The Dezeen guide to roof design and architecture

Our latest Dezeen guide explores eight types of roofs, including hipped roofs, sawtooth roofs, green roofs and vaulted roofs.

At their most basic, roofs are a cover to protect a building against the weather. While simple flat or sloping roofs are common, there are many other kinds of roofs, each suited to different building designs and environments.

Some – such as sawtooth roofs or hip roofs – add a decorative as well as a practical aspect to a house, while green roofs can help buildings blend into the landscape and encourage biodiversity.

Read on to find out more about eight common roof types below:

Flat roofs

Flat roofs are commonly used for warehouses and commercial buildings, but there are also a number of residential designs that incorporate flat roofs.

Many modernist buildings have flat roofs that complement their streamlined geometric design, and they are also characteristic of traditional Arabic, Egyptian and Persian houses.

The design style is often found in buildings in warmer climates, where the roofs can be used as an additional living space.

Flat roofs can be constructed from a wide range of materials, including masonry, concrete and brick, while flat steel roofing sheets are often used for industrial buildings.

Architecture studio Manuel Cervantos Estudio added a flat roof to Hill House (pictured), a vacation home that is partly sunken into the ground.

See more flat roofs ›

Sloping roofs

One of the most common roof shapes are sloping roofs. In their most simple form – that of a lean-to or shed – these have only one slope, as seen in FujiwaraMuro's project House in Gakuenmae, above.

Here, an oversized sloped roof is supported by large wooden beams to protect the interiors.

Sloped roofs form the basis of many other shapes of roofs that make use of multiple slopes, such as gabled roofs. Historically, sloped roofs were common as they allow rain and snow to easily run off.

Other recent projects with single sloping roofs include a Kengo Kuma-designed student hub and an aquatics centre in the French Alps.

See more sloping roofs ›

Gabled roofs

Gabled roofs are made from two slopes that together form a triangular shape, and have been used for buildings since temples in ancient Greece.

They are common in both Europe and North America. Gabled roofs are often used in residential architecture, and their triangular shape has become a visual shorthand for "house".

Houses can be front-gabled, meaning the gable faces the street, or side-gabled, when the gutter and the ridge of the gable are parallel with the street.

Studio Alexander Martin Architects used two gables when designing Claygate House, pictured, which was informed by the 19th-century Arts and Crafts movement.

In the US, architecture studio Side Angle Side created the gabled Casa Casey for an architecture photographer.

See gabled roofs ›

Vaulted roofs

Vaults are self-supporting arched forms that do not need a framework below, with their distinctive shape often also making for decorative ceilings.

The most common type, the barrel vault, was first built by the Sumerians and was also used in ancient Egypt.

Other types of vaulted roofs include groin vaults, which are formed by the intersection of at least two more barrel vaults, and rib vaults. These are vaults in which all the groins are covered by ribs or diagonal ribs.

Another example of vaulted roofs is fan vaults, an English late Gothic type of construction that has equidistantly-spaced ribs that together resemble a fan.

Chilean architecture studio Edward Rojas Arquitectos designed Casa Abovedada (top image), which means Vaulted House, from three vaulted volumes, while Casa Monopoli in Argentina (above) has a vaulted brick roof.

See vaulted roofs ›

Green roofs

Green roofs, also known as living roofs, are roofs where vegetation has been planted on top of a waterproof membrane. They can be used to help buildings better blend into a surrounding landscape and to encourage biodiversity.

Examples of green roofs include sedum roofs, which have a green roof system made from a blanket of pre-grown sedum plants, and roofs covered in grass or shrubs.

Green roofs in cities can be classed as intensive green roofs, which are essentially rooftop gardens, extensive green roofs, which are natural, low-maintance roofs, and semi-intensive green roofs that are a combination of the other two.

In Denmark, architecture studio CEBRA designed its Skamblingsbanken building to be hidden inside a hill, with a green roof that swoops over the building.

See green roofs ›

Gambrel and mansard roofs

Often seen on barns, gambrel roofs are symmetrical two-sided roofs that have two slopes on each side. The lower slope is steeper than the upper and overhangs the facade. They are sometimes called Dutch roofs.

Gambrel roofs also feature vertical gable ends. They have the advantage of a sloped roof that lets rain and snow slide off it, but provide more headroom inside the top floor than sloped roofs do.

While they are similar to gambrel roofs, mansard roofs are four-sided, as opposed to two-sided. Like gambrel roofs, mansard roofs have a lower slope that is steeper than the upper.

US firm Carney Logan Burke Architects built the gambrel-roofed home called The Barn, above, in rural Wyoming using reclaimed wood.

See more gambrel and mansard roofs ›

Hip roofs

Hip roofs have sides that all slope down towards the walls, with sloped rather than vertical ends, and have no gables.

Historically, hip roofs were common in Italy, while today they can be seen on bungalows and cottages and are often used in American houses. They are more resistant to wind damage than gabled roofs, but also more difficult to build.

Versions of hip roofs include half-hip roofs, which have one gable on which the upper point has been replaced by a small hip to square off the top, and tented roofs, which have steeply pitched slopes that rise to a peak.

Canadian studio MacKay-Lyons Sweetapple designed holiday homes with large hip roofs for a resort island in Ontario's Muskoka region, above.

See more hip roofs ›

Sawtooth roofs

Sawtooth roofs have a series of ridges with dual pitches either side, with glazing on the steeper sides to let as much light as possible into the building.

Sawtooth roofs are most effective when used in a series of three ridges, which creates an attractive jagged effect. Industrial and manufacturing buildings frequently have sawtooth roofs, with their glazing used as the main light source.

The use of these types of roofs declined when artificial light sources became more common, but they are currently undergoing a revival as there is more and more interest in creating buildings with natural light.

Examples of sawtooth-roof buildings include Julia Jamrozik and Coryn Kempster's design for a lakefront home in Canada (above) and Studio Saar's Sanand Factory in India.

See more sawtooth roofs ›

This is the latest in our series of Dezeen guides. See previous guides tobridges, plastic, biomaterials, carbon and timber.

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The Dezeen guide to bridge design and architecture

Our latest Dezeen guide explains the seven key types of bridges including beam bridges, tied-arch bridges, cable-stayed bridges and cantilevered bridges.

Bridges are structures that are built to cross or span physical obstacles without blocking or obstructing movement below. These structures often provide a way above an obstacle that might otherwise be difficult to cross.

There are seven main types of bridges, with each suited to particular circumstances. Read on to learn about the different types of bridges:

Beam bridges

Beam bridges are the simplest type of bridge and feature a horizontal beam supported by abutments or piers.

For single-span beam bridges, which include footbridges constructed from wood or stone across small rivers, weight and load are transferred through the endpoints of the bridge.

Longer bridges are created by placing single spans next to each other, with modern beam bridges usually built from a combination of steel and reinforced concrete.

In 2018, Italian architect Renzo Piano designed a €202 million beam bridge for his hometown of Genoa (pictured), after the previous bridge collapsed in a storm.

Brearley Architects + Urbanists recently completed a beam bridge in China that incorporates spaces for play and resting.

See beam bridges ›

Arch bridges

As the name suggests, arch bridges feature a loadbearing arched structure. Traditionally these were made from masonry, but they can also be made from concrete, iron, timber and steel.

These bridges work by using the arched form to transfer weight to abutments on either side of the structure. Longer bridges can be created by repeating a short arch, as was the case for Roman aqueducts.

Today, arch bridges are often used for short pedestrian crossings such as Santiago Calatrava's glass-stepped Ponte della Constituzione in Venice while university students in Shanghai used robotic fabrication techniques to 3D-print a metal arch bridge (pictured).

See arch bridges ›

Tied-arch bridges

Tied-arch bridges are bridges that have arched structures that usually rise above the bridge's deck to support it from above via ties or hangers.

