Casa de Lava est un carnets de notes prises avant/pendant/après la conception de son premier film et devenu objet autonome. #PedroCosta #foliecollective

Condena social tras el ataque contra la vivienda de #PedroCosta Morata, referente #ecologista y activista político, defensor #medioambiente y crítico con militarismo y geopolítica imperialista, sufre ataque incendiario en el portal de su vivienda en Águilas Organizaciones sociales denuncian el carácter político del acto y exigen una investigación urgente.
Información LaProtesta.es
https://laprotesta.es/2025/06/19/condena-social-tras-el-ataque-contra-la-vivienda-de-pedro-costa-morata-referente-ecologista-y-activista-politico/
Difunde https://www.facebook.com/share/p/16QDS3uLSr/ https://www.instagram.com/p/DLGLawfIJdD/?igsh=MTFqcjBjYTYzd2hyag== https://x.com/laprotestaes/status/1935804722104901788?t=W7VYkzqWqKU7dVJ3OGgpVQ&s=19

“ #ペドロコスタ #PedroCosta #血” / “ポルトガルの鬼才ペドロ・コスタ初期3作品、4Kレストア版で劇場初公開！「ペドロ・コスタ はじまりの刻(とき)1989-1997」予告編” (1 user) https://www.youtube.com/watch?v=gyjBIF1d0NM

O sangue (1989) - Costa
Completely blown away by its astonishing beauty when first saw it, I was daydreaming about seeing it on big screen in theaters. Now restored in glorious 4K, it plays in NY’s @metrograph You will have to experience it to believe it! #PedroCosta #osangue #metrograph
My review from 2015:
http://www.dustinchang.com/2015/10/take-me-to-river.html?m=1

Just arrived and it’s a beauty!
CASA DE LAVA CADERNO Pedro Costa
It’s Costa’s film journal when he was making Casa de Lava in Cape Verde. Thank you Pierre von Kleist editions for publishing such a beautiful book! #pedrocosta #casadelava #filmjournal #filmbooks

Just where Costa draws the line between fiction and reality, memories and present is difficult to decipher. His highly formalist approach doesn't help the matter either. But boy, it nevertheless creates a glorious cinematic experience. Vitalina arrives from #CapeVerde, a Portuguese colonial island off the cost of Africa, to attend her bricklayer husband's funeral. But she is three days too late. She emerges from the airplane, soaking wet & barefooted. She is greeted not by family, but a group of migrant workers working as a airport crew. They tell her, “Go back to Cape Verde, there is nothing for you here.” Vitalina's weathered face tells thousand stories. Her huge eyes reflect the darkness of the exteriors & sorrows inside. She becomes an iconic living statue in Costa's observations of the netherworld. As usual, Vitalina Varela is stunning to look at. Every frame is a work of art. The film gives the lives of its inhabitants the poeticism they deserve. #pedrocosta #vitalinavarela