Character background reveal via village brawl - where the character is far from the fight - is a novel move. It looks like adding information to the viewer via conversations between background characters is a central modus operandi for the script. A risky move storytelling wise, but works pretty well.
Jotain ihan muuta: bloggaus pƤƤsiƤispƤivien C-draamasta. Pursuit of Jade oli ensimmƤinen katsomani kiinalaissarja sitten 1988 "Viimeisen keisarin" ja historiallinen kuvittelu viihdytti historioitsijaa, mutta lopultakin stoori venyi aika pitkƤksi...
#C-draama #PursuitOFJade
š¼šµ How much is that... puppyeye*dsecretgeneral in the windooooow? š¶
This character has spent A Lot of time in the window so far. Good plot point, but it's also freezing cold and he's not on a kang š„¶
(*Not Joseph Zeng, but close enough.)
Proportions are hard, my friends, but you learn a lot about an object by sketching it. And, as usual, the child actor is one of the best actors in this drama.
Martha Crimson
ESDRAMA
Anu Lahtinen