Lennie Tristano, also known as Tristano, is a 1956 album by jazz pianist Lennie Tristano. At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks...
In 1997, The New York Times dubbed the album a masterpiece.[7] Thom Jurek from AllMusic described the album as "gorgeous [...] with a beautiful juxtaposition between its first and second halves, with the rhythmic and intervallic genius of Tristano as an improviser on full display during the first half and the pianist as a supreme lyrical and swinging harmonist during the back half."[4]
The Penguin Guide to Jazz Recordings included the album in its suggested "core collection" of essential recordings. - Wikipedia
https://www.youtube.com/watch?v=2311qzE0iE4&list=PLBJenJIJrq0xFn-4Buzt1ShkZ_InCSMk3&index=1
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