"Since 2004, Brooklyn-based artist Rachel Sussman has been traveling the globe in search of continuously living organisms that are at least two thousand years old, which she photographs and chronicles in her series, "The Oldest Living Things in the World". Shown here are 2,000-3,000 year old stromalites in Western Australia; 5,500 year old Antarctic moss; and a 9,550 year old spruce gran picea tree in Sweden. See "The Oldest Living Things in the World" by Rachel Sussman (@_sussman_) on display pre-security in Terminal 3. http://bit.ly/2qWJSTC" This was posted to our Instagram account on May 06, 2018 – https://millsfield.sfomuseum.org/instagram/1763558733/
"Using the language of cartography, Lordy Rodriguez's Strangerhood features maps depicting six iconic San Francisco neighborhoods reimagined as independent countries. Rodriguez explores the identity of place, encouraging the viewer to think about the signifiers of place and how they influence our perception and experience of San Francisco neighborhoods." This was posted to our Instagram account on September 29, 2015 – https://millsfield.sfomuseum.org/instagram/1729361499/

See "Seneca" Richard Mayhew on display in the SFO Medical Clinic located pre-security in the International Terminal and online at: https://bit.ly/3JRHr0X

#RichardMayhew #PublicArt #AirportArt #SFAC

Seneca | SFO Museum

Echelman achieved the sculpture’s physical presence by braiding fibers and knotting twine into sculptural netting suspended from powdercoated steel armatures. Despite their large scale, more than 120 feet in circumference for a single form, her sculpture is experienced as ephemeral and weightless.

#JanetEchelman #PublicArt #AirportArt

"“I wanted to make a story about animals on the brink of extinction,” Pavlina Ecclesiarhou The International Union for Conservation of Nature’s Red List, which assesses over 19,000 threatened species, originally inspired San Francisco-based artist Pavlina Ecclesiarhou to begin her Epitaphs series. Photographing a selection of these animals at natural history museums worldwide, Ecclesiarhou has produced a collection of images that highlights these threatened species and seeks to increase public awareness about the imminent loss of biodiversity. Though these animals are not yet extinct, Ecclesiarhou chose to photograph taxidermied specimens for her images, encouraging viewers to reflect: can they be conserved as living species in the wild, or are they fated to be preserved in dioramas at natural history museums? See "Epitaphs: Silent Stories" by #PavlinaEcclesiarhou, pre-security, in Terminal 3. http://bit.ly/2m6Yksl" This was posted to our Instagram account on April 02, 2017 – https://millsfield.sfomuseum.org/instagram/1729359673/
"Mike Kelley travels to airports throughout the globe, looking for scenes that accurately describe the landscape while providing a vantage point from which the airport’s traffic can be seen in a linear trajectory. Kelley uses a stationary camera to capture every aircraft movement over the course of a set period. Once back at his studio, Kelley layers every airplane photographed onto a background image to create a temporally expanded composite of the airport and its movement. Mike Kelley’s Airportraits utilizes multiple exposures to illustrate our busy skies with an accuracy that cannot be achieved in a single photograph. In this way, Kelley’s images reveal the social and economic importance of aviation and invite us to contemplate the scale of the only worldwide transportation network. See “Airportraits”, by photographer Mike Kelley, pre-security, in Terminal 1. http://bit.ly/2pRVZzg" This was posted to our Instagram account on July 23, 2017 – https://millsfield.sfomuseum.org/instagram/1729359287/

✈️ E190 1:400 SLA • STL files
➡️ Download 3D print model: https://cults3d.com/:1072524
💡 Designed by heri__suprapto

@cults3d #AirportArt #3DPrinterModel #ScaleHelicopter #CollectibleArt #ModelGSE

E190 1:400 - SLA 2

The Embraer E190 is a sleek, narrow-body twinjet known for its comfortable 2-2 seating configuration, optimizing passenger flow. Its high aspect ratio wing and efficient GE CF34-10E engines provide excellent performance for regional routes. Someone gave me a suggestion to upload this, E1900, on Cults, so I did. This might make you confused, the attached pictures above are with 1:600, the one on the right is the whole model and the one on the left is the one where the two wings are separate but one whole part. The file that you will download later is with 1:400 and has never been printed before, the wings are split in two, the right and left, this I did because the results are better especially for the print, and this has been done on other models before. This model was printed using the Anycubic Photon Mono printer, hope you like it, thanks for stopping by. Here’s what each label means: - FDM: Printed on an FDM machine. These versions have lower detail, no panel lines, no engine blades, and use thicker walls. - SLA 1: Printed on an SLA machine. These include antennas, include engine blades, have thinner walls, but still do not have panel lines. - SLA 2: Same as SLA 1, but with added panel lines for higher surface detail.

Cults 3D
"In Crystal Liu’s universe, elements of the natural world serve as actors in a grand narrative of emotional and personal origins. In “Underground, "Stuck in Between"” geological strata are represented by distinctly colored sections of marbleized paper, which are separated by an underground river. Leafless trees and a subterranean golden planet suggest both existential strife and hope for the future. See “Underground, "Stuck in Between"” by Crystal Liu on display, on level 4 of the Grand Hyatt and online at: https://bit.ly/2XUcpxb 📸: © Ethan Kaplan Photography" This was posted to our Instagram account on September 07, 2021 – https://millsfield.sfomuseum.org/instagram/1763559439/
"Known for his humorous use of puns and parody, William T. Wiley’s work defined the nucleus of the Bay Area Funk movement in the 1960s. Wiley says of his work during this time: “It suddenly became clear to me that art was what I’d heard on the radio that day, or something I saw outside. Suddenly, anything was potential.” This work was originally created and installed as an outdoor billboard prior to being purchased by the Arts Commission for the Airport. "Void" by William T. Wiley is located post-security, in Terminal 3. http://bit.ly/2wkT33r" This was posted to our Instagram account on September 07, 2018 – https://millsfield.sfomuseum.org/instagram/1729357701/
"Our newest San Francisco Arts Commission piece is "No Other Lands Their Glory Know" by Alice Shaw. This photographic image is of a redwood forest on Mount Tamalpais in Marin County, California, just north of the City and County of San Francisco. The title for this artwork is taken from a line in a poem, The Redwoods, written by Joseph B. Strauss, the chief engineer of the Golden Gate Bridge. Visitors are invited to enjoy the natural splendor of The Golden State while at the airport. See "No Other Lands Their Glory Know" by Alice Shaw, post-security, above Gate 95 in the International Terminal" This was posted to our Instagram account on September 24, 2017 – https://millsfield.sfomuseum.org/instagram/1729359059/