satan” is also applied to him in the Midrash Pirkei De-Rabbi Eliezer, where he was the chief of the fallen angels, & a 12-winged seraph. According to the text, Samael opposed the creation of Adam & descended to Earth to tempt him into evil.

Riding the serpent, he convinces Eve to eat the Forbidden Fruit. His role here might be inspired by the Islamic idea of Iblis, who refused to prostrate himself before Adam because he consists of fire & Adam merely of dust. This Midrash also reveals that Samael sired Cain with Eve.

In the smaller Midrash, he’s the ruler of Hell. Several sources (like Yalkut Shimoni) describe him as the guardian angel of Esau, relating him to Rome, the 1 who wrestled with Jacob, the angel who ordered Abraham to sacrifice Isaac, & a patron of Edom. Which makes sense because Esau was the “father” of Edom.

In Kabbalah, Samael is described as the “severity of God.” He is listed as 5 of the archangels of the world of Beri’ah. Among his portions are Esau, the people who inherit the sword & bring war; the goats & se’irim (demons); & the destroyer angel.

Both Samael & Lilith are major demons in earlier Jewish literature traditions. They don’t appear paired together until the 2nd half of the 13th century, when they’re introduced together. Lilith is a demon created alongside Adam. She wasn’t originally created as a demon. She morphed into a demoness down the road. She was originally created as Adam’s (1st) wife. Lilith then becomes Samael’s bride. With her, Samael created a host of demon kids, including a son, the “Sword of Samael” (or of Asmodai).

In the Kabbalistic work Treatise on the Left Emanation, Samael is part of the qlippoth (Qlippoth is the representation of evil/impure spiritual forces in Jewish mysticism), prince of all demons, & husband of Lilith. The 2 are said to parallel Adam & Eve being emanated together from the Throne of Glory as a counterpart. Asmodeus is also mentioned to be subservient to Samael & married to a young (or alternate), lesser Lilith.

In the Zohar (1 of Kabbalah’s principal works), Samael is described as a leader of the divine forces of destruction, part of the qlippoth. He’s mentioned again as the serpent’s rider. He’s also described as having mated with Eisheth Zenunim (a princess of the qilppoth); Na’amah (She originated from & is often mixed with another Naamah, sister to Tubal-Cain); & Agrat bat Mahlat (a demoness), all being “angels” of sacred prostitution.

It’s also said that the founder of Hasidic Judaism, Baal Shem Tov, summoned Samael to make him do his bidding.

Samael is also pictured as the angel of Death & 1 of the 7 archangels, the ruler over the 5th Heaven (This refers to 1 of the 7 firmaments, or physical layers, located above the open sky.) & commander of 2 million angels, such as the chief of all destroying angels. Think about the angel(s) who destroyed the Egyptians who didn’t have the lamb’s blood on their doorframes (Exodus 11).

In 3 separate Gnostic texts (found in the Nag Hammadi library), Samael is 1 of the 3 names of the Demiurge. He had 2 other names in these texts: Yaldabaoth & Saklas. After Yaldabaoth claims sole divinity for himself, the voice of Sophia (“wisdom,” the personification of wisdom) comes forth calling him Samael, due to his ignorance.

In Hypostasis of the Archons, Samael is the 1st sinner. The First Epistle of John calls the devil a sinner from the beginning. His appearance is that of a lion-faced serpent.

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Back to Germany 🇩🇪: Hamburg tonight!

04:00 PM M&G check-in
04:30 PM Kreator M&G
05:30 PM Regular entry
06:20 PM - 06:50 PM #Nails
07:10 PM - 07:55 PM #Exodus
08:15 PM - 09:00 PM #Carcass
09:30 PM - 11:00 PM #Kreator

❗ Note that the M&G was very much delayed (by over half an hour) at every single show I've been to, so I wouldn't bother getting there at 4:00 PM if that's too inconvenient, 4:30 PM will do.

Only Eventim still have some tickets:

🎟️ https://www.eventim.de/en/event/kreator-krushers-of-the-world-tour-2026-inselpark-arena-20701531/

VIP SOLD OUT

Getting to the venue https://inselparkarena.de/anreise-parken/

House rules https://inselparkarena.de/einlass-sicherheit/

Have fun!

#metal #thrash #thrashMetal

https://www.youtube.com/watch?v=FesUHUGywMk

Exodus ('heredero espiritual' del Mass Effect) enseña nuevo trailer para anunciar trailer de gameplay a futuros.

