The Folklore of the Bell Witch: A Comparative Analysis of Nineteenth-Century Narrative and Modern Media Commodification

The legend of the Bell Witch, originating in early 19th-century Tennessee, occupies a singular position in American folklore as perhaps the most documented and idiosyncratic account of “supernatura…

JP
Werner Herzog is a great filmmaker — but everything he could get wrong about Nosferatu, he did.
Murnau’s Nosferatu understood horror’s need for myth and closure. Herzog’s 1979 remake traded shadowplay for color, archetype for irony — and bled the story dry.
A horror film isn’t over until the evil is vanquished and the natural order reset. Herzog killed the heroine and the point.
#HorrorCriticism #FilmEssay #WernerHerzog #Nosferatu #HorrorCinema
https://ninetypercentcrapmoviereviews.wordpress.com/2025/07/17/the-wrong-kind-of-darkness-werner-herzogs-mishandling-of-nosferatu/
The Wrong Kind of Darkness: Werner Herzog’s Mishandling of Nosferatu

There is a 2024 remake of Nosferatu. I have not watched it because, well, it’s a 2024 remake of Nosferatu. The words alone give me a bad feeling. To be fair, though, Werner Herzog already ruined No…

90% of Everything is Crap
Angela Bettis plays a woman unraveling in May (2002), a film that poses as a character study but dodges psychological truth in favor of blood-soaked fantasy. What begins as empathy ends as vindication — and not in a good way. #May2002 #HorrorCriticism #TraumaInFilm #FilmCriticism #HorrorCinema #MentalHealthInMedia #PsychologicalHorror #FemaleProtagonists #FrankensteinTrope
https://ninetypercentcrapmoviereviews.wordpress.com/2025/07/12/save-me-trauma-vindication-and-the-uncritical-gaze-of-may/
“Save Me”: Trauma, Vindication, and the Uncritical Gaze of May (2002)

Lucky McKee’s May (2002) presents itself as a horror-tinged character study, but it ultimately delivers neither psychological clarity nor moral insight. Instead, it flirts with empathy before withd…

90% of Everything is Crap