Heute zum Abend des 13. Februar gedenkt die #StadtDresden den ca. 20.000 Opfern der Bombennacht des 13./14. Februar 1945! #traurig

Doch leider versuchen Neonazis und andere Rechtsextreme dieses Gedenken für sich zu vereinnahmen und Gechichtsrevidierung und -Glättung zu betreiben.
Deswegen #keinraumfurrechts , #gegennazis , #omas_gegen_rechts , #AgainstFascism , #DresdenNazifrei

Brien James, nazi bonehead & proud boy, tried to pull a fake out move yesterday by posting a poorly altered picture of a group of proud boys at the mall of America in Minnesota pretending they were here in our state yesterday(pictured in the bottom).
Meanwhile, Minnesota showed up on the streets of downtown in REAL LIFE, and demonstrated against the fascist policies of the Trump Administration and the federal invasion of ICE and other agencies.

The truth is simple- The Proud Boys and their ilk are weak, small in numbers, and are only tough online.

As grifters like Jayden Scott, Jake Lang, and the other fascist "influencers" continue to prove they are just click bait edgy clout chasers that want to incite violence so they can feed their egos & bank accounts.

#Minnesota is #United #AgainstFascism.

We don't fuck around in Minnesota.

#NationalStrike #ICEout #MinnesotaNoIce
#MNUAF

“poetry after barbarism”, by jennifer scappettone

“In Poetry After Barbarism, Jennifer Scappettone argues for nomadic, miscegenated, ‘xenoglossic’ poetries as fierce forms of linguistic and political resistance. Prodigiously researched cross-cultural readings celebrate a stellar constellation of consequential poets: Elsa von Freytag-Loringhoven, Emilio Villa, Amelia Rosselli, Etel Adnan, and LaTasha N. Nevada Diggs.”

— Charles Bernstein, author of The Kinds of Poetry I Want: Essays and Comedies

  • In this book, Jennifer Scappettone argues that the poetry of motherless tongues is the best form of resistance to the rising tide of nationalism, empire, fascism, and authoritarianism.
  • Studying experiments between languages by immigrant, refugee, and otherwise stateless authors—from Baroness Elsa von Freytag-Loringhoven to Emilio Villa, Amelia Rosselli, Etel Adnan, LaTasha N. Nevada Diggs, Chika Sagawa, and Sawako Nakayasu—this book explores how poetry can both represent and jumpstart metamorphosis of the shape and sound of citizenship; and it
  • untethers identity from territory in favor of a translingual proposition—that tumult’s time is now.

Jennifer Scappettone is a professor of literature, creative writing, gender studies, and environmental humanities at the University of Chicago. She is the author of Killing the Moonlight: Modernism in Venice (Columbia, 2014) and the cross-genre verse books From Dame Quickly and The Republic of Exit 43. She is also the translator of Locomotrix: Selected Poetry and Prose of Amelia Rosselli.

You can find more information about the book at the Columbia University Press website:

Against a backdrop of xenophobic and ethnonationalist fantasies of linguistic purity, Poetry After Barbarism uncovers a stateless, polyglot poetry of resistance—the poetry of motherless tongues. Departing from the national and global paradigms that dominate literary history, Jennifer Scappettone traces the aesthetic and geopolitical resonance of “xenoglossic” poetics: poetry composed in the space of contestation between national languages, concretizing dreams of mending the ruptures traced to the story of Babel. As global migration, aerial bombardment, and the wireless telegraph shrank distances with brute force during the twentieth century, visions of transcultural communication emerged in the hopes of bridging linguistic difference. At the same time, evolving Fascist ideologies denied the reality of cultural admixture and the humanity of the stranger.

Authors who write xenoglossic verse occupy languages without a perceived birthright or sanctioned education; they compose in ecstatic “orphan tongues” that rebuff nationalist ideologies, on the one hand, and globalization, on the other, uprooting notions of belonging ensconced in nativist metaphors of milk, blood, and soil while rendering the reactionary category of the barbarian obsolete. Raised within or in the wake of fascism, these poets practice strategic forms of literary and linguistic barbarism, proposing modes of collectivity that exceed geopolitical definitions. Studying experiments between languages by immigrant, refugee, and otherwise stateless authors—from Baroness Elsa von Freytag-Loringhoven to Emilio Villa, Amelia Rosselli, Etel Adnan, LaTasha N. Nevada Diggs, Chika Sagawa, and Sawako Nakayasu—this book explores how poetry can both represent and jumpstart metamorphosis of the shape and sound of citizenship, modeling paths toward alternative republics in which poetry might assume a central agency.

