It’s like the universe is trying to tell me it’s time to restart my OSINT journey. #osint #LearningJourneys

#LearningJourneys - in den letzten zwei Wochen haben sich @[email protected] und ich mit den Führungskräften verschiedener Kunden wieder mehrfach auf Lernreise begeben. Echt jetzt, könnte man fragen, und das in 2022?

Vor vielen Jahren wurden sogenannte "Safaris…https://lnkd.in/e2_FPAeV

Alexander Kluge on LinkedIn: #LearningJourneys

#LearningJourneys - in den letzten zwei Wochen haben sich Sabine Kluge und ich mit den Führungskräften verschiedener Kunden wieder mehrfach auf Lernreise...

My First Forays in Stereoscopic (3D) Photography - by Sroyon

Rebecca wrote a great introduction to stereoscopic (3D) photography which was published on 35mmc yesterday, and which some of you have probably read already. I only got into stereo photography last month, so I'm just a beginner, and as such, this is more of a personal account. I thought it would be fun to document my initial impressions of what I suspect will become a long-term interest. Secondly, and perhaps more importantly, I would like to share three important realisations – all quite recent – which really drew me into stereo photography.

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Building a Darkroom From the Ground Up - By Katie Cooper

Lockdown 2020 was a blessing in (a very big) disguise, as it gave me the opportunity to research, build and begin work on creating a darkroom.

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A Year in Slide Film Part 2 - Developing - By Holly Gilman

Welcome to part two of my exploration of slide film. You can read part one here. I was really pleased with the number of slide enthusiasts who commented and the general consensus is that slide film comes into its own when projected or viewed over a lightbox. That scans of slide film just don’t do the medium justice. And I think on that we can agree, one of my dreams is to try slide film in large format and see that over a lightbox but with the comments from my previous article I’m also keen to see slides projected the way they were intended to be viewed. This second part is to look at the developing side of slide film. Slide film is known to be the most complicated out of Black and White, C-41 and E6 developing but having tried the two former I thought that I would try my hand at E6. I’ve personally found black and white and C-41 to be relatively forgiving of my relaxed approach to development; however in my first attempts at each process I follow the instructions and temperature guidance to a T. I was equally careful for E6 as this was to […]

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Memento Mori - The making of a Zine - By George Griffin

The Industrial Revolution changed the world forever. The coming of mechanised production was a shift from a mainly agricultural society to a technological one. London was the first city affected by this as the Industrial Revolution originated in the UK. As London grew it swallowed up great swathes of the countryside, this put enormous strain on city services due to overcrowding.

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Trying Concert Photography on Film - By Billy Sanford

Those bands would play in local clubs on the weekends, and I would go to support them and bring along my camera. I thought it would be a great way to learn some of the basic skills as it relates to all the elements of the exposure triangle.

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Breaking Digital Habits and Relearning Film With a Leica IIIf - By Christopher DellaCorte

This story begins with an afternoon drive through the local countryside accompanied by my spouse.

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A Year in Slide Film Part 1 - Shooting - By Holly Gilman

I was originally put off shooting slide film because I had heard that you needed to be incredibly precise with your exposure otherwise the whole shot would be ruined.

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Continuing to Learn C-41 Developing - A Learning Journey By Holly Gilman

I promised a couple of commenters on my last article that I would share some of the “normal” images from my first batch of C-41 developing. Now that I’ve also shared some results from my experimental dance developing I thought I would follow through on that promise. For those that haven’t read that first article, essentially I tested my C-41 developing on an expired roll of film despite knowing that it would likely be fogged due to the age of the film. I just wanted to make sure that my developing produced an image and was relatively even, which I personally think it was.

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