Typically each span will either have a single arch with decks slung on each side or a double arch located on either side of the deck.

Richard Meier's Citadella Bridge in Italy is an example with a single arch in the centre of the bridge while Useful Studio used weathering steel to build Chiswick Park Footbridge (above), which features double arches with a deck in between.

See tied-arch bridges ›

Truss bridges

Truss bridges feature a load-bearing superstructure made from steel elements interconnected in triangular arrangements to act as a single structural member.

British architecture studio Moxon Architects collaborated with engineering firm Arup to build a red footbridge with a lower truss system (pictured) across Regent's Canal in King's Cross, London.

ARCVS recently proposed a two-deck truss bridge for Novi Sad in Serbia that features offices and a hotel as well as a pedestrian crossing.

See truss bridges ›

Suspension bridges

Suspension bridges feature a deck that is suspended from vertical ties or suspension cables attached to tensile cables slung between towers.

Some of the world's most famous bridges use this structural arrangement including the Golden Gate Bridge in San Francisco, Clifton Suspension Bridge in Bristol and the Brooklyn Bridge in New York.

Completed in 1998, the Akashi Kaikyo Bridge in Kobe has a main span of 1,991 metres, which is the longest in the world.

Recent suspension bridges featured on Dezeen include the world's longest glass bridge in China and a 516-metre-long pedestrian suspension bridge in Portugal that claims to be the longest in the world (above).

See suspension bridges ›

Cantilever bridges

A cantilever is a structure that projects horizontally and is supported at only one end. Cantilever bridges are formed by arms that extend outwards to meet at the centre or outwards from either side of a central tower.

The Forth Bridge in Scotland is a well-known example of a cantilever bridge.

In Cornwall, England, architecture studio William Matthews Associates along with engineers Ney & Partners built the Tintagel Castle Bridge (pictured), a cantilevered bridge comprised of two 30-metre spans that do not touch at the middle.

See cantilever bridges ›

Cable-stayed bridges

A cable-stayed bridge has one or multiple towers or pylons from which cables extend to support a bridge deck. The cables on these bridges often have a fan-like design or pattern caused by the cables forming parallel and regular lines as they extend to the deck.

This type of bridge contrasts to suspension bridges as the cables span directly from the towers or pylons as opposed to being suspended vertically from a cable.

The Foster + Partners-designed Millau Viaduct (pictured) in France and the eight-kilometre-long Øresund Bridge that connects Danish capital Copenhagen with Swedish city Malmö are well-known examples of cable-stayed bridges.

See cable-stayed bridges ›

This is the latest in our series of Dezeen guides. See previous guides toplastic, biomaterials, carbon and timber.

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The Dezeen guide to bio-based materials in architecture, design and interiors

Thinking of using natural materials in your project? Our latest Dezeen guide includes 12 types of biomaterials commonly used in architecture, design and interiors.

The term biomaterials is used to describe building materials derived from living organisms including plants, animals and fungi.

Plant-based materials, which we mostly focus on in this guide, are becoming increasingly popular among designers and architects due to their environmental performance.

This is because they offer cruelty-free production, are usually biodegradable and store CO2 during their useful lifetime, thereby lowering the embodied carbon footprint of buildings and products.

Some, like wood and hemp, can be used in their raw state while others such as algae, mycelium and food waste are generally mixed with other materials to be turned into useful composites.

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Architects could "definitely" construct buildings completely out of biomaterials according to Biobased Creations CEO Lucas De Man, who told Dezeen that timber, hemp and mycelium could replace non-renewable materials like steel, plasterboard and cement.

Sequestering carbon is an important way to tackle climate change. Plant matter including algae, timber and hemp capture carbon from the atmosphere and transform it into biomass via photosynthesis.

With the recent focus on embodied carbon emissions, biomaterials are a "really exciting space", agreed Arup researcher and innovation leader Jan Wurm.

Read on to find out more about the most popular types of biomaterials and how they can be put to use.

Photo is by Oskar Proctor

Hemp

Hemp is a type of cannabis plant that is grown for medicinal and industrial use. Unlike marijuana, it has very low levels of psychoactive THC.

Hemp grows extremely quickly and is "more effective than trees" at sequestering carbon, according to Cambridge University researcher Darshil Shah.

The plant's strong, stiff fibres can be processed into a variety of commercial goods including paper, textiles, bio-plastic, food and bio-fuel as well as industrial and construction products.

Mexico City design studio ATRA has used hemp-based fabric to upholster a sofa, while architecturally the hemp is most often processed into hempcrete.

This is formed from the woody inner part of the plant's stem, which is mixed with lime, water and sand to create a material that offers excellent thermal and acoustic insulation while acting as a carbon sink. An example of hemp used in buildings is Flat House in Cambridge (pictured), which was constructed using hempcrete panels.

See projects featuring hemp ›

Photo is by Coppi Barbieri

Mycelium

Mycelium is the vegetative part of a fungus, made up of masses of branching, threaded shoots called hyphae that grow in soil.

The material can feed on low-grade agricultural waste and sequesters carbon stored in the biomass as it grows. Mycelium is fast-growing and can be cultivated in industrial bioreactors.

Sclerotia can be used to produce products including packaging such as Amen's candle packaging, as well as lampshades and furniture, as prototyped by Sebastian Cox and Ninela Ivanova.

Mycelium's has proven to be extremely popular in the fashion industry as a leather alternative, with brands such as Stella McCartney, Adidas, Hermès and Kering investing in the biomaterial. Earlier this year, Hermès unveiled a partnership with MycoWorks, a biomaterials company, to reconceptualise its Victoria shopper bag (pictured) in a mycelium leather.

See projects featuring mycelium ›

Algae

Algae is an umbrella term for a group of photosynthetic organisms that mainly live in water. This includes seaweeds and kelp, which are the most important sources of oxygen in water and together are responsible for storing and sequestering more carbon than land plants.

Algae is often processed into bioplastic polymers, which can then be used as a replacement for fossil plastics.

The material has also been gaining popularity within the fashion industry for its use as a bioplastic. In 2019, Charlotte McCurdy created a raincoat using biopolymers entirely derived from algae. The industrial designer later collaborated with fashion designer Philip Lim to create a dress covered in algae bioplastic sequins (pictured).

See projects featuring algae ›

Chitin

Chitin is a fibrous substance that forms the exoskeleton of crustaceans and certain insects, as well as the cell walls of fungi.

The material is the world's second-most abundant biopolymer. But to use chitin, it must be chemically extracted before being processed into a useable material.

Due to the difficult extraction process, commercially available versions of chitin such as chitosan are typically expensive. In reaction to this, four designers from the Royal College of Art and Imperial College developed a number of machines that extract and turn chitin into a bioplastic.

See projects featuring chitin ›

Photo is courtesy of Moelven

Wood

Wood is a renewable material that offers a low-carbon alternative to concrete and steel. Due to its highly machinable, lightweight structural tissue, which is strong yet flexible, wood has historically been used to construct furniture and products as well as small houses.

Recent advances in engineered timber, also known as mass timber, has allowed the material to be used at larger scales, with Voll Arkitekter building the world's tallest timber building, a 53-metre-high tower in Norway (pictured).

In the world of product design, Yves Béhar combined sawdust mixed with tree-sap to create 3D-printable homeware while Carlo Ratti Associati designed a concept for a compostable marker pen that would be made from a choice of biodegradable materials including wood.

See projects featuring wood ›

Bamboo

Although commonly mistaken as a type of tree, bamboo is actually a grass. Bamboo is the fastest growing plant on the planet, making it both affordable, rapidly renewable and capable of sequestering large amounts of carbon.

Its canes lend themselves to creating light, flexible structures that can resist natural disasters such as earthquakes and hurricanes.

