Opening: Weiter, weiter, Postit…

bb15 – space for contemporary art, Thursday, March 5 at 07:00 PM GMT+1

Weiter, weiter, Postit…

• Peter Brandlmayr / Gerald Freimuth

• 6.3.2026 – 20.3.2026

Exhibition Opening: March 5th, 2026, 7pm
Opening hours: 6. March 2026 – 20. March 2026
Wednesday – Friday, 3 – 6pm or individual appointments

That which is, is woven in the sense of a multiple discourse: contradictory, relative; as a network of relationships and relatedness. That which shows itself always shows itself to oneself and to others; it always has something to say to oneself and to others. Here I am, it says, and at the same time, here I am not, here is another.
That which is, is always already – an outwardness and an inwardness at the same time. It is something like a multiple message and transmission that is never completely sent and yet is always already on its way, a message and transmission in which it is not entirely clear who is sending it and whom it is supposed to reach.

Peter Brandlmayr and Gerald Freimuth intuitively followed this trail. For a year, they used a variety of media to communicate with each other, with themselves and with everything that came their way. In doing so, they travelled to places that would have been hard to reach in any other context.
The exhibition Weiter, weiter, Postit… (Go on, go on, Postit…) is a document of this journey, a document of relative openness towards oneself and others.

Peter Brandlmayr and Gerald Freimuth understand their work as the materialisation of discourses, stories and messages – as a collage. Within this framework, different positions, perspectives and shifts encounter one another in a playful, performative way.

https://brandlmayr.iwf.at/das-institut/
https://gerald-freimuth.net

https://kulturkarte.servus.at/event/opening-weiter-weiter-postit

exhibition opening: ganz nah

bb15 – space for contemporary art, Wednesday, January 21 at 07:00 PM GMT+1

ganz nah
Lisa Großkopf / Sarah Rinderer 
 

21.01.2026 – 06.02.2026
Exhibition Opening: January 21st, 2026, 7pm
Performance: » – . ! : (voices: Mzamo Nondlwana, Aaron Josi Sternbauer, Crystal Wall; accordion: Jakob Steinkellner), 7:30pm
Opening hours: Wed – Fri, 3 – 6pm

In her work, Lisa Großkopf takes aim at the striving for perfection. She highlights a troubling worldview: one that ascribes responsibility for life’s happiness primarily to the individual, while largely ignoring essential variables such as structural inequalities and social disadvantages. Großkopf confronts the neoliberal ideal—where health, beauty, and contentment are viewed as things to be maximized solely through diligence and discipline—with the reality of hyper-capitalist societies.

At the intersection of literature and visual arts, Sarah Rinderer focuses on dealing with language itself, its pauses, gaps and in-between-spaces. By making seemingly silent punctuation marks audible together with voice performers or by sending a message into the past through semaphore gestures, she explores the conditions that make communication possible – across spatial and temporal distances, different sign systems, codes and beyond words.

Lisa Großkopf (b. 1989, Vienna) studied at the University of Applied Arts Vienna, the Academy of Fine Arts Vienna, and the University of Arts Linz. Her extensive exhibition history includes presentations at Lentos, Belvedere 21, the Museum der Moderne Salzburg, and Kunsthaus Graz, as well as recent participation in the Ars Electronica Festival. Her work has taken her internationally to cities such as Budapest, Tehran, Düsseldorf, Bratislava, Amsterdam, Kassel, and Jacksonville, and has included solo exhibitions in Prague, Ljubljana, and Chongqing.
https://lisagrosskopf.net/

Sarah Rinderer (b. 1994, Bregenz) studied Fine Arts/Experimental Art and Cultural Studies at the University of Arts Linz. She presents her concept-based works and texts in exhibitions, anthologies, and literary magazines, among others at Galerie 422 Gmunden, Bank Austria Kunstforum, the Mahler Forum for Music and Society in Klagenfurt and in flugschrift N°45 sektorenfeuer. Most recently, she received grants for studio residencies abroad, such as Barcelona, Athens, Reykjavík and Paris, as well as a start stipend for literature (BMWKMS, 2024).
https://www.sarahrinderer.at/

Opening hours
21. January 2026 – 06. February 2026
Wednesday – Friday, 3 – 6pm

https://kulturkarte.servus.at/event/exhibition-opening-ganz-nah

Wavering Worlds #23 — caput 1.5

bb15 – space for contemporary art, Thursday, December 18 at 07:00 PM GMT+1

Wavering Worlds concert at bb15, it will start sharp at 19h for the ones that want to catch other events!

