Judas Priest once gave us the Metal Gods. In 2001, they also gave us… Cyberface—a malware slasher so dumb he should’ve come pre-installed with Clippy. 🤖💀
#JudasPriest #MetalFail #Cyberface #Demolition #NuMetal #HeavyMetal #MetalHistory #MetalCritique #MetalGods #MetalMemes
https://pablohoneyfish.wordpress.com/2025/09/22/cyberface-judas-priests-malware-monster/
Cyberface: Judas Priest’s Malware Monster

“Cyberface” (2001) was drummer Scott Travis’s first songwriting contribution to Judas Priest. I’m not surprised it was also the last. I don’t know if this is the dumbest song in Priest’s catalog, b…

JP
Oceano’s “Samael the Destroyer” wastes the rich mythos of the ultimate cosmic antagonist. Deathcore could handle Samael — but only if ambition and scholarship show up.
#MetalCritique #Deathcore #Samael #MetalLore #Occult #MythologyInMetal #OceanoFail
https://songreading.wordpress.com/2025/02/25/samael-the-destroyer/
SAMAEL THE DESTROYER (2009) by Oceano

Metal bands like to flirt with theology, but few go for all-out doctrinal seduction. Oceano’s “Samael the Destroyer” is aesthetic theft without substance. Samael isn’t a dime-store demon; he’s a co…

Songreading
The Acacia Strain’s ‘Inverted Person’: The Apocalypse Wears a Cell Phone Holster

The Acacia Strain’s “Inverted Person” (2020) would be a passable slab of nihilistic metalcore were it not for one glaring lyrical misstep that drags the whole track into self-parody. The song …

Songreading
🎶 "Gwangju, we carry on your name" — but do they? Heaven Shall Burn’s “Ten Days in May” means well, but can solidarity without specificity ever be enough?
🔥 From Gwangju to Germany: What happens when metal meets memory?
#HeavenShallBurn #MetalMusic #CulturalMemory #SecondhandErudition #ProtestMusic #SouthKoreanHistory #PostcolonialCriticism #MusicAnalysis #GlobalResistance #MetalCritique #PoliticalMetal
https://songreading.wordpress.com/2025/07/09/secondhand-solidarity-heaven-shall-burns-ten-days-in-may/
Secondhand Solidarity: Heaven Shall Burn’s “Ten Days in May”

Heaven Shall Burn’s “Ten Days in May” is ostensibly about the 1980 Gwangju Uprising — we know this because the final verse declares: “Gwangju we carry on your name/Ten days in May, too much is stil…

Songreading