How The Smiths Adapted a Vietnam War Photograph for the Cover of 'Meat Is Murder'

📰 Original title: The Story Behind the Iconic Artwork for The Smiths’ 1985 Studio Album “Meat Is Murder”

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#music #thesmiths #albumcover #viet...

How The Smiths Adapted a Vietnam War Photograph for the Cover of 'Meat Is Murder'

The article examines the origins of the cover artwork for The Smiths’ 1985 album 'Meat Is Murder', one of the band's most recognizable visual images. The cover features a modified photograph of American Marine Corporal Michael Wynn, taken during the Vietnam War on September 21, 1967. The image was originally used in promotional materials and archival footage associated with the 1968 anti-war documentary 'In the Year of the Pig', directed by Emile de Antonio. In the original photograph, Wynn had written the slogan 'Make War Not Love' on his military helmet, reflecting the era’s countercultural sentiments. For the album cover, The Smiths’ lead singer Morrissey, who was heavily involved in selecting the band's artwork, worked with designer Caryn Gough to alter the image. The original helmet message was replaced with the phrase 'Meat Is Murder', matching the title of the album and its vegetarian-themed title track. According to Morrissey, the comparison between military violence and the treatment of animals in the meat industry was intentional and designed to provoke discussion. The article notes that Michael Wynn survived the war and later moved to Australia in 1982. Neither Wynn nor the photographer was reportedly asked for permission before the image was modified and used on the album sleeve. Wynn only became aware of his unexpected connection to the famous record when his sister recognized the album in a store after its release. He initially expressed dissatisfaction with the alteration of the original slogan on his helmet. Over time, critics and historians have reflected on the image’s broader symbolism, suggesting that it unintentionally resonated with the experiences of many Vietnam veterans who returned home feeling exploited, misunderstood, and discarded by both the military system and society.

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How The Smiths Adapted a Vietnam War Photograph for the Cover of 'Meat Is Murder'

📰 Original title: The Story Behind the Iconic Artwork for The Smiths’ 1985 Studio Album “Meat Is Murder”

🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅

View full AI summary https://en.killbait.com/how-the-smiths-adapted-a-vietnam-war-photograph-for-the-cover-of-meat-is-murder.html?utm_source=mastodon_social&utm_medium=social&utm_campaign=killbait.mastodon_social

#music #thesmiths #albumcover #vi...

How The Smiths Adapted a Vietnam War Photograph for the Cover of 'Meat Is Murder'

The article examines the origins of the cover artwork for The Smiths’ 1985 album 'Meat Is Murder', one of the band's most recognizable visual images. The cover features a modified photograph of American Marine Corporal Michael Wynn, taken during the Vietnam War on September 21, 1967. The image was originally used in promotional materials and archival footage associated with the 1968 anti-war documentary 'In the Year of the Pig', directed by Emile de Antonio. In the original photograph, Wynn had written the slogan 'Make War Not Love' on his military helmet, reflecting the era’s countercultural sentiments. For the album cover, The Smiths’ lead singer Morrissey, who was heavily involved in selecting the band's artwork, worked with designer Caryn Gough to alter the image. The original helmet message was replaced with the phrase 'Meat Is Murder', matching the title of the album and its vegetarian-themed title track. According to Morrissey, the comparison between military violence and the treatment of animals in the meat industry was intentional and designed to provoke discussion. The article notes that Michael Wynn survived the war and later moved to Australia in 1982. Neither Wynn nor the photographer was reportedly asked for permission before the image was modified and used on the album sleeve. Wynn only became aware of his unexpected connection to the famous record when his sister recognized the album in a store after its release. He initially expressed dissatisfaction with the alteration of the original slogan on his helmet. Over time, critics and historians have reflected on the image’s broader symbolism, suggesting that it unintentionally resonated with the experiences of many Vietnam veterans who returned home feeling exploited, misunderstood, and discarded by both the military system and society.

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The artwork for Akasaka Soul Funk 1969-1977 features a vibrant, psychedelic pop-art illustration heavily inspired by 1970s aesthetic trends. Set against a bright yellow background punctuated with vertical red and black stripes, the central figure is a stylized woman sporting a massive pink afro, a red vest, and a blue and yellow patterned miniskirt. She is flanked by two large, symmetrical profile faces looking outward, adorned with flowing hair in bold shades of red, yellow, and pink. The top of the composition displays the album title in dynamic Japanese katakana alongside a retro English font. This colorful, retro-chic visual explosion perfectly mirrors the upbeat, historic groove found in tracks like
Happy Day.

#albumartwork #albumcover #AlbumArt #MusicArtwork #nowlistening #art #drawing #anime #jazz

https://wamono.bandcamp.com/album/akasaka-soul-funk-1969-1977

Again, i do not think they are really from North Korea, but the graphic is perfect.