Architecture studio Vin Varavarn used bamboo to build an agricultural learning centre in Thailand, while Music electronics brand House of Marley used the plant to make wireless earbuds (pictured) that are an "eco-conscious alternative" to plastic earphones.

See projects featuring bamboo ›

Leather alternatives

With awareness about the emissions and animal cruelty associated with large-scale cattle farming, leather alternatives are increasingly rising in popularity.

These are typically made using renewable biomass sources such as vegetable and food waste. But some designers have also used waste from industrial agricultural processes to produce their materials.

There are currently a vast number of vegan and leather alternatives including mycelium leather Mylo and Leap (pictured), which is made from waste apple cores and skins from the production of cider and apple juice.

A vegan leather by Tjeerd Veenhoven was created from the leaves of the area palm and has similar qualities to Piñatex, a leather alternative made from pineapples. Vietnamese designer Uyen Tran created a leather alternative from waste coffee grounds and chitin. The material, which was titled Tômtex can be embossed to replicate a variety of animal leathers.

See projects featuring leather alternatives ›

Bioplastic

Bioplastics are polymers derived from biological and renewable sources as opposed to plastics made from fossil fuels.

Polylactic acid (PLA) is the most common bioplastic. It is typically made using corn starch or sugar cane. PLA is widely used as printable filament in 3D printers, where PLA filament is fed through the printer and melted at high temperatures to create a malleable substance that is printed into the desired form.

Design Studio Ammunition and light company Gantri 3D-printed PLA to create wall sconces and lamps. Another example of PLA-based products is Studio RYTE's biodegradable Triplex, which is made from flax fibres mixed with PLA.

Other bioplastics include MarinaTex (pictured), a single-use material that is made from key ingredients including fish scales and skin, which was designed by British designer Lucy Hughes.

See projects featuring bioplastic ›

Photo is by Angus Fergusson

Linoleum

Linoleum is a biodegradable material made from plant-based materials including linseed oil, pine resin, cork dust and sawdust. The material is typically used as a floor covering due to its durable and resistant characteristics.

The material was first patented in 1860 when rubber manufacturer, Fredrick Walton discovered linseed-based paint formed a tough and flexible film on its surface. Most Linoleum today is derived from linseed oil, which is extracted from flax seeds and then mixed with materials such as cork and wood dust.

In 2018, designer Don Kwaning developed Lino Leather from a series of experiments using linoleum. Kwaning created two materials that emulate leather of different structures, thicknesses and textures.

MSDS Studio added speckled linoleum furniture to the interior of a Toronto flower shop (pictured). A large island and shop counter were wrapped in the material for its affordable and humble qualities said the designers.

See projects featuring linoleum ›

Photo is courtesy of Matthew Barnett Howland with Dido Milne and Oliver Wilton

**Cork **

Cork, which is gathered from the outer bark of the cork oak tree is a popular material among designers and architects due to its compostable and easily harvestable qualities. Cork House used sustainably-sourced, cork blocks to build its five-volume structure which was supported by timber components.

The Cork Studio is a garden building that is made almost entirely out of cork. The structure was constructed by Studio Bark as a building prototype that can be completely recycled, reused or composted.

French designer Noé Duchaufour-Lawrance used the discarded material to create a furniture collection of amorphous forms and a range of different textures.

See projects featuring cork ›

Photo is by Simone Bossi

Straw

Straw is an agricultural byproduct that is comprised of the dry stalks of cereal plants after the grain has been harvested. The material is often used in construction and offers homes a renewable, biodegradable form of insulation. LCA Architetti used straw as insulation within the walls of The House of Wood, Straw and Cork (pictured).

The Exquisite Corpse is a collection of marquetry that comprises three handmade furniture pieces decorated with straw that was dyed vibrant, colours.

See projects featuring straw ›

**Cellulose **

Cellulose is a structural compound typically found within the cell walls of green plants, the material can be extracted from a variety of plants including trees, often being used to create fibres. Swedish label Kön produced a range of gender-neutral underwear that was made from plant-based cellulose.

Barcelona-based startup Hontext developed a construction board material that is derived from a combination of enzymes and cellulose (pictured) sourced from waste streams of paper production. The fibres are saved from going to landfills or being burnt and turned into construction boards to be used for interior partitioning or cladding.

Anna Piasek created a modular takeaway food packaging that can be sub-divided into smaller sections to accommodate multiple dishes. The packaging was made from moulded cellulose, that was pressed into shape using a metal mould and then dried in an oven and coated.

See projects featuring cellulose ›

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The Dezeen guide to biomaterials in architecture, design and interiors

Thinking of using renewable material alternatives in your project? Our latest Dezeen guide includes 12 types of biomaterials commonly used in architecture, design and interiors.

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The Dezeen guide to mass timber in architecture

Thinking of using engineered timber in your project? Our latest Dezeen guide includes the most regularly used types of mass timber including CLT, glulam and dowel-laminated timber.

Mass timber is the name given to the various different types of engineered wood that can be used as structural building materials.

Developed for commercial use in Europe in the late 1980s, the materials are rapidly growing in popularity as an alternative to carbon-intensive concrete and steel that, unlike regular timber, can be used to construct tall buildings.

Mass timber can also allow quicker, cleaner assembly on site as well as being lighter than traditional construction materials.

[

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The Dezeen guide to wood in architecture, interiors and design

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Mass timber products are composed of layers of wood joined together to form strong panels or beams. The materials are usually made in factories and engineered to precise specifications.

Timber is a renewable material capable of sequestering large amounts of CO2, as the carbon that trees remove from the atmosphere throughout their life is stored in the wood.

As a result, the material is increasingly being used to lower the embodied carbon footprint of buildings, so long as the timber is harvested sustainably. This involves replacing cut timber with new trees, which need to be left growing long enough to replace the lost biomass.

Read on to learn about the different types of mass timber:

Glued laminated timber (glulam)

Usually referred to as glulam, glued laminated timber is a type of mass timber that is often used for structural members.

It is constructed from layers of timber that are all orientated in the same direction. This means that large structural members can be made from smaller pieces of timber.

The structural members can be made in straight lengths for beams and columns or in curved pieces that can be used to form arched structures. Glulam is usually made from fir, larch, oak or spruce.

London studio used Maccreanor Lavington created a diamond-shaped glued laminated timber structure for the roof of the dining hall at the Ibstock Place School in Roehampton (pictured above).

See projects featuring glulam ›

Cross-laminated timber (CLT)

Cross-laminated timber (CLT) is the best-known and most commonly used type of mass timber.

Often called super plywood, the material is a panel made by gluing layers of wood at right angles to each other. This gives it a similar appearance to plywood, but with much thicker layers, or laminations.

Due to the arrangement of the layers, the structural CLT panels have structural rigidity in two directions. The panels, which are cut to size before being assembled on-site, can be used to create structural walls as well as floors in multiple-storey buildings.

CLT is usually made from larch, spruce or pine.

Numerous CLT buildings have been built around the world with Waugh Thistleton Architects' nine-storey Murray Grove tower, completed in 2008, an early example of a timber high-rise. The studio's Dalston Lane project, completed in 2017, is one of the world's largest CLT projects.

Recently White Arkitekter used the material to create a "carbon negative" skyscraper and cultural centre in Sweden (pictured).

See projects featuring cross-laminated timber ›

Dowel-laminated timber (DLT)

Dowel-laminated timber, also known as DowelLam or DLT, is a type of mass timber made entirely from wood. DLT panels are constructed from layers of softwood that are connected by friction-fit hardwood dowels.

The panels are used in a similar way to CLT and are often used to construct floors and roof decks. Proponents of DLT claim it is faster and cheaper to produce than CLT as there is no need for gluing.

Neumann Monson Architects' 111 East Grand (pictured) was the first multi-story office building in North America to use DLT panels, which were combined with glulam columns.

