Steel is a sucker for a band trying their absolute best to bring back the bountiful glory of the 80s metal sound. Enter Greek retro fiends Leatherhead and their second full-length crusade, Violent Horror Stories. I happened to stumble upon their lead single “V.H.S” while scrolling on YouTube and mistook them for yet another thrash revival group, but I was mistaken. Though this is often speedy, high-energy stuff, it plays out more like a loving nod to the salad days of US power metal than any kind of beer and BO thrash-fest. Over the course of Violent Horror Stories, the listener can expect to be reminded of early Queensrÿche, Agent Steel, Crimson Glory, even John Arch-era Fates Warning, but you know, faster. In short, this was not the sweaty leather I expected to try on for size this week.

Things open with the aforementioned “V.H.S.” which pays homage to all those “found footage” horror gems of the 90s and 00s while walking a fine line between an all-out thrash ethos and the over-the-top speed-power of Agent Steel. The guitar work is crisp, sharp, and reeks of early days Annihilator as frontman Tolis Mekras goes ALL in with his ample high-pitched vocal destruction. His enthusiasm and commitment to excess make the song all the more entertaining, especially as things speed up to the point where the band seems as if they’re losing control. After this jolt of high voltage, the pace dials back for the riffy and still quite zippy “Summoning the Dead,” before launching into the extra fun Agent Steel meets Savatage charge of “The Visitors,” which finds Tolis doing some Jon Oliva-esque oddball screams. This one is irresistible fun for one and all and I keep going back to it again and again.

The album’s big centerpiece is the 7-minute mega-epic “Children of the Beast,” where all restraint is jettisoned in favor of MOAR. Moar large scale vocals, moar guitar solos, more unchained emotions, moar of every fucking thing. And you know what? I like it! It rocks that same regal coolness that early Queensrÿche and Crimson Glory exuded back in the day, and it’s even more of a spectacle than Holdeneye at an $8 all-you-can-eat BBQ stand after a 3-day juice cleanse. Tolis delivers the goods with an emotionally-charged performance, building peaks and valleys as the guitar work impresses with its scope and scale. The last 2 minutes are like a rocket ride to Valhalla with an overserved Thor fighting a much drunker frost giant in the backseat while you’re trying to navigate, and you know that’s a good time! Elsewhere, “Crimson Eyes” sounds like something Sumerlands could have included on their debut, and “Something Wicked (This Way Comes)” sounds a whole lot like it fell off Agent Steel’s debut Skeptics Apocalyse. With no dead space or filler, the skinny 37-plus minutes of Violent Horror Stories is a fast-paced, high-octane spin with little getting in the way of a good time unless you struggle with high-register vocal antics.1

Tolis Mekras is the center of the Leatherhead experience, with his impressive, if not always completely controlled, vocals injecting themselves into your ears like an overpowered mining laser. He reminds me of Arthur W. Andersson of Trial at some points, and Alpha Tiger’s Stephan Dietrich at others, but the main point of reference has to be the ever-mysterious John Cyriis of Agent Steel. As with any vocalist of this ilk, he’ll be a love or hate factor, and he’s sure to alienate those who want everyone to sound tired and listless at the mic. Keeping up with Tolis, guitar tandem Thanos Metalios and Jim Komninos bring Olympian thunder down with a never-ending stream of 80s-centric speed, thrash, and classic metal riffs loaded with big hooks. There’s a lot of Jeff Water-esque noodling and speed-pluckery in the material, and it makes me wish Waters was able to write songs this entertaining after 1990.

Violent Horror Stories sounds like a bunch of friends having an absolute blast making unhinged metal for the filthy masses. Leatherhead have chops and an ear for hooks, and you will be entertained by the glorious end product of their labors. This pairs well with bands like Ambush, so don the appropriate headgear, put this on blast, and start smashing your skull into the wall in the name of all things metal. You won’t be sorry, but you may be unconscious.



Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: No Remorse
Websites: leatherheadgr.bandcamp.com/album | facebook.com/leatherheadofficial | instagram.com/leatherhead_band
Releases Worldwide: February 13th, 2026

Turbokill – Champion Review

By Steel Druhm

Written By: Nameless N00b 86

1.86.0-BILQJP4UXGWEFLOT4LOZ66CPRA.0.1-9

There can be no doubt where Turbokill’s sights are set with a name like Champion. Formed in 2017 after singer Stephan Dietrich’s departure from Alpha Tiger, the group only managed to release debut album Vice World in 2019 before the pandemic forced them–and virtually everyone else–to take a break for a few years. Now they re-emerge into a post-plague world with their sophomore offering which promises three things: catchy hooks, sing-along choruses, and uplifting lyrics. These traits are hardly uncommon in power metal, but the results can be electrifying when executed properly. Time to put Champion to the test in a crowded playing field.

It quickly becomes clear that Turbokill has few tricks or twists up its sleeve to help differentiate itself from the pack. Instead, its approach is to expand its borders into lofty power metal territory while keeping one foot in the more straightforward heavy metal style of the debut. The first proper track “A Million Ways” is a good representation of what’s to come, blending the galloping riffs of HammerFall with the sweeping, grandiose choruses of Freedom Call. They sometimes borrow from less traditional power metal variants like Theocracy (“Time to Wake” and “Overcome”) and Brothers of Metal (“Sons of the Storm”), however, most of the music will feel comfortably familiar to fans of typical Euro-power cheese.

Champion is not quite as consistent in quality as it is in style. Stephan Dietrich has the type of nasally voice that lends itself better to the more trad-metal songs, such as the title track. Unfortunately, he seems to strain a bit on the higher notes, so he’s unable to make some of the power metal choruses (“A Million Ways,” “Go Your Way” and “Sons of the Storm”) really soar. Overall, though, his delivery is effective and charismatic, and it’s easy to see why he’s the most prominent piece of the group’s identity. That said, Turbokill doesn’t bet all its chips on Dietrich. Daniel Kanzler and Ronny Schuster take every opportunity to step on the accelerator with their guitar shredding. The problem comes when they sometimes Kill the Turbo at strange times. For example, a guitar solo starts in the middle of “Time to Wake” only to sputter out after a few seconds to make way for a slower, extended bridge. When the guitar soloing reasserts itself afterward, it’s lost some of the momentum that a performance of this caliber deserves.

The 54-minute runtime is another impediment holding Champion back from its full potential. There’s a lot of solid material here that would have hit harder if the more mediocre songs like “Mirage Mirror” and “Tear It Down” were cut. The reprise of a melody from the intro at the end of album finale “Overcome” is a nice detail but it’s easy to miss because of how much time elapses in between. I have to acknowledge the heroic efforts of drummer Kevin Käferstein to liven up the drier moments, particularly in the verses of “Go Your Way” and the chorus of “Overcome.” Marco “Fox” Grünwald’s bass is just audible enough to add much-needed crunch, though I wish his presence on Champion was at the same level as it was in Vice World.

Turbokill accomplish much of what it set out to do. Champion has plenty of high-octane lines and meaningful hooks. In the end, though, it plays way too safe for way too long. This makes me struggle to find reasons to return to this over any of the other bands I’ve referenced above the next time I have a cheese craving. A small shift in songwriting emphasis from simple, sugary choruses to the dexterous instrumental prowess evident here would do wonders for Turbokill’s memorability. For now, sadly, this aspiring Champion will have a hard time making it out of the play-in tournament.

Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Steamhammer/SPV
Websites: Bandcamp | turbokill.de | Facebook
Releases Worldwide: September 27th, 2024

#2024 #AlphaTiger #Champion #FreedomCall #GermanMetal #Hammerfall #PowerMetal #Review #Reviews #Sep24 #SteamhammerSPV #Theocracy #Turbokill

10-YEAR-THROWBACK: Heute vor 10 Jahren - die US-Prog-Metal-Formation QUEENSRYCHE mit den deutschen Support-Acts GLORYFUL und ALPHA TIGER in der Stadthalle von Langen. So berichteten wir damals: https://bit.ly/3tVeTLO #queensryche #gloryful #alphatiger #metal

https://www.rockstage-riot-rheinmain.de/queensryche.html

R.I.P. 2018 #alphatiger

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