Fujicolor C200 Review

Fujicolor C200 is a daylight balanced, ISO 200 film offered by Fujifilm, currently is one of the few films remaining in the Fujifilm consumer series after the discontinuation of Superia 200. Along with Fujicolor C200 the other option is the Fujicolor X-TRA 400, a similar film in the ISO400 range.

When searching for more information about this film, many people wonder if this film is a re-packed Superia 200 others affirm that is Agfa Vista Plus 200. I can confirm that is not any of those, it looks similar to the Agfa, but it is quite different from the Superia 200. I believe the Fujicolor C200 is a different and low-cost Fujifilm emulsion that is cheaply produced, in order to reduce costs and keep a consumer film in the market. The main difference probably is the lack of the famous 4th layer included in Superia 200. Although C200 is introduced as the cheapest option available, I was quite pleased with the results, much more than with the Superia 200. Without getting too technical, here is how the structure of both films looks side by side.

Name | Fujifilm Fujicolor C200
---|---
ISO | 200
Developer | C-41, CN-16
Available formats | 35mm
Exposures | 24, 36
DX coding | Yes
Availability | ★★★★★

The advantage of reviewing a cheap film is that I don't need to break the piggy bank to buy it, I was able to buy several rolls to try them in different lights and situations. With this film, I used my -now defunct- Nikon F100 with the 24-120mm f3.5-5.6D when hiking and camping in Taiwan. A F90x / 50mm f1.8D for the beach trips, along with the Nikon FM2 with a 28mm and a 50mm f1.8 Ais for my daily life shots, trips to the US and a trip in the French Pyrenees.

The Fujicolor C200 is a really balanced film, rendering a quite balanced palette. As with many Fujifilm films, greens are one of its strongest points. Not so vivid as the Superia line, and it always rendered slightly warm green tones. Not as warm as Kodak Colorplus 200, but warmer than I remember them in the real scene.

Shooting at box speed gives you very natural and pleasant blue tones, really wide tonality and surprisingly this film is quite forgiving in the highlights considering its price.

Reds are more muted than other Fujifilm films, films like Superia 200, or the Industrial 100 are much more vivid and intense. Definitely I prefer this muted red tones, a little bit more "red firebrick" than bright red.

Same as blue tones, yellow tones are natural, balanced and true to color.

In addition, I tested this film in some portraits, with some friends withd ifferent skin tones under natural light and direct flash, to see how this film reacts to different situations. You can click to enlarge this gallery.

Is not a film designed for portraits, but still does a really good job. Natural skin tones, slightly more warm or magenta than they were in real life, but it can be easily solved in post (none of these pictures was edited). In my opinion, is MUCH better than the discontinued Superia 200, and better than Superia 400 shot at box speed (overexposing will solve the magenta skin tone). It wouldn't be my top choice for a portrait session, but it definitely has the potential to be an excellent balanced walk-around film.

Color chart and measurement of the colors.

YELLOW Average Colour R:240.0 G:210.0 B:56.0

RED Average Colour R:210.0 G:110.0 B:60.0

BLUE Average Colour R:68.0 G:121.0 B:158.0

GREEN Average Colour R:158.0 G:195.0 B:76.0

See also: How do I measure the colors?

Overexposing the C200 one stop (Shot at 100 ISO)

There is a small yellow cast over the picture, in the green tones it gets more accented than in other tones, blues are more pastel than at box speed.

Underexposing C200 one stop (shot at 400 ISO)

Blues become strong and more vibrant. However, greens become muddier and they start to fade in the shadows. Shadows become slightly greenish, really typical feeling of other Fujifilm films. I'm not a fan of this green shadows, but I saw people doing a great job doing low-key portraits and work with this technique and they look amazing. I'd rather go for a similarly-priced 400 ISO if you really need the extra speed.

Fujicolor C200 is a film that I really like. It is widely available, it is cheap, you can buy 24 and 36 exposures and the latitude is amazing, you can easily underexpose without worrying too much on burning the highlights. Grain is quite controlled for such a cheap film. With a good scanner and a few minutes of editing you can get amazing results with it. It wouldn't be my top choice in the range of cheap films, I'd rather shoot Superia X-TRA 400 at ISO200, or Kodak Colorplus at 200 as well. But, you can't go wrong with this film, for almost any situation.