Nailed-laminated timber (NLT)

Nailed-laminated timber (NLT), which is also called nail-lam, is manufactured from planks of timber that are placed on their side and nailed or screwed to each other to form panels.

These panels can be constructed from standard-sized and largely available planks of wood without the need for a dedicated manufacturing facility.

The material can be used for constructing floors and walls. Michael Green Architecture combined nailed-laminated timber with CLT and glulam to build a seven-storey tower in Minneapolis that, at the time of completion in 2016, was the largest mass-timber building in the USA.

Laminated veneer lumber (LVL)

Laminated veneer lumber (LVL) is a type of mass timber made from thin layers, or veneers, of timber.

The veneers, which are created by thinly slicing timber under heat and pressure, are all oriented in the same direction in a similar manner to glulam. This means the material is often used to make beams and columns, much like glulam.

British furniture brand Vitsœ used LVL to create its headquarters and production facility in the English town of Royal Leamington Spa (pictured). The company claimed the facility was the first in the UK to feature a framework made from LVL.

Parallel-strand lumber (PSL)

As its name suggests parallel-strand lumber (PSL) is a type of mass timber made from parallel strands of wood connected with glue.

The long thin strands of timber are glued under high pressure to create a high-strength material that is usually used for long-span beams or columns that need to carry large weight. Timber used to create PSL includes fir, pine and western hemlock.

Gray Organschi Architecture and Yale's Center for Ecosystems in Architecture used PSL to create a UN-backed, off-grid tiny home. The structure has parallel-strand lumber posts, laminated veneer lumber beams and cross-laminated timber walls.

This is the latest in our series of Dezeen guides. Previously we have created guides toplastic, stone, carbon and timber.

The post The Dezeen guide to mass timber in architecture appeared first on Dezeen.

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Dezeen Guide to mass timber in architecture

Thinking of using timber in your project? Our latest Dezeen guide includes the most regularly used types of mass timber, including CLT and glulam.

The Dezeen guide to plastic in architecture, design and interiors

Thinking of using plastic in your project? Our latest Dezeen guide includes more than 11 types of plastic commonly used in architecture, design and interiors, with links to hundreds of projects for inspiration.

Plastics are among the most versatile materials in existence. Defined by their plasticity, they have long carbon chains called polymers at their backbone and can be moulded, extruded or cast into any desired shape from films to textile fibres.

They can be divided into thermosetting plastics, which never soften once moulded, and thermoplastics, which can be melted and reshaped, making them more suited to recycling.

Plastics "are a co-product of fossil fuels"

Although certain plastics – such as rubber, which is derived from the rubber plant – occur naturally, most modern plastics are synthetic and more than 99 per cent are derived from fossil fuels.

This helps to make plastics more affordable than most other materials and sees them used to create millions of tonnes of single-use items every year.

"Part of why plastics are so cheap is that they are a co-product of fossil fuels," explained designer Charlotte McCurdy, who has created a bioplastic made from algae.

"Petroleum or natural gas is pumped out of the ground and at the refinery, it is broken up into different lengths of molecule and catalytically cracked into useful monomers."

79 per cent of all plastic is dumped in landfills

This refining process yields not just fuels such as gasoline and kerosene but also chemical byproducts such as ethylene and propylene, which are the most important feedstocks used to create plastics.

Once discarded, 79 per cent of all plastic is dumped in landfills or in the environment, where it will remain for thousands of years. Although this contributes to pollution, it also helps to sequester the carbon contained in the materials and prevents it from entering the atmosphere.

But when incinerated, as 12 per cent of all plastic waste is, this carbon is emitted as carbon dioxide.

Taken together, plastic production and incineration were responsible for more than 850 million metric tons of greenhouse-gas emissions in 2019.

However, with growing efforts to decarbonise the economy, non-fossil alternatives are being developed in a bid to meet the ever-increasing demand for plastics in a more sustainable way.

Read on to find out more about the most popular types of plastic and their possible substitutes.

Polyethylene terephthalate (PET)

PET is a strong yet lightweight thermoplastic, originally developed in the 1940s by combining fossil fuel-derived ethylene glycol and terephthalic acid.

The resulting polymer can be blow-moulded to form single-use bottles, stretched into a film for food packaging or spun into fibres to create polyester fabric, which accounts for more than half the world's synthetic fibres.

Designers often make use of PET for its translucent finish, with Marjan van Aubel turning it into solar panels that resemble stained glass windows while Beyond Space created a cavernous interior in an Amsterdam office using a kilometre's worth of semi-sheer polyester.

PET is also the most widely recycled plastic, at which point it is called rPET and can be used to create everything from backpacks (above) to Emeco's Navy chair.

See projects featuring PET ›

High-density polyethylene (HDPE)

HDPE is a variation of polyethylene, the most common type of plastic in use today. While its low-density equivalent LDPE is used to make plastic bags, HDPE is sturdier and more rigid, lending itself to everything from milk jugs to packaging for cleaning products and toiletries.

The material is also used to create plastic bottle caps and even when brands such as Evian claim they've created bottles from "100 per cent recycled plastic", their lid is generally made from virgin HDPE to guarantee durability.

However, the material can ultimately be recycled after use, with architecture firm Bulot+Collins using the waste plastic to form 1,400 thermochromic tiles for a floating diving platform while Space Available and techno DJ Peggy Gou turned 20 kilograms of HDPE collected from Bali's beaches into a chair.

See projects featuring HDPE ›

Polyvinyl chloride (PVC)

Derived from chlorine and ethylene, PVC makes up about 20 per cent of all plastic produced. Due to its strength and durability, the material is commonly used to create pipes, gutters and window frames, which designers have variously recycled into flower vases and cladding (above).

With the addition of a phthalate plasticiser, PVC can be turned into flexible vinyl and used to form flooring, shower curtains and imitation leather. Swiss studio Bureau A made use of the material's pliability to create an inflatable nightclub while Formafantasma played with its translucency in a "deconstructed" stage design for fashion label Sportmax.

Due to additives like phthalate, vinyl is among the least recyclable plastics and has been linked to a number of health concerns. But latex made from the sap of the rubber tree can offer a renewable, plant-based alternative.

See projects featuring PVC ›

Polypropylene (PP)

Polypropylene is derived from propylene gas, a byproduct of the gasoline refining process, and is commonly used to form more rigid, hardwearing items such as Tupperware, kid's toys and outdoor furniture.

Designers began experimenting with the material in the 1950s to create monobloc chairs, injection moulded and formed from a single piece of material. Among the most notable designs are Verner Panton's Panton chair, the Air-Chair by Jasper Morrison and more recently the recycled polypropylene Bell Chair by Konstantin Grcic for Magis, which is manufactured in less than a minute.

The thermoplastic can also be spun into fibres to create surgical masks, which South Korean designer Haneul Kim has recycled to create a series of stackable stools, or used as a 3D-printing filament as in the performance sports tiles on Yinka Ilori's Bank Street Park basketball court.

See projects featuring PP ›

Polycarbonate

Polycarbonate is a thermoplastic with carbonate groups in its chemical structure, making the material exceptionally resistant to impacts and temperature changes.

Often used to create bulletproof windows, it can be engineered to be almost as clear as glass while being lighter and up to 250 times stronger.

Polycarbonate sheets are popular among architects and interiors designers for their ability to maximise natural light while maintaining privacy, as well as improving a building's thermal insulation.

Francesc Rifé Studio used the sheeting to divide an old textile factory into offices for the team behind Michelin-starred restaurant El Bulli while La Shed Architecture clad an entire barn (above) in the translucent material to give cows "a better quality of life".

