One thing that makes #FaceInterface a unique conference: despite participants hailing from many different disciplines (engineering, design, linguistics), almost everyone here knows by heart the difference between “character” and “glyph”.
(Maybe the Unicode Conference is the only other example.)
Now at #FaceInterface, Eason Lu on "The Battle of Nüshu, or, how do we encode a performative script?" In 1982, Chinese anthropologists went to Hunan, found a script written, embroidered, and most importantly, *performed*, by women only.
More on Nüshu from @lisahuang’s 2021 Letterform Lecture: https://letterformarchive.org/events/view/nueshu-a-script-created-by-self-educated-women-in-a-remote-region-of-china/
Gerui Wang at #FaceInterface speaking on the undesirable conformity of AI, using the example of traditional Chinese calligraphy and its need for originality and variation.
John @TiroTypeworks Hudson at #FaceInterface with an excellent point about libraries: catalogs are useful, but librarians are essential. A catalog could not identify the books he needed for his project. Only a librarian with deep knowledge of the collection could guide him.
This is close to our hearts. https://letterformarchive.org/visit/research-visits/

Letterform Archive offers one of the world’s best special collections and design reference libraries. Students, academic researchers, and professional designers with a specific focus can engage deeply and independently with a few materials on a single topic, designer, format, or discipline.
The Face / Interface conference at Stanford University is just going to start! Go grab a free online ticket to watch it!
#faceinterface #stanford #typedesign #inclusivity #endangeredlanguages