#againstFascism #alternativeRepublics #AmeliaRosselli #antiFascism #authoritarianism #BaronessElsaVonFreytagLoringhoven #ChikaSagawa #citizenship #ColumbiaUniversityPress #crossGenreVerseBooks #CUP #ElsaVonFreytagLoringhoven #EmilioVilla #essay #EtelAdnan #experimentalPoetry #FromDameQuickly #JenniferScappettone #KillingTheMoonlightModernismInVenice #LaTashaNNevadaDiggs #LocomotrixSelectedPoetryAndProseOfAmeliaRosselli #motherlessTongue #motherlessTongues #poetry #resistance #resistanceToFascism #SawakoNakayasu #TheRepublicOfExit43

Poetry After Barbarism | Columbia University Press

Against a backdrop of xenophobic and ethnonationalist fantasies of linguistic purity, Poetry After Barbarism uncovers a stateless, polyglot poetry of resista... | CUP

Columbia University Press
Super kommentiert und eingeordnet! So gehört sich kritischer Journalismus! #noAfD #againstfascism

RE: https://bsky.app/profile/did:plc:aw3rqmfxnp2nfoogsloeqmat/post/3m6jiic3sbk2r
My lifelong love of Agatha Christie is only solidified by her oft-used theme of FASCISM being the biggest threat to the modern world. 1966. #fascism #endfascism #antifa #antifascism #againstfascism #corruption #governmentcorruption #agathachristie #mystery #mysteries #third

💥Announcement! Saturday 27.09.2025💥

🔊 Her(t)z instead of hate Soli Festival against the Right 🔊

Saturday, 27 September 2025 | 3 p.m. | Café Köpenick, Seelenbinderstraße 54, 12555 Berlin

Arrival: Tram 60, 61 Gelnitzstraße | Bus 169 Mandrellaplatz | Tram 27, 62, 63, 68 Bahnhofstraße/Seelenbinderstraße | S3, Bus 62, 164, 269, X69, Tram 68 S-BHf Köpenick

📣 Call to action: https://www.instagram.com/p/DNqxT3lK_FH - @begeg_e_nung

#b2709 #AgainstFascism

Her(t)z statt Hetze (Heart instead of hate) – a solidarity festival for the ‘Bass gegen Hass’ (Bass against hate) demonstration.

With punk, rock and rap against right-wing extremism, queer hostility, racism, anti-Semitism and sexism in Treptow-Köpenick.

Line-up:
@a.c.c.r.o_b
@full_red_grenade
@kirschkartell030
@diehartenfreunde
@kalteknie

💥Ankündigung! Samstag 27.09.2025💥

🔊 Her(t)z statt Hetze Soli-Festival gegen Rechts 🔊

Samstag 27.09.2025 | 15:00 Uhr | Café Köpenick, Seelenbinderstraße 54, 12555 Berlin

Anreise: Tram 60, 61  Gelnitzstraße | Bus 169 Mandrellaplatz | Tram 27,62, 63, 68 Bahnhofstraße/Seelenbinderstraße  | S3, Bus 62, 164, 269, X69, Tram 68 S-BHf Köpenick

📣 Aufruf: https://asanb.noblogs.org/?p=13269 - @begeg_e_nung

#b2709 #AgainstFascism

Her(t)z statt Hetze - ein Soli-Festival für die Demo "Bass gegen Hass".

Mit Punk, Rock und Rap gegen Rechtsextremismus, Queerfeindlichkeit, Rassismus, Antisemitismus und Sexismus in Treptow-Köpenick.

Line-up:
@a.c.c.r.o_b
@full_red_grenade
@kirschkartell030
@diehartenfreunde
@kalteknie

Split project by Brazilian and Spanish #collectives and #artists with the idea of positioning themselves against any means of oppression or inequality #AgainstFascism #Antifa #RockAgainstFascism #PunkAgainstFascim #PunkRock #PunkRockHistory #HC #Ska collectorseriesdiy.blogspot.com/2025/09/punk...

'Punk Contra o Fascismo' on fi...
'Punk Contra o Fascismo' on fire at Get Music

Blogger de Collector's Series DIY Record Label, sello y distribuidora alternativa, de difusión libre.

Fascists Can’t Create: Why They Steal and Silence Music

YouTube
I also picked up a lavender-rose shirt for a friendlier approach.
‘Ik houd niet van Fascisme’ set in CoFo Plusha, Arosa Script Bold and Alterego Big Trap by @cakelab and ‘I don’t like Fascism’ set in CoFo Plusha and Isidorus.
#AgainstFascism
I think Alterego speaks most to me.