See projects featuring polycarbonate ›

Polyurethane (PU)

Polyurethanes are a diverse class of plastic polymers derived from isocyanic acid. Most commonly, PU takes the form of a flexible foam used for mattresses and upholstery while a more rigid variety is turned into trainer soles for brands from Adidas to Allbirds.

As a coating, lacquer or varnish, it can waterproof fabrics and protect wooden furniture as well as helping leather alternatives such as Piñatex withstand wear and tear.

Design studio Layer made use of PU's adhesive qualities to create a heat-sealing tape that bonds textiles without the need for stitches. And spun into fibres, it forms the main ingredient in spandex, which is used to make sportswear as well as more boundary-pushing items such as fabric-cast concrete moulds and wearables that can be stuck to the body like plasters (above).

Polyurethanes are not easily recycled and can contain potentially carcinogenic compounds that irritate the skin and respiratory system.

See projects featuring PU ›

Fibreglass

Also known as glass-reinforced plastic or GRP, fibreglass is made by taking thin glass filaments, either loose or woven into cloth, and encasing them within a petrochemical resin.

The composite material is lighter and stronger than steel while being cheaper and more flexible than carbon fibre. As a result, fibreglass is used to create products where performance is key, including skis as well as the rotor blades of helicopters and wind turbines.

Architects have made use of the material to create tall, lightweight structures such as BIG's 2016 Serpentine Pavilion (above), which was formed from 1,900 translucent blocks, and a tubular installation designed by Neri Oxman and erected by a swarm of autonomous robots.

See projects featuring fibreglass ›

Polystyrene

In its original form, polystyrene is a hard, solid resin used to make disposable cutlery. But when solid beads of the plastic are exposed to hot steam, they puff up like popcorn to create expanded polystyrene (EPS) foam, mostly known by its brand name Styrofoam.

The rigid, closed-cell foam is 98 per cent air and has a low thermal conductivity, making EPS a widely used packaging for fragile items as well as for hot foods and drinks.

Once discarded, designers have been able to repurpose this packaging into sculptural chairs and beckoning cats, as well as melting it to create moulds. In architecture, it can be used for insulation or more experimental applications as in ADX's Soil House (above), which features walls of loose soil fixed in place with a foam spray.

See projects featuring polystyrene ›

Acrylic

Acrylic is a catchall term used to describe a range of different resins derived from acrylic acid. These can be suspended in water to create paint or spun into fibres that can be used to make clothing or as precursors for carbon fibre.

When cast into sheets, the thermoplastic is known as plexiglass and used as a low-cost, shatter-resistant alternative for glass due to its exceptional optical clarity. This application was pioneered during the second world war when it was used to form fighter jet windows and submarine periscopes.

More recently, English architecture firm HAL used giant plexiglass panels to form a 35-metre-high swimming pool bridge connecting two buildings in London (above) while designer Christophe Gernigon turned the material into suspended hoods for socially distanced dining.

Furniture made from acrylic can reflect light or disappear into its surroundings, as demonstrated by the see-through counter that Yota Kakuda created for Bake Kitasenju brasserie and Say Architects' ghostly interior for the Lika Lab boutique in Hangzhou.

See projects featuring acrylic ›

Acrylonitrile butadiene styrene (ABS)

Acrylonitrile butadiene styrene, much like polystyrene, is a hard thermoplastic derived from a clear, liquid petrochemical called styrene. In ABS, this is combined with butadiene rubber to create a stronger, more durable material that can withstand compression better than concrete and has been injection moulded to form billions of hardwearing Lego bricks since 1963.

Due to its low melting point and the fact that it can be easily painted and glued, the plastic is also one of the most common additive manufacturing filaments and was used to form the world's first 3D-printed gun.

Extruded ABS pipes are more resilient than their PVC counterparts, making them suitable for constructing sewer systems and being repurposed into a corrugated seating collection by designer Phan Thao Dang (above).

See projects featuring ABS ›

Nylon

As the first fully man-made fibre, created in a US lab in the 1930s, nylon spawned an era of innovation in synthetic fabrics.

Although initially synonymous with stockings, the term nylon has since expanded to include a whole family of plastics composed of polyamides. These can be found in toothbrush bristles, films for food packaging and moulded components in cars and electronics.

However, the material's primary application remains in fibres, with SO-IL using nylon webbing to form a colourful hammock around 130 trees and Studio Drift crafting it into a kinetic sculpture for the Dutch National Touring Opera (above).

In recent years, a number of fashion brands including Prada have moved from virgin to regenerated nylon, also known under the brand name Econyl, in a bid to mitigate the material's environmental impact. Rayon can offer an alternative that is based on plant-based cellulose fibres rather than fossil fuels.

See projects featuring nylon ›

Plastic alternatives

With growing concerns around pollution and efforts to create a circular economy not reliant on fossil fuels, architects and designers are increasingly looking to substitute virgin and petroleum-based plastics for more sustainable alternatives.

This includes recycled plastic, which presents a huge source of untapped potential as only nine per cent of the 8.3 billion tonnes of plastic waste produced across the world have so far been turned into new products.

The material can be sourced from recycling plants or companies such as The Ocean Cleanup and Parley for the Oceans, which are fishing marine plastic from our oceans and waterways before teaming up with brands to turn it into sunglasses, trainers and more.

Bioplastics that use natural materials rather than crude oil as feedstocks present another possible alternative. Polylactic acid (PLA), the most common type of bioplastic, is generally made from corn starch or sugar cane while others are derived from algae or chitin.

Many are designed to be compostable or biodegradable under specific conditions to reduce the amount of plastic waste in the environment, although some experts have raised concerns that this could ultimately lead to soil and water acidification.

The post The Dezeen guide to plastic in architecture, design and interiors appeared first on Dezeen.

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The Dezeen guide to plastic in architecture, design and interiors

Thinking of using plastic in your project? Our latest Dezeen guide includes more than 11 types of plastic commonly used in architecture, design and interiors, with links to hundreds of projects for inspiration.

The Dezeen guide to carbon

This essential guide to carbon debunks all the jargon around the element. It explains what it is, describes how it contributes to climate change and lays out ways of tackling the problem.

One of a growing series of Dezeen guides, it has been written as part of our carbon revolution series of articles about carbon.

Carbon

Carbon is a solid, non-metal element. It is often described as the "king of the elements" due to its versatility and importance. Essential to life, it is the fourth most abundant element in the universe (after hydrogen, helium and oxygen).

Carbon makes up around half of the dry mass of all trees and plants. It is the second most abundant element in the human body after oxygen, making up about 18.5 per cent of human body mass and constitutes a similar percentage of all living creatures.

There are an estimated 1.85 billion tonnes of carbon on earth. Ninety-nine per cent of it is stored deep in the earth's core and mantle. Just 0.2 per cent of it (an estimated 43,500 trillion tonnes) is in visible carbon sinks such as the air, soil, oceans, plants and animals.

Carbon is an extremely versatile element with atoms that can bond together in many ways to build pure-carbon physical forms, or allotropes, including diamond, graphite, charcoal (top image) and graphene.

Carbon atoms can also bond with atoms of other elements to form an astonishing range of chemical compounds such as carbon dioxide, calcium carbonate, carbohydrates (including sugars: table sugar is 40 per cent carbon) and hydrocarbons.

Over ten million carbon compounds have been identified so far and there are thought to be many millions more that have yet to be discovered.

Carbon cycle

While the total amount of carbon on earth does not change, the element is endlessly circulated between land, sea and sky. This carbon cycle, along with similar cycles of water and nitrogen, is a key part of the reason why life is sustained on earth.

Plants and animals absorb or eat carbon, releasing it again when they die. Sometimes this carbon makes its way into the atmosphere and sometimes it accumulates on earth (in sedimentary rocks or fossil deposits, for example) or is dissolved in the ocean.

