Baroque Sunday Morning, with a short piece from Spain –

Bartolomé de Selma y Salaverde (c. 1595-after 1638), "Canzon Quarta A Doi" (undated)

Recorded by Concierto Ibérico, directed by Juan González Martínez, and released in Nov 2022.

https://www.youtube.com/watch?v=CWYaN_diM8o

#Music #BaroqueSundayMorning #BaroqueMusic #BartoloméDeSelmaYSalaverde

Canzon Quarta a doi – Bartolome de Selma y Salaverde

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Baroque Sunday Morning, with a short piece from the middle baroque period –

Luigi Rossi (c. 1597-1653), "Sinfonia avanti al prologo" from his opera "Il Palazzo incantato (The Enchanted Palace)" (1642)

Arranged by Christina Pluhar for ensemble, and performed by L'Arpeggiata directed by Christina Pluhar in April and May 2019 at ONDIF, Alfortville, France.

https://www.youtube.com/watch?v=mZaIaBSIPEQ

#Music #BaroqueSundayMorning #BaroqueMusic #LuigiRossi

Il palazzo incantato: Sinfonia avanti al prologo (Arr. Pluhar for Ensemble)

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Baroque Sunday Morning, with a short piece from the early baroque period –

Giovanni Gabrieli (c. 1554-1612), "Canzon per sonar septimi et octavi toni a 12" Ch. 182 (published 1597)

Performed by Gabrieli Consort & Players, Paul McCreesh conducting, in Brinkburn Priory, Northumberland, UK, in July 1989.

https://www.youtube.com/watch?v=rFZ_dyuuu38

#Music #BaroqueSundayMorning #BaroqueMusic #GiovanniGabrieli

Sacrae symphoniae I: No. 57, Canzon per sonar septimi et octavi toni a 12, C. 182

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Baroque Sunday Morning, with a French sonata from the late baroque period –

Jean-Baptiste Barrière (1707-1747), "Sonata II a Tre, Livre III (Sonata No. 2 in D minor (Trio Sonata)) (published c. 1739)

Performed by UnderStories Ensemble
violoncellos: Clara Pouvreau, Bartolomeo Dandolo Marchesi
violin: André Lislevand
harp: Margherita Burattini
harpsichord: Gabriele Levi

Recorded in Accademia Gualtiero Marchesi, Milan, Italy

Look for UnderStories Ensemble's June 2025 release, "A French Odyssey" (Challenge Records)

https://www.youtube.com/watch?v=SBQ6klbvk0E

#Music #BaroqueSundayMorning #BaroqueMusic #JeanBaptisteBarrière

J.B. BARRIÈRE - Sonata II a Tre, Livre III

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Baroque Sunday Morning, with a sonata from the late baroque period –

Francesco Maria Veracini (1690 -1768), "Sonata duodecima in F major", Op. 1 No.12 (1721)

Performed by Musica Antiqua Roma
archlute: Luca Pianca
cello: Marco Ceccato
harpsichord: Ottaviano Tenerani
violin: Riccardo Minasi

Recorded in Santa Maria in Portico di Fontegiusta, Siena, Italy, March 2008.

https://www.youtube.com/watch?v=qAsVz4OsaCg

#Music #BaroqueSundayMorning #BaroqueMusic #FrancescoMariaVeracini

Veracini - Sonata duodecima in F major, Op. 1 No.12

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Baroque Sunday Morning, and more from the late baroque. I just feel like listening to a Bach piece played well –

Johann Sebastian Bach (1685-1750), "Trio sonata for flute, violin and continuo" (Sonata sopr'il Soggetto Reale) from Musikalisches Opfer, BWV 1079 (1747)

Performed by the Netherlands Bach Society at the Concertgebouw, Amsterdam on 6th July 2020.
violin: Shunske Sato
traverso: Marten Root
viola da gamba: Mieneke van der Velden
fortepiano: Leo van Doeselaar

https://www.youtube.com/watch?v=3QWxjD2qBAc

#Music #BaroqueSundayMorning #BaroqueMusic #JohannSebastianBach #Bach

Bach - Trio Sonata from The Musical Offering BWV 1079 | Netherlands Bach Society

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Baroque Sunday Morning this week continues with the late baroque. A beautiful piece from a French composer mostly known for his "Allegro spiritoso" (from Sonata No.4 in D minor, Op. 4) –

Jean Baptise Senaillé (1687-1730), "Sonata Sesta, livre I" Op. 1 No. 6 (1710) 12:35

Performed by Ensemble Pugnani (no date or place given; maybe 2020), directed by Emmanuel Curial:
violin: Emmanuel Curial
harpsichord: Manami Haraguchi
viol da gamba: Mathilde Vialle
archlute: Massimo Moscardo

https://www.youtube.com/watch?v=Q1AaPmdZAGA

#Music #BaroqueSundayMorning #BaroqueMusic #JeanBaptiseSenaillé #EnsemblePugnani #EmmanuelCurial

Jean Baptiste Senaillé Sonata Sesta, Ensemble Pugnani direction Emmanuel Curial

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For Baroque Sunday Morning this week, a piece from the late baroque –

Marc-Antoine Charpentier (1643-1704), "Sonate à huit" (Sonate pour 2 flûtes allemandes, 2 dessus de violon, une basse de viole, une basse de violon à 5 cordes, un clavecin et un théorbe) H. 548 (c. 1685) 16:05

1 Grave
2 Récit de la basse de viole
3 Sarabande
4 Récit de la basse de violon
5 Bourrée
6 Gavotte
7 Gigue
8 Passecaille
9 Chaconne

Recorded in May 1986 by London Baroque, Charles Medlam conducting.

https://www.youtube.com/watch?v=mA9TVLsURp0

#Music #BaroqueSundayMorning #BaroqueMusic #MarcAntoineCharpentier #Charpentier

Sonate à huit, H. 548

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For Baroque Sunday Morning this week, a piece from the early baroque and an Italian composer –

Giovanni Battista Buonamente (c. 1595-1642), "Sonata for 3 violins in D Minor" (1636)

Performed in February 2023 by:
violin: Augusta McKay Lodge
violin: Elizabeth Blumenstock
violin: Cynthia Miller Freivogel
cello: Elisabeth Reed
harpsichord: Hanneke van Proosdij
archlute: David Tayler

https://www.youtube.com/watch?v=VVowIKOmSU0

#Music #BaroqueSundayMorning #BaroqueMusic #GiovanniBattistaBuonamente #Buonamente

Buonamente: Sonata for 3 violins in D Minor, Voices of Music; Lodge, Blumenstock & Freivogel 8K

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For Baroque Sunday Morning this week, a little song from the middle baroque –

Lady Mary Dering (1629-1704), "A False Designe to be Cruell" (1653)

Only three songs composed by Mary Dering have survived: "And is this All? What One Poor Kiss?"(1), "A False Designe to be Cruel", and "When First I Saw Fair Doris' Eyes"(2).

Composed by: Lady Mary Dering
Lyrics: Henry Lawes
Soprano: Maïlys de Villoutreys
Viola da Gamba: Julie Dessaint
Virginal: Ronan Khalil
Recorded in 2023.

https://www.youtube.com/watch?v=7pUsDKwuPZc

(1) "And is this All? What One Poor Kiss?":
https://www.youtube.com/watch?v=SjMAPlFm0BU

(2) "When First I Saw Fair Doris' Eyes":
https://www.youtube.com/watch?v=wmXKhnLOikY

#Music #BaroqueSundayMorning #BaroqueMusic #LadyMaryDering #HenryLawes

A False Designe to be Cruell

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