Hidden Gems2d ago

The storm’s lashing rain blurs the window behind Portia and Nerissa, their embroidered sleeves catching the dim light. Their tense postures suggest a secret shared—or a truth about to break.

What does the mirror’s reflection reveal that the figures do not?

#ClevelandMuseumofArt #VictorianIllustration #ArtAndText
https://clevelandart.org/art/1942.1409

Hidden GemsMay 25
The patterned umbrella dominates, its floral motifs bleeding into the storm’s swirling ink. Portia’s determined grip suggests defiance against both weather and narrative constraints—why does the window frame feel like a stage? #ClevelandMuseumofArt #VictorianIllustration #ArtAndText
https://clevelandart.org/art/1942.1409
Thomas DreherJun 20, 2023
Roy Ascott: La Plissure du Texte, ARTEX (The Artist´s Electronic Exchange Program), I.P. Sharp Associates Computer Timesharing Network, 1983. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter II.3 Textproduktion durch Kollaboration im Datennetz. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #royascott #thomasdreher #netart #collaborativeart #digitalliterature #artandtext #digitalart #digitalartist #collaborativewriting #internetart
Thomas_Dreher:Medienkunst:Text

Thomas DreherMar 5, 2023
Allan Kaprow: Words, Installation, Smolin Gallery, New York 1962 (photos: Robert Mc Elroy/Licensed by VAGA, New York). More informations in: Dreher, Thomas: Allan Kaprow versus Robert Morris. Ansätze zu einer Kunstgeschichte als Mediengeschichte. Internet: https://dreher.netzliteratur.net/1_Kaprow_vs_Morris.html
#allankaprow #installationart #installationartist #installationartists #participationart #participationartist #participationartists #artandtext
Thomas_Dreher:Kunst_60er_Jahre:Kaprow_vs._Morris