From there it is eventually again recycled via erosion, sedimentation, lifeforms and – particularly since the industrial revolution – human activity, notably via the burning of fossil fuels, which transfers carbon that was once contained in living creatures and plants into the atmosphere. This activity is disrupting the natural carbon cycle.

Carbon sinks

Carbon sinks are large deposits of carbon on earth that sequester more atmospheric carbon than they emit. The key active carbon sinks are organisms (both living and dead), soil, the oceans and the atmosphere. Together these are able to absorb around half of all human-induced carbon emissions.

Past carbon sinks that no longer actively sequester carbon include fossil-fuel reserves and sedimentary calcium carbonate deposits such as limestone and chalk.

Carbon sources

Carbon sources are the opposite of carbon sinks, producing a net increase in atmospheric carbon dioxide. These include industry, the built environment (which accounts for around 40 per cent of all emissions) agriculture, wildfires and volcanoes.

Carbon dioxide

When a single carbon atom bonds with two oxygen atoms, molecules of carbon dioxide gas are formed. This is a natural chemical reaction that happens, for example, when hydrocarbons are burned, when cells metabolise carbohydrates into energy and when living organisms decompose.

Carbon dioxide plays an important role in regulating the earth's climate. Like other greenhouse gases, CO2 molecules absorb radiation from the sun and then release this energy by vibrating. These vibrations generate heat, forming an insulating blanket around the earth that makes life possible since, without CO2 and other greenhouse gases, the planet would be too cold to sustain life.

However, the more carbon dioxide there is in the atmosphere, the greater the warming effect.

Airborne carbon dioxide molecules eventually return to earth as part of the carbon cycle but this is a gradual process that takes a very long time. For a tonne of CO2 emitted today, 40 per cent of it will still be in the atmosphere in 100 years time and 10 per cent of it will still be there 10,000 years from now.

Carbon dioxide is the second-most abundant greenhouse gas after water vapour which, along with the clouds it forms, has four times the total impact on the climate of CO2.

However, carbon dioxide is universally regarded as the single biggest cause of global warming, partly because it remains in the atmosphere for so long (up to 1,000 years compared to nine days for water vapour) and partly because there is so much of it.

Carbon dioxide equivalent

Carbon dioxide equivalent (CO2e) is a scale that allows the various greenhouse gases to be compared in terms of their warming effect on the earth.

A tonne of the carbon dioxide equivalent of a given gas has the same warming effect as a tonne of CO2. This is calculated by studying the global warming potential (GWP) of each gas, taking into account the length of time it remains in the atmosphere, and comparing this to the warming potential of CO2, which has a GWP of 1.

Methane (another carbon-based gas) has a GWP of 25, meaning that a tonne of methane emissions have the same climate impact as 25 tonnes of carbon dioxide. Nitrous oxide has a GWP of 298. The hydrofluorocarbon HFC-23, which is used as a refrigerant and a fire suppressant, has a GWP of 14,800. Sulphur hexafluoride, used as an electrical insulator, has a GWP of 22,800, the highest of any greenhouse gas.

When people talk about carbon emissions or carbon dioxide emissions, they are often using this as shorthand for carbon dioxide equivalent emissions (see below).

Carbon emissions

Carbon emissions are human-induced releases of greenhouse gases into the atmosphere. The term provides a way of measuring the amount of greenhouse gases being added to the atmosphere and, by extension, a way of calculating the amount that needs to be removed to stabilise the climate.

The term is misleading since it is generally used as a synonym of carbon dioxide equivalent emissions (see above), which covers all greenhouse gas emissions. But since carbon dioxide is by far the most problematic greenhouse gas, and since heavy carbon atoms make up the main bulk of CO2 emissions (oxygen atoms are much lighter), carbon has become a byword for all greenhouse emissions.

Carbon emissions are measured in metric tonnes (equivalent to 1,000 kilogrammes). A metric tonne of CO2 would fill a balloon with a diameter of 10 metres. In 2021, humans will add around 40 billion tonnes of emissions to the atmosphere, according to the International Energy Agency. If 40 billion balloons each containing a tonne of CO2 were stacked in a cube, the cube would measure 342 kilometres on each side.

The Greenhouse Gas Protocol, which draws up widely adopted standards to measure and manage emissions, divides carbon emissions into three types under the Scope 3 Standard. Scope 1 emissions are direct emissions from sources the emitter has direct control over. Scope 2 emissions are indirect emissions from services the emitter consumes such as power and heating. Scope 3 emissions are all other indirect emissions caused by an emitter.

Atmospheric carbon dioxide

Atmospheric carbon dioxide is the term used to describe the total amount of CO2 in the atmosphere, adding together human-induced emissions and natural concentrations.

The concentration of atmospheric carbon dioxide has been rising steadily since the industrial revolution and has accelerated over recent decades: half of all emissions over the last 300 years have happened since 1980. A quarter have happened since 2000.

As a result, the number of carbon parts per million (PPM) in the atmosphere has risen 50 per cent from 280 in pre-industrial times to 420 as of 4 June this year, according to the CO2.Earth daily calculator.

The Intergovernmental Panel on Climate Change (IPPC) estimates that we will need to remove between 100 and 1,000 gigatonnes of emissions from the atmosphere by the end of the century in order to keep global warming below the 1.5 degrees set out in the 2015 Paris Agreement.

Carbon footprint

A carbon footprint is the total amount of carbon dioxide equivalent emitted directly and indirectly by an individual, organisation, product, building or activity. Working out your carbon footprint (by using a carbon footprint calculator or conducting a carbon audit, see below) allows you to take steps towards reducing, eliminating or even negating your climate impact.

The concept is controversial as it pushes the responsibility for emissions away from large-scale emitters such as fossil-fuel companies onto end-users of emissions-generating products and services.

The term "carbon footprint" was popularised by oil giant British Petroleum in a 2004 advertising campaign that included slogans such as "Reduce your carbon footprint. But first, find out what it is." The ads included a link to a carbon footprint calculator on BP's website.

The USA has the highest carbon footprint per capita, with each citizen responsible for an estimated 16.5 tonnes of CO2. In the UK, it is 6.5 tonnes.

Carbon calculators and carbon auditing

A growing number of companies and websites offer simple calculators that allow organisations and individuals to estimate the carbon footprint of their activities or individual aspects such as a building or a product. These are often crude but help give a basic understanding of the climate impact of your activities.

Carbon auditing, which is another growing field, offers a more complete and complex analysis in order to calculate a carbon footprint more accurately.

The aim of both is to help organisations and individuals to erase their carbon footprints for example by reducing their energy use, switching to renewable power sources and offsetting their emissions (see below).

Carbon offsetting

Carbon offsetting is a concept designed to allow individuals and organisations to neutralise their greenhouse-gas emissions by signing up to schemes that compensate for those emissions.

There are many offsetting schemes available. Many of these are voluntary, allowing companies and individuals to offset some or all of their emissions via a range of methods including afforestation, avoided deforestation, renewable energy development and the capture of atmospheric carbon and other greenhouse gases.

However, offsetting schemes vary in their effectiveness. Rather than reversing emissions, many of them simply defer them or displace them. For example, offsetting by investing in a new renewable energy scheme may lead to a reduction in fossil-fuel emissions in the future, but will not do anything to negate emissions made today, since that carbon is already in the atmosphere, contributing to global warming now and for the next few hundred years (see above).

Carbon offsetting is measured in carbon dioxide equivalent (see above).

The Oxford Principles for Net Zero Aligned Carbon Offsetting provides a useful guide to offsetting approaches that align with the concept of net-zero emissions (see below).

Carbon trading

Carbon trading is a system that allows polluters to buy and sell credits for their emissions. It turns carbon emissions into a commodity and allows countries, companies and organisations that do not use all their permitted emissions to sell them to others who have exceeded their allocations.