#NorthKorea #blackmetal #graphic #musiccover #music #albumcover #cover #dprk

The artwork for Infinite by Stratovarius features a striking, vertically split allegorical landscape divided down the center by a sharp bolt of lightning. The left half depicts ecological devastation, showcasing dark, churning, polluted waters filled with debris underneath a bleak, smog-covered industrial cityscape. In stark contrast, the right half presents an idealized, vibrant ecosystem featuring sparkling green-blue waters, a pristine futuristic skyline, and a cosmic sky adorned with ringed planets and distant nebulae. At the center of this environmental duality stands a massive, golden infinity symbol. Two dolphins leap through its loops, bridging the gap between ruin and renewal. This elaborate visual representation of cosmic balance and planetary fate perfectly mirrors the epic scale and thematic
weight of the track Infinity.

https://www.youtube.com/watch?v=5Jfc6vpqQ3c

#albumartwork #albumcover #AlbumArt #MusicArtwork #vinyl #buyvinyls #nowlistening #art #drawing #metal
The artwork for On The Move by Jun Fukamachi features a surreal, whimsical collage of flying pop culture and Americana symbols drifting across a deep navy blue gradient background. In the bottom right corner, the Statue of Liberty emerges, holding aloft a vibrant, blazing orange torch. Dominating the upper right quadrant is a giant, smoothly airbrushed hot dog dripping with yellow mustard. A chaotic assortment of miscellaneous objects floats through the air, including a skateboard with bright red wheels, a cascading glass cola bottle spraying fluid, a baseball with a small pink sneaker attached, an electric guitar, a piece of shrimp, and a single maki sushi roll. A tiny Uncle Sam patriotic top hat floats near the center, tying together the American themes. This frantic, transit-oriented visual layout
perfectly encapsulates the bustling, cross-cultural urban energy celebrated in the track Letter To N.Y.

#albumartwork #albumcover #AlbumArt #MusicArtwork #vinyl #buyvinyls #nowlistening #art #drawing #jazz

https://open.spotify.com/album/4AZTW2PtZazbRpUtt1owwz

Top 9 Albums I've been shoving down my earholes over the last month.

track info @last_fm
collage tapmusic.net

#music #albums #top9 #collage #charts #playlist #mp3 #flac #wav #albumart #tunes #vinyl #lp #ep #cd #sounds #albumcover #albumartwork #musicians #listening

The artwork for Death Upon Dem by Babylon Dead features a chaotic, high-contrast comic-style illustration depicting an apocalyptic urban riot under a dark sky filled with heavy, billowing smoke clouds. In the foreground, a heavily geared riot police officer with bleeding, hollowed-out eyes grimaces in agony as white, smoky energy wisps are drawn upward out of his head by a towering, cloaked figure loomingly positioned right behind him. The background is a scene of utter devastation, featuring a burning police van, a downed officer on the asphalt, and masked individuals navigating the rubble, all illuminated by the fierce orange and red glow of a raging fire. Across the top, the artist name "BABYLON DEAD" is rendered in a massive, distressed, blood-red font, with the album title "DEATH UPON DEM" sitting in a clean white typeface directly underneath. This hostile, anti-authoritarian imagery and apocalyptic visual narrative serve as a direct visual metaphor for the tracks "Anarchy & Chaos" and "Covered In Blood".

#albumartwork #albumcover #AlbumArt #MusicArtwork #vinyl #buyvinyls #nowlistening #art #drawing #rap #hiphop

https://illinformedrld.bandcamp.com/album/death-upon-dem
The artwork for Patriot Games by Gunshot features a cinematic, dark photographic scene framed by an atmospheric haze of smoke and shifting, shadowy light. Three individuals are gathered in a tight circle, hunched over a burning tire rim that emits a fiery, red glow. The figure on the left sits on an inverted blue plastic crate, clad in a red T-shirt and black beanie, holding his hands together in a tense, gripping gesture. The central figure, wearing a black cap and T-shirt, stares directly forward while gripping a dagger, and the figure on the right looks onward in profile, clutching his own weapon. Across the top, the text "GUNSHOT : PATRIOT GAMES" is rendered in a prominent, blocky, stencil-style font with a white outline. This tense, underground imagery of tactical preparation and survivalist warfare directly symbolizes the grim narrative arc found in the track "Mind Of A Razor (Crime Story 2)".

https://www.youtube.com/watch?v=oTy_kDzOQ1c

#albumartwork #albumcover #AlbumArt #MusicArtwork #vinyl #buyvinyls #nowlistening #art #drawing #rap #hiphop #ukmusic

The Stones did not leave that Sgt. Pepper nod unanswered.

What followed was a sly piece of cover-art retaliation, hidden in the flowers of Their Satanic Majesties Request.

https://www.artbeforenoise.com/album-covers-hidden-details/

#TheRollingStones #TheBeatles #AlbumCover #CoverArtAnalysis #VinylCulture #AlbumArt