Maybe you've seen Masonna on stage and have thought, this guy is just a shitheel attention-seeker. But this album, though of course stupidly outlandish if you've never heard any so-called harsh noise, is actually quite well organized — organized into many short segments that introduce enough variation and change to keep it interesting, much more so than many other noise albums. Even within its limited sonic palette (and means), it's surprising how "structured" it is.

#noisemusic #albums #noise

“We weren’t after our version of Iron Maiden’s Eddie, but it needed to be striking.” The story behind Slayer's grim Reign In Blood album artwork

https://fed.brid.gy/r/https://www.loudersound.com/music/albums/slayer-reign-in-blood-larry-carroll

“It sits between Genesis, Van der Graaf Generator and Roxy Music – all viewed through a haze of spectral menace”: Before Crowded House, before their new-wave hits, Split Enz were unabashedly prog

https://fed.brid.gy/r/https://www.loudersound.com/music/albums/split-enz-mental-notes

#nowplaying während der #abendrunde mit #django
#manfredmannsearthband - #singingthedolphinthrough
Der Titel des #Albums hat mich damals schon geflasht.
Großartige #band
Geiler #song

#playlistofmylife

“The Heartbreaks I Sow” — Quebec City Coldwave Artist David Emme Unveils Rueful “Clair-obscur” EP

https://fed.brid.gy/r/https://post-punk.com/the-heartbreaks-i-sow-quebec-city-coldwave-artist-david-emme-unveils-rueful-clair-obscur-ep/

“I didn’t do terribly well with solo work compared to my colleagues in Genesis. But I had a golden period, and I bought the Steinway piano I play on this record”: Anthony Phillips’ fight though pain barrier to make Gemini

https://fed.brid.gy/r/https://www.loudersound.com/music/albums/anthony-phillips-gemini