Such schemes rely on their being an agreed, finite amount of permittable emissions in a given country or region. The concept was established as part of the 1997 Kyoto Protocol, assigning countries that signed up to the climate treaty emissions quotas that could be traded.

Carbon trading does not reduce atmospheric carbon dioxide. Instead, it attempts to regulate the amount of new carbon emissions.

The largest and most sophisticated emissions trading scheme is the European Union's Emissions Trading System. This is a legally binding framework that compels companies to limit their emissions as part of the EU's policy to combat climate change. The idea is that the total permissable emissions will fall over time with the aim of achieving carbon neutrality across the EU by 2050.

Under the scheme, polluting companies can buy rights to continue producing emissions via a "cap and trade" system. The scheme currently covers 40 per cent of EU emissions and may soon be extended to cover buildings and road transport, which are a major source of emissions that are currently exempt from the EU's cap and trade system.

Carbon neutrality

Carbon neutrality is achieved when no additional carbon dioxide equivalent is added to the atmosphere by an entity such as an individual, a company, a building or a country. This can either involve eliminating emissions in the first place, negating emissions through offsetting, or a combination of both.

Carbon neutrality is defined by the internationally recognised PAS 2060 standard.

This Dezeen tag contains examples of carbon-neutral architecture and design.

Net-zero

Net-zero aims to achieve more or less the same thing as carbon neutrality but has slightly different, and more onerous, conditions. It is considered the benchmark standard for decarbonisation.

According to the Carbon Trust, net-zero targets must be aligned to the Paris Agreement goal of limiting global warming to 1.5°C; they must involve active greenhouse gas removal rather than less scrupulous offsetting activities, and they can only apply to entire organisations rather than selected aspects of a companies activities such as an individual building or product.

Achieving net-zero is a key step towards tackling climate change but it does not address the greenhouse gases that are already in the atmosphere.

Organisations can learn about and commit to net-zero targets via the United Nations' Race to Zero initiative.

In its lexicon, the Race to Zero initiative considers net-zero to have been achieved when "an actor reduces its emissions following science-based pathways, with any remaining GHG (greenhouse gas) emissions attributable to that actor being fully neutralized by like-for-like removals (eg permanent removals for fossil carbon emissions) exclusively claimed by that actor, either within the value chain or through purchase of valid offset credits".

The Paris Agreement commits signatories to reaching net-zero carbon emissions by 2050.

Carbon negativity and carbon positivity

Confusingly, these mean pretty much the same thing. The UN's Race to Zero initiative prefers the term "carbon positive" but the architecture sector has largely adapted the term "carbon negative", which is also the Dezeen currently uses.

Carbon negativity is when an entity such as a company, individual or building removes more carbon dioxide equivalent from the atmosphere than it emits. This will be essential if the targets of the Paris Agreement are to be met since, as well as achieving net-zero new emissions, large amounts of greenhouse gases will need to be removed from the atmosphere via carbon capture (see below).

To achieve true carbon negativity, the lifetime carbon footprint needs to be taken into account and exceeded by the amount of carbon captured. For a building or product, this means taking into account both embodied carbon and operational carbon (see below).

This Dezeen tag contains examples of carbon-negative architecture and design.

Embodied carbon

Embodied carbon refers to the total amount of carbon dioxide equivalent generated to produce any kind of physical asset such as a chair or a building. This includes all the emissions generated by the extraction and processing of raw materials plus the manufacturing, transportation and construction or assembly of the asset, as well as the deconstruction and disposal of the building's components at the end of its life.

Operational carbon

Operational carbon refers to the total amount of carbon dioxide equivalent emitted by the operation of a building or other asset over its lifetime. This includes emissions generated to provide power to the building plus those generated by the heating system as well as any other emissions generated to run the building.

Carbon capture

Carbon capture, also known as carbon removal, involves removing carbon dioxide from the atmosphere. This can be done by both natural and industrial processes.

The best-known method is afforestation and tree-planting trees. Carbon can also be captured in soil by adopting appropriate agricultural and land management techniques.

Industrial carbon-capture methods include direct air capture (DAC), which involves extracting CO2 from the atmosphere with machines. The carbon can then either be sequestered (see below) as part of a combined process known as carbon capture and storage (CCS). Or it can be used as a raw material via a process known as carbon capture and utilisation (CCU).

Carbon capture will need to play a key role in reducing atmospheric carbon since even if new emissions were to cease immediately, there is enough carbon already in the sky to ensure temperatures on earth would continue to rise for 40 years, ice caps will continue to melt and seas will continue to rise. Left to its own accord, it would take thousands of years for the climate to return to pre-industrial conditions.

CO2 can also be captured from fossil fuels, preventing much of the gas from entering the atmosphere when hydrocarbons are burned. Pre-combustion capture involves chemically removing carbon dioxide from fossil fuels before they are burned. Post-combustion capture involves "scrubbing" the gas from flues at power stations and industrial plants that burn fossil fuels.

However, neither process is perfect and neither reduces the amount of CO2 that is already in the atmosphere.

Carbon sequestration

Carbon sequestration refers to the long-term storage of carbon dioxide that has been captured from the atmosphere. This happens naturally, for example when trees and other plants absorb CO2. The earth's biomass holds an estimated 560 billion tonnes of carbon.

The oceans and the creatures in them also sequester vast amounts of carbon. This is known as blue carbon.

Carbon mineralisation

Carbon can be sequestered by mineralisation processes that turn carbon dioxide into solid material. This happens naturally during weathering processes such as when CO2 in rainwater reacts with silicate rocks, trapping the carbon in new carbonate material.

Carbon can be mineralised synthetically by mimicking weathering processes or by pumping carbon dioxide underground where it reacts with bedrock to create a new type of rock. This is known as subsurface mineralisation.

Carbon utilisation

Captured carbon can be put to a wide variety of uses. It can be combined with hydrogen to create synthetic hydrocarbons, which can be used to produce the same variety of fuels, plastics and chemicals as fossil fuels.

It can be turned into construction materials such as cement and aggregates via synthetic mineralisation processes.

It can be fed to algae to produce biomass that in turn can be made into fertiliser, food and a range of chemicals and supplements.

For details of carbon utilisation, [link to carbon revolution content]

Carbon revolution

This article is part of Dezeen'scarbon revolution series, which explores how this miracle material could be removed from the atmosphere and put to use on earth. Read all the content at: www.dezeen.com/carbon.

The sky photograph used in the carbon revolution graphic is byTaylor van Riper via Unsplash.

The post The Dezeen guide to carbon appeared first on Dezeen.

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The Dezeen guide to carbon

This essential guide to carbon debunks all the jargon around the element. It explains what it is, describes how it contributes to climate change and lays out ways of tackling the problem.

The Dezeen guide to stone in architecture, interiors and design

Thinking of using stone in your project? Our latest Dezeen guide includes 15 popular types of natural rock used in architecture, interiors and design with links to hundreds of examples to inspire your own work.

Alabaster

Alabaster is a soft, fine-grained stone that has been used for centuries to carve elaborate forms and ornaments. However, its solubility in water means that it is best suited for indoor use.

In its pure form, alabaster is white and translucent, which makes it ideally suited to lighting design.

Studio Tack used tubular light shades made from alabaster to softly illuminate a cosy Japanese restaurant in New York (above), while lighting studio Allied Maker used the stone to create ornate totemic floor lamps.

Amarist Studio showcased the sculptural possibilities of the stone in its Aqua Fossil collection, which includes a coffee table with swooping, curved legs.

See projects featuring alabaster ›

Basalt

Basalt is a dark-coloured igneous rock that is formed when lava cools rapidly. It is most frequently used as an aggregate for concrete as it is low-cost and high-strength, but it is also a popular cladding and flooring material, especially when polished.

