Blood River (2025)
Dark River is a mysterious assassin organization which we first saw in The Blood of Youth.
In Blood River, when the Patriarch of Dark River is severely poisoned. This presents a golden opportunity for the three Blood River families (Su, Xie, and Mu) to seize the “Dragon Sword” which will give them control over the assassin organization and great power.
Su Muyu escorts the Patriach to Qiantang City to find the famous doctor, Bai Hehuai. However, the Xie and Mu families are also lying in wait, aiming to kill the doctor and end the Patriarch’s life.
Characters
Su Muyu (played by Gong Jun) – The leader of Dark River’s elite Spider Shadow Gang is also known as the “Umbrella Ghost”, known for his unique fighting style of wielding an umbrella as a sword.
Bai Hehuai (played by Yang Yutong) – A divine doctor with superb medical skills.
Su Changhe (played by Chang Huasen) – Su Muyu’s sworn brother who has big plans to “reform” Dark River.
Su Zhe (played by Qiao Zhenyu) – The former number one expert of the Su family.
Mu Yumo (played by Peng Xiaoran) – Born into the Mu family, one of the three major families of the Dark River and adept at poisons.
What I Liked
The in-depth exploration about the complexity of being human, and on the nature of ‘good’ and ‘evil’: This is what The Blood of Youth excelled in, and I really enjoyed the quiet moments where the writers explored the bonds between Su Muyu, Su Changhe and their friends.
The complex relationship between the kingdom and the jianghu: Wuxias often explore the difficult and complex relationships in the jianghu. In The Blood of Youth universe, they also explore the complex interactions between the government, royalty and the members of the jianghu. This is something they do really well, and in Blood River, after the messy start, they truly leaned in on that, which I enjoyed.
Gong Jun did well as Su Muyu: I joked that Gong Jun might do well as the taciturn Su Muyu, because his character didn’t need much expressions. (Yes, sadly Gong Jun is not known for his acting chops.) But after the first few episodes, I had my doubts. I realised that Gong Jun may be more robotic than I liked. It took me a while, but I warmed to his, er, robotic ways and just accepted that Su Muyu is just someone so tightly controlled that he doesn’t let any expression leak through.
Interestingly, Gong Jun’s performance and Su Muyu’s character arc eventually became the only motivation for me to continue watching, and probably the highlight of the drama.
What I Didn’t Like
The slow, repetitiveness of the first 10 episodes nearly made me quit this drama. The first six episodes were a slog to endure: attack, dazzling fight, pursuit, attack, dazzling fight. And me having zero idea who’s who and what’s going on or why I should care.
Information overload: Too many characters were introduced at once, especially at the start. They didn’t give the story or characters time to breathe in the first ten episodes. Before we got to know any of them, they’re hurling swords at each other or dying. And with the deluge of characters coming at me, I think I need an AI-powered knowledge base to figure my way around.
The lack of true fights: This is “new wuxia” where fights seem ripped off from a video game. As a a result, many of them are a blur to me. It’s made worse by the fact that the fights are of the “finger fu” variety where they do a few twirls, wave their hands around and magical things erupt around them. However, episode 23’s sword fight stood out as genuinely wuxia-ish. If only they leaned more on that.
I don’t really care for the characters: I get that it’s the trend to make the story gallop from the first episode, but writers keep forgetting the golden rule: Make us care for the characters first. Tell us why we should bother with them. Instead, the show tossed, literally, six episodes of non-stop battles at us. Imagine how many viewers they’d have lost because of this, especially if they had never seen Blood of Youth or Dashing Youth before.
The acting isn’t great: Alas, many of the younger actors couldn’t convey the complexity of their characters well. The veterans, however, are great, especially Su Zhe (Qiao Zhenyu).
The writers still can’t write romance worth a damn: That was my main complaint with The Blood of Youth, but I didn’t mind as the romance was mostly garnishing. Here, it’s one of the main motivations for Su Muyu and not being able to “relate” or feel his no.1 motivation is difficult. We are just supposed to accept that Su Muyu and Miss Miracle Healer are an an item, but I felt zero chemistry between the two or any solid reasons why they should be an item.
Thoughts About the Ending
The naivete and idealism of youth is a big theme in the Blood of Youth, Dashing Youth and Blood River universe. There’s a certain amount of pathos watching young people have such bright hopes for the future only to have them fail because of the unwillingness of society to change or bend to their dreams.
Of all the spin offs, I feel that this particular pathos is the heaviest in Blood River. Does that mean watching this was futile? No, because at the end, it mirrors the very real journeys all of us face: We all have our hopes and dreams in our youth, but in the end, we can only achieve what we can, and maybe that’s enough.
Conclusion
Overall, I liked the drama, but somehow, the emotional impact was limp. Meaning, I barely felt moved by the drama. Something is just missing from Blood River. I rewatched Blood of Youth twice, something which I rarely do. Every character felt alive and amazing, and I loved the entire story. Here, I did not feel much connection to a lot of the characters and none were particularly memorable, except for Su Muyu and Su Zhe. While many people liked Su Changehe, he wasn’t much of a stand out character for me.
Story: The plot improved significantly after episode 7, with meaningful character moments replacing endless fight sequences.
Acting: Mostly poor to average for the young cast, though the veterans did well.
Camerawork: The action sequences leaned heavily on CGI effects. I suppose if you liked that you’d enjoy it, but I prefer a more grounded approach.
Rewatchability: Unlike Blood of Youth which I rewatched twice, Blood River lacks the same emotional pull for repeat viewing.
On the whole, I really enjoyed how the story centres around the messiness of human nature, the idealism of youth and its eventual squashing, and the complex interactions and relationship between the government/royalty and the jianghu.
However, the show is hobbled by its uneven pacing in the beginning, the info dump of characters and by actors who need more acting lessons.
In the end, while I appreciated the deep story it was trying to tell, and largely enjoyed the depiction of Su Muyu by Gong Jun, I was just left oddly hollow and detached. And I have to say that this is going to be one of those dramas that I quickly forget….
Final Rating: 3 out of 5
I’m just glad that the gritty storytelling of Blood of Youth is back here, even if it doesn’t quite reach the same heights.
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