Thu 18.12, 19h

caput 1.5 is the fifth iteration of an ongoing performance series with Fabian Lanzmaier, Andreas Zißler And Klemens Kohlweis. Coming from different backgrounds, their work operates at the intersection of sound, sculpture and media art, resulting in site specific performances. In their performance they set up spontaneous situations, unstable­ chaotic sound sculptures and constellations of self built instruments, objects and electronic instruments exploring audio phenomena such as resonance and feedback actively using the space as part of the performance/instrument.

https://bb15.at/2025/wavering-worlds-23/

https://kulturkarte.servus.at/event/wavering-worlds-23-caput-15

Opening: Zeit schwindeln / Viktoria Schmid [@bb15]

bb15 – space for contemporary art, Wednesday, November 19 at 07:00 PM GMT+1

Zeit schwindeln
Viktoria Schmid

Exhibition Opening: November 19th, 2025, 7 pm
Open: 20.11.2025 - 12.12.2025
Opening Hours: Wed. - Fr. 3 – 6pm

In her works, Schmid loves to play with time: Temporality as a theme is reflected in different forms throughout her series of works. She is particularly interested in perception and influencing viewers’ everyday ways of seeing and creating something that goes beyond human perception. Her work focuses on historical image-making processes, the potential for representing landscape, and the historical development of cinema. She describes her practice as “going back to the past to rethink the present”: by exploring the fundamental conditions of capturing and projecting (moving) images, she places the medium itself at the center of her inquiry, allowing its full potential to unfold.

„We no longer notice what is extraordinary in daily life. The artist Viktoria Schmid, however, takes this as her material. Schmid manages to draw out the fascinating potential in the interweaving of light and time. She makes traces of light visible and turns them into the central focus of how she deals with time and space. While we generally only pay secondary attention to the play of shadow and light, she manages to draw attention back to these phenomena and she does so with impressive reduction.“ (Siegfried A. Fruhauf)

Viktoria Schmid is a visual artist and filmmaker working at the intersection of cinema and exhibition space. Her work has been presented both nationally and internationally at exhibitions and film festivals, including Belvedere 21 in Vienna, Kunsthaus Graz, Toronto International Film Festival, Viennale Film Festival, International Film Festival Rotterdam, and FID Marseille, among others. Schmid has a background in music: starting at an early age as a DJ and later as a drummer. She studied filmmaking at the Friedl Kubelka School, holds a BA in Cinema Studies from the University of Vienna, and completed a Master’s degree in Time-Based Media at the University of Art and Design Linz in 2014. She has been recognized with several awards, including the Achievement Award for Visual Art in Lower Austria (2019), the Austrian State Stipend for Photography (2022), and the Austrian Short Film Award at Vienna Shorts (2023). She was an artist in residence at Nida Art Colony (Lithuania) in 2019, ISCP (New York City) in 2020/2022 and at the Cité des Artes (Paris) in 2025.

Picture: Detail of „For Madelon Vriesendorp“, Series of four cyanotypes on paper, each 28 x 36 cm, 2023

https://www.viktoriaschmid.com/

https://kulturkarte.servus.at/event/opening-zeit-schwindeln

The biggest addendum to this came from Kropotkin: ...and which co-operate most or best.
---
RT @Amitosh_Gautam
Embrace change & adjust to it.

#motivation #climate #ClimateEmergency #COP26Glasgow #PositiveVibes #quote #sundayvibes #ASTROWORLDFest #BB15 #FrenchOpen2021
https://twitter.com/Amitosh_Gautam/status/1457193097679360007

"If a tree falls in the forest does it make a sound?" > Everyday at 20:20 G.G. makes a one-minute-performance from a score that you are able to modify https://etherpad.servus.at/p/min_year @minute_year

#amro20patio #minuteyear #bb15