Examples of this include the facade of a small gallery in Amsterdam by Barend Koolhaas and a Hawaiian holiday home by Walker Warner Architects in which slender basalt cladding tiles are contrasted with cedar detailing (above).

Icelandic studio Innriinnri used two sculpted slabs of basalt stone to create a sculptural table that doubles as a stool or a piece of art, while South Korean artist Byung Hoon Choi polished the stone to create oversized outdoor furniture.

See projects featuring basalt ›

Flint

Flint is a highly durable stone found in abundance as irregular-shaped nodules in sedimentary rocks such as chalk. It has been used as a construction material since the Roman era, though it is not often seen in contemporary architecture.

Flint varies in colour, but it is commonly glassy black with a white crust. In architecture, it is usually knapped – split to expose its glossy inner face – before being laid in mortar.

Skene Catling de la Peña used a combination of knapped and unknapped flint to cover a wedge-shaped house in Buckinghamshire (above), which creates a subtle colour gradient across its facade.

See projects featuring flint ›

Gneiss

Gneiss, a robust metamorphic stone composed of alternating layers of different coloured minerals, is popular to use for flooring and worktops. Hues can range from pinks and golds to greens and dark greys.

Peter Pichler sourced grey gneiss with black-and-white bands from Passeier Valley in South Tyrol to create a large counter in the bar of an Italian Alpine hotel (above).

It can also be used as a cladding material, such as in Bernardo Bader Architekten's ski resort office in Austria and a radio broadcasting station in Nepal by Archium.

Granite

Granite is one of the most widely used stones in architecture and design. It forms from the slow crystallisation of magma beneath the Earth's crust. It is used for everything from load-bearing structures to cladding, worktops and furniture.

Its popularity is down to its high compressive strength, durability and low porosity. Granite is also found in an array of colours, making it suitable for a range of spaces and styles.

Heatherwick Studio recently used green granite to make a trio of its sculptural Spun chairs (above), while Snøhetta has used a grey variety to cover almost every surface of an Aesop store to emulate a rocky coastline.

Architecture studio NOARQ tested the material's strength by elevating a cabin on thick blocks of granite over the entrance to a stone villa in Portugal.

See projects featuring granite ›

Laterite

Rusty-red laterite stone is formed from the leaching of rocks and soil during alternating periods of high temperature and heavy rainfall in tropical areas. This process leaves behind a high concentration of insoluble iron oxides, which gives the rock its colour.

Laterite is typically used in construction in Africa and Asia in the form of bricks, which have excellent thermal mass and a low embodied energy. These bricks are made by cutting the rock out from below the water table when it is moist and leaving it to harden in the air.

Architect Francis Kéré used locally sourced laterite to build the walls of a school in Burkina Faso and Studio Lotus has used it to create the pedestal of a government building in India (above).

Limestone

There are many different types of limestone, a sedimentary rock composed mainly of calcium carbonate. It is considered a good all-round building material as it is easy to cut and carve and usually has a uniform texture and colour.

Popular limestone varieties include travertine (see below) and Portland stone, which is used on notable buildings in London such as St Paul's Cathedral and Buckingham Palace.

David Chipperfield Architects recently used limestone to clad the Kunsthaus Zurich museum extension in Switzerland and John Pawson used it to line the surfaces of a minimalist flagship store in Japan for fashion label Jil Sander.

Design projects that utilise limestone include a blocky furniture collection called Dig Where You Stand by students from the Estonian Academy of Arts (above).

See projects featuring limestone ›

Marble

Marble is a metamorphic rock with veins of calcite crystal. It forms from limestone that has been exposed to heat and pressure and is found in many colours. Marble is strong but easily carved and polishes well, making it suitable for numerous applications.

It is most popularly used in kitchen and bathroom designs, but it is often used as cladding too, such as in Alexander Owen Architecture's garden room in London (above).

See projects featuring marble ›

Onyx

Onyx is a translucent gemstone composed of parallel bands of quartz, found in almost every colour. It has a long history of use in sculpture and jewellery but is less commonly found in architecture and design. However, onyx is sometimes used as a facing or lighting.

Projects that use onyx include a mausoleum in Minneapolis by HGA and an office by Anne Claus Interiors where it has been used to clad a multi-coloured bar (above).

See projects featuring onyx ›

Porphyry

Porphyry is a strong and hard-wearing igneous stone that comes in reddish-brown to purple hues. It is composed of large-grained crystals embedded in a fine-grained groundmass.

It has been used in architecture and design since antiquity, though it is rarely seen in contemporary architecture and design. Today it is mostly used as aggregate in the construction of roads in places where cars require studded winter tires.

Pedevilla Architects used a block of porphyry as a kitchen island for a cookery school in South Tyrol, while architect Claudio Silvestrin used it to line the walls of a Milanese fashion boutique.

Quartzite

Formed from sandstone exposed to high heat and pressure, quartzite is a very hard and durable metamorphic rock. It is usually found in white and grey shades.

Quartzite is a popular material for kitchen countertops as it is resistant to staining, but is most commonly used as a decorative cladding or flooring.

Examples of this include a dwelling in Utah by Klima Architecture, Peter Zumthor's Therme Vals spa (above) and a monolithic Parisian library by Agence Pascale Guédot.

See projects featuring quartzite ›

Sandstone

Sandstone is composed of fine silicate grains that have eroded from other rocks, giving it either a warm red, yellow or orange colouration.

Used for construction since prehistoric times, sandstone continues to be a popular choice in architecture and design as it is abundant, durable and easy to handle.

Recent architectural projects that use the material include a cathedral extension by Feilden Fowles, a museum by Álvaro Siza, and an oval-shaped all-girls school in India (above) that is designed to blend into its desert surroundings.

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Shale

This grey fine-grained stone is one of the most common sedimentary rocks on earth. It is formed from the compaction of silt and mud into thin, fissile layers. In architecture and design, shale is usually crushed and processed into bricks, tiles and pottery, or heated with limestone to make cement.

Aketuri Architektai used shale tiles to clad a pointy woodland house in Lithuania (above), while Spaceworkers wrapped the stone around the basement of a Portuguese house to provide it with a raw, rugged aesthetic.

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Slate

Slate is a dark fine-grained stone that is formed when a sedimentary rock, such as shale, is subjected to high pressure. It is a foliated rock, meaning it is made up of thin sedimentary layers, which allows it to be split – or riven – into thin slabs.

Slate is durable and weather- and frost-resistant, making it a popular material choice for cladding, roofing and paving.

In interior projects, the material is often also used as floor tiles, hearths and kitchen worktops. Natalie Weinmann sanded and polished the stone to create a blocky furniture collection.

TRIAS used it to clad a small writer's retreat in a Welsh valley while Austin Maynard Architects diamond, scalloped and brick-shaped slate shingles to cover a Melbourne house (above).

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Travertine

One of the most commonly used forms of limestone is travertine, which has been sourced from mineral springs for use as a building material for centuries. The largest building in the world made from this stone is the Colosseum in Rome.

Today, travertine is mostly processed into tiles for internal and external surface coverings, but it is also a popular material for bathroom fit-outs. As it is found with troughs on its surface, processing travertine usually involves polishing its surface.

Projects that use travertine include an extension to a German museum by Bez + Kock Architekten (above), an apartment renovation in Lithuania by 2XJ, and a furniture collection by David/Nicolas.

See projects featuring travertine ›

Recent popular stone projects on Dezeen include an inconspicuous house on the island of Serifos, a monolithic spa by Smartvoll, a collection of luxury lodges on England's Jurassic Coast and a coffee table by Studio Twenty Seven.

The main image is of Rajkumari Ratnavati Girls' School by Diana Kellogg Architects taken by Vinay Panjwani.

The post The Dezeen guide to stone in architecture, interiors and design appeared first on Dezeen.

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