A contemporary artist for today’s art post: by Njideka Akunyili Crosby (born 1983), “Dwell: Me, We,” 2017, acrylic, transfers, colored pencil, charcoal, and collage on paper, 96 x 124 inches, ©️ Njideka Akunyili Crosby. She is represented by the David Zwirner art gallery. #womanartist #womenartists #africanart #AfricaArt

From her website, which I will share as a comment: “Drawing on art historical, political and personal references, Njideka Akunyili Crosby creates densely layered figurative compositions that, precise in style, nonetheless conjure the complexity of contemporary experience. Akunyili Crosby was born in Nigeria, where she lived until the age of sixteen. In 1999 she moved to the United States, where she has remained since that time. Her cultural identity combines strong attachments to the country of her birth and to her adopted home, a hybrid identity that is reflected in her work.

On initial impression her work appears to focus on interiors or apparently everyday scenes and social gatherings. Many of Akunyili Crosby's images feature figures - images of family and friends - in scenarios derived from familiar domestic experiences: eating, drinking, watching TV. Rarely do they meet the viewer's gaze but seem bound up in moments of intimacy or reflection that are left open to interpretation. Ambiguities of narrative and gesture are underscored by a second wave of imagery, only truly discernible close-up. Vibrantly patterned photo-collage areas are created from images derived from Nigerian pop culture and politics, including pictures of pop stars, models and celebrities, as well as lawyers in white wigs and military dictators. Some of these images are from the artist's archive of personal snapshots, magazines and advertisements, while others are sourced from the internet. These elements present a compelling visual metaphor for the layers of personal memory and cultural history that inform and heighten the experience of the present.”

Walter Battiss
Old Lamu Bajun Isles
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#WalterBattiss #OldLamuBajunIsles #Africanart #art #painting

Today's purchases from Harrison Antiques and Auction House - an African tribal mask and letter opener. Unsure of age or specific tribe these two items originate from. Judging by the distinct styles of these objects it's likely they derive from two different tribal groups.

#africanart #tribalart #ethnography #ethnoart #africa #african

“Seydou Keïta: A Tactile Lens” opened at the Brooklyn Museum in October and runs through May 17, 2026. I found out about this Malian portrait photographer in the 2010s and used this photo on the cover of eighth issue of #ShotgunSeamstress which came out in 2015 and is included in the anthology book.

https://www.brooklynmuseum.org/exhibitions/seydou-keita

#photography #AfricanArt

#TwoForTuesday :
Royal goldsmiths; Kumasi, Asante
Empire, Ghana
#Lion ornaments, 19th c.
Gold; H. 1 1/2 x W. 2 1/8 x D. 2 1/4 in. (3.8 x 5.4 x 5.7cm) ea.
On display at the Met (1979.206.227, 228)
#AfricanArt
#TwoForTuesday :
Lagoon artist, Côte d'Ivoire
Double #Crocodile Pendant
19th–mid-20th century
Gold; H 3 3/4 x W 3 3/4 in. (9.5 x 9.5 cm)
On display at the Met (1979.206.151)
#AfricanArt
“Among Akan peoples, figural forms [on] ornaments often refer to proverbs & bear symbolic meaning: this pendant represents the popular Siamese twin-crocodile motif known as futumfunafu. With their shared stomachs but distinct heads, they allude to the challenges of aligning community & personal interests.”
#FishFriday in the #AfricanArt wing of the Met 🐠:
Baule artist; central Côte d'Ivoire
Anuan (door)
19th-mid-20th century
Wood, pigment
1979.206.120
“In this example, a large #fish seizes a smaller one in its mouth, suggesting a metaphor for social hierarchy.“
#FishFriday in the #AfricanArt wing of the The Metropolitan Museum of Art, New York 🐠:
Ìgùn ronwwộn (brass-casting guild) artists; Court of Benin, Nigeria
Two Mudfish, c. 1540-70
Brass
"Nigerian Modernism" at Tate Gallery, London, until May 2026
https://www.tate.org.uk/whats-on/tate-modern/nigerian-modernism #Nigeria #AfricanArt #Art
Nigerian Modernism | Tate Modern

Tate

🎬 Les statues meurent aussi (1953)

Subtitles available:
🇬🇧 English
🇬🇷 Greek
🇮🇹 Italian
🇪🇸 Spanish

⬇️ Download https://app.box.com/s/sm45um5lnhuo74v0n5l5or6zvo8va4oi

🎞 IMDb https://www.imdb.com/title/tt0046365/

▶️ Watch the video here 👇
https://www.youtube.com/watch?v=2GR8KprsNng

#LesStatuesMeurentAussi #Documentary #Short #Art #Colonialism #AfricanArt #ChrisMarker #AlainResnais