@peter
#alttext
Al's prose is perfectly mediocre, producing the sort of inert gloss that reads like a Frankensteinian amalgam of MFA-workshopped writing, an unintentional parody of the style it mimics. The resultant stories and essays are simulacra of thought, generated via pattern recognition learned from millions of human-penned words, rooted in no particular experience by no particular person. Al writing reminds me of Tennyson's description of the beautiful Maud in the titular poem:
Faultily faultless, icily regular, splendidly null Dead perfection; no more
Insightful readers feel that emptiness even if they can't articulate it. They sense that the body moves without a brain. By contrast, student-written fiction is gloriously flawed, a struggle on the page between what the author is trying to say and what's actually being said. The prose stumbles in a way reminiscent of a foal learning how to walk: even in their trembling legs I see hints of future grace. Such clumsiness is necessary; its absence would be proof of the foal never having learned to walk.