Veremos a ver, pero la cosa tiene una pinta de Vertical Slice que asusta...

#Exodus #Videojuegos #TrailerDelTrailer

Thrash—my first love. Before I worshipped at the altars of black and death, my masters cloaked themselves in denim and set my soul on fire with aggressive speed, snotty rebellion, and fist-pumping anthems. Like 2016, the godfathers of thrash have already made the last twelve months a resurgence of the old school, with varying degrees of success.1 Newer acts have also made a splash, with Cryptic Shift and Zerre wickedly pummeling our poor score counter into requesting early retirement.2 2026 at large betrays no signs of relenting, and thankfully, neither does thrash. Ten years after dropping their 2016 debut, The Unholy Trinity, California’s Nukem reemerges with sophomore effort The Grave Remains. After such a long incubation period, does Nukem prove that they have what it takes to claw out from the grave?

Despite forming in 2012, Nukem oozes classic thrash spunk by blurring Bay Area melody with East Coast attitude and gang vocals. Death Angel, Nuclear Assault, and Overkill3 influences punctuate The Grave Remains’ twelve tracks, although flashes of a dozen other bands course through Nukem’s veins. Guitarist/vocalist Steve Brogden’s snarls remind me of Warbringer’s John Kevill mixed with a more pissed-off Mark Osegueda, delivering serrated crossover barks with conviction. Rob Cavestany even makes a guest appearance on “Into the Kill Zone,” cementing the Death Angel frame of reference. Exodus staples Gary Holt and Lee Altus also sling some riffs on “Empress of Evil” and “Don’t Believe a Word” respectively, the latter of which is a Thin Lizzy cover. In total, Nukem blends a multitude of inspirations into a confluence of so many thrash wellsprings that they precipitate a voice at once familiar and distinct.

The Grave Remains by Nukem

Nukem plays infectiously fun thrash that overflows with shout-along choruses and a bass tone so plump and meaty that it quickly became my favorite aspect of The Grave Remains. Brogden’s guitars flit, chug, and cajole throughout the forty-nine minutes, yet bassist Don Lauder steals the spotlight time and again. From the slinky rumble in “Unconditional Surrender” to the coquettish interplay in “Empress of Evil,” Lauder’s bass bounces and parades with low-end jubilance. “Torture, Murder, Mutilate!” and “Random Acts of Violence” further emphasize the bass while showcasing Nukem’s six-string attack, with Xander Gambini augmenting Brogden’s core. Additionally, ex-Nukem axe-wielder (and current Dark Angel guitarist) Laura Christine joins her former bandmates and Gary Holt on “Empress of Evil,” while “Random Acts of Violence” includes an appearance from Russ Tippins (Satan and Tanith). Drummer Norm Leggio rounds out the rhythm section, ably pounding out rolls, fills, and tight rhythms in support of Nukem’s well-crafted performances.

Nukem executes thrash with the eager verve of a hungry up-and-comer, but a couple of missteps limit The Grave Remains’ ceiling. While the riffs are fine when experienced in isolation, as a whole, they often lack the hooks or memorability to distinguish themselves from one another. The Grave Remains shines brightest during bass performances and rousing choruses, but those two alone can’t support an entire thrash album. This issue wouldn’t be as glaring if the track lengths were shaved down, but as-is, only two songs (besides needless instrumentals) stay under the four-minute mark, and one of those is a cover. Repeat spins reinforce the opportunity to trim thirty to sixty seconds off several tracks, which would help punch up The Grave Remains and leave listeners craving MOAR. On a positive note, the production glows with a well-balanced mix that supplies ample room for each instrument, and Nukem’s earnest embrace of head-banging gusto guarantees I’m never having a bad time.

Ultimately, Nukem offers a classic thrash platter with a few blemishes I can see, yet easily look past. The Grave Remains won’t change the landscape of the genre, but fans will find plenty to enjoy, and despite the melting pot of references, Nukem manages to claim their spot within thrash’s wing of the metalsphere. Songs like “Unconditional Surrender” and “Curse of the Devil’s Bible” are welcome earworms that have found homes in my playlists, and I look forward to the next time Nukem asks us to come get some.

Rating: Good
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Redefining Darkness Records
Websites: Bandcamp | Facebook
Releases Worldwide: April 10th, 2026