Van Dyck was born in Antwerp on this date in 1599, the seventh of twelve children. His father was a silk merchant and his mother was a skilled embroiderer. 10 Van Dyck facts.

https://topicaltens.blogspot.com/2026/03/22-march-anthony-van-dyck.html

#BirthAnniversary #VanDyck #Art #Artists

22 March: Anthony Van Dyck

This date in 1599 was the birthdate of Sir Anthony Van Dyck, Flemish artist. Here are 10 things you might not know: Born in Antw...

Topical Tens

RaiNews: Van Dyck l'europeo: la grande mostra a Genova con un focus sulla pittura religiosa

Sessanta opere provenienti da musei e collezioni private. Eccezionale ritrattista apprezzato anche nelle Corti, come in quella inglese. L'esposizione a palazzo Ducale evidenzia il pathos dei soggetti sacri.

Van Dyck the European: the great exhibition in Genoa with a focus on religious painting.

Sixty works from museums and private collections. An exceptional portraitist appreciated also in the courts, such as the English court. The exhibition at Palazzo Ducale highlights the pathos of the sacred subjects.

#VanDyck #European #Genoa #English #PalazzoDucale

https://www.rainews.it/video/2026/03/van-dick-leuropeo-la-grande-mostra-a-genova-con-un-focus-sulla-pittura-religiosa--5cc8e006-4de6-4b1c-8216-4476cbf82423.html

Van Dyck l'europeo: la grande mostra a Genova con un focus sulla pittura religiosa

Sessanta opere provenienti da musei e collezioni private. Eccezionale ritrattista apprezzato anche nelle Corti, come in quella inglese. L'esposizione a palazzo Ducale evidenzia il pathos dei soggetti sacri.

RaiNews

Sir Anthony van Dyck

Wife of an Aristocratic Genoese
1624-26
Oil on canvas, 200 x 116 cm
Staatliche Museen, Berlin

#Art #Portrait #17thCenturyArt #VanDyck #Genoa

I love van Dyck drapery, so I would very much like to see the actual painting.

Anthony van Dyck (Flemish, 1599 - 1641) Portrait of Agostino Pallavicini, about 1621 Oil on canvas Unframed: 217.5 × 142.2 cm (85 5/8 × 56 in.), Framed [Outer Dim]: 265.4 × 185.4 × 11.4 cm (104 1/2 × 73 × 4 1/2 in.) The J. Paul Getty Museum, Los Angeles, 68.PA.2

#Art #Painting #VanDyck #Baroque #Portrait #AgostinoPallavicini #17thCentury #EarlyModern #FlemishArt #Genoa #JPaulGettyMuseum

Charles I in Three Positions -- Anthony van Dyck -- Oil on canvas - 1635/6 -- The King's Gallery, Palace of Holyroodhouse, Scotland.

Neither monster nor martyr, but a flawed character doomed in his attempt to rule three divergent and strife filled kingdoms and overwhelmed by the larger social forces transforming Britain and the world.

Wonderful painting used by Bernini as a reference for his (sadly destroyed) portrait bust.

#History #Art #Painting #Portrait #Charlesi #BritishHistory #VanDyck

Hay herencias que se aprecian en los cuerpos o en los trajes, en sugerentes torsiones o en rostros angelicales. Otras veces los pintores evocan, con delicados detalles, las obras donde aprendieron la forma de #EmocionArte. #VanDyck #Rubens
@museodelprado @khm_wien
Anthony van Dyck (Belgian, 1599-1641)
Icarus and Daedalus
Ca. 1618
Oil on canvas (112,3 x 93 cm)
Museum of Fine Arts

In Greek mythology, Icarus was the son of the master craftsman Daedalus, the architect of the labyrinth of Crete. After Theseus, king of Athens and enemy of King Minos, escaped from the labyrinth, Minos suspected that Icarus and Daedalus had revealed the labyrinth's secrets and imprisoned them. Icarus and Daedalus escaped using wings Daedalus constructed from birds’ molted feathers, threads from blankets, the leather straps from their sandals, and beeswax. Before escaping, Daedalus warned Icarus not to fly too low or the water would soak the feathers and not to fly too close to the sun or the heat would melt the wax. Icarus ignored Daedalus's instructions not to fly too close to the sun, causing the beeswax in his wings to melt. Icarus fell from the sky, plunged into the sea, and drowned.

In this painting Van Dyck depicts himself as Icarus, with an expression that does not seem as if he’s following his father’s advice. He’s not looking at his father. As if Icarus is in the process of making the decision to disobey his father, to do what he wants to do.

This is a painting of a Greek myth, but also illustrative of the artist’s own life, of his own relationship with his father, or an important father figure in his life. Van Dyck has, in a sense, two fathers. He’s got a biological father, who he separated from, in a legal sense, not long before this painting was made. He also is separating himself from his teacher, Peter Paul Rubens, the great Flemish Baroque painter who had taught him much and was the major artistic figure in Antwerp and across Europe in the early 17th century.
Van Dyck is showing us that he is thinking about himself in his role as an artist, and what he can do, and where he wants to go as an artist. But not just thinking about it, but recording those thoughts in the form of a large-scale painting.

#VanDyck #Icarus #Daedalus #art