YES

• Daily use, load it in your camera and ready to go. It will respond correctly to any situation.
• Experiment with it, overexpose, underexpose, all the results came out great from every camera I used it.
• Widely available, cheap and good, what else do you need?

NO

• If you are looking for a sharp, clean image. I felt that it can be quite muddy sometimes.
• I wouldn't overexpose it too much, better go for the Superia X-TRA 400 for almost the same price.

Check out the gallery for more shots taken with this film!

#filmreviews #35mm #35mmfilm #35mmfilmreview #35mmreview #agfa #analogphotography #c200review #colorplus #film #filmreview #fujicolor #fujicolorc200 #fujicolorc200review #fujifilm #fujifilmreview #iso200 #iso200film #iso400 #kodakcolorplus200 #nikon #photography #review #superia

Kodak Vision3 50D Review

The Vision3 50D, is a low speed motion picture film from Kodak. Motion picture film when enclosed in single-spool, light-tight cassette, can be used in normal photographic cameras. The Vision3 has a really low ISO, 50, therefore it would be recommended only for bright daylight scenes or situations in where you want to shoot portraits wide open in daylight without using ND filters. The "D" in the name means "Daylight", this film is balanced for exposure with daylight illumination (5500K).

First thing to consider when choosing this film, other than the ISO and color balance, is its Rem-jet layer. If you never heard that word before, I recommend you to read this article first:

What is the Rem-jet layer?

Since the film has to be re-spooled. Every store or manufacturer can have a different “sticker” or appearance in the outside, so when buying this film, look for the specifications and name, more than the color or style of the film.

Name | Kodak Vision3 50D
---|---
ISO | 50
Developer | C-41, ECN-2
Available formats | 35mm
Exposures | 36*
DX coding | No
Availability | ★★☆☆☆

Mostly on-line or specialized stores that also develop this kind of film.

*Depending on the re-spooling.

A thing to point out is that, for my reviews, as a way to standardize them, I always use the same cameras and lenses (Nikon F100 and FM2, paired with a 28, 50 and 135mm Ais) However, for this one I was testing an amazing Olympus OM-30 for a friend, the aperture in the 50mm was stuck at f1.8. That's why I thought a really slow film, would be perfect to try the different speeds. Being stuck at f1.8 means that focusing was a bit harder with some purple fringing and softer images. But, overall the film, lens and camera, performed flawlessly.

If you read any of my other reviews, I normally mention that I'm a big fan of higher speed ISOS, with color negative, an iso 200-400 is the range I'm more comfortable with. Depending on the conditions of the day. In B&W I even like to go 800-1600 and enjoy the grain. I didn't have much expectations to like this film even is quite praised online. Nevertheless, after I saw the first scanned images, I was amazed by the quality and colors of the Kodak Vision3 50D.

This motion film is supposed to be developed in ECN-2 giving and edited later digitally, so is meant to be modified and with a high dynamic-range. Even so, developed with C-41 (allegedly it gives less dynamic range) and without any retouching, just raw scans looked amazing!

Blues are a bit on the pastel side, not too punchy, but definitely giving a lot of room for editing.

Greens are beautiful, and really true to color. In the first picture we can see how every shade of green is different, instead of just having a "mushy" set of trees and bushes.

Yellows are in the same side as the blue tones, pastel, not too contrasty, but giving a lot of room for editing. Considering how gray and dim is the sky in Taipei, I believe the Kodak Vision3 50D did an amazing job rendering this colors.

Reds are vibrant and beautiful, they really mix well with that characteristic brownish tones from Kodak.

I noticed some yellow cast when underexposing the film, easy to correct in post-processing and not noticeable when exposed correctly. The second image is underexposed (Trying to shoot at f8 on a lens with stuck diaphragm)

Finally I tested the film with a couple of portraits, unfortunately I didn't have the time to prepare a nice setup, slightly off colors in this photos, but really true to real life.

Due to lack an time and/or abilities, I couldn't get any nice portrait that represents how good this film is for portraits. So, I decided to reach out for other talented photographers. Just take a look at this astonishing portraits from Matt Osborne .

Color chart and measurement of the colors.

*usually shot at f8, at f1.8 the purple fringe and softness of the lens can be distracting in this case

• RED Average Colour R:217.0 G:167.0 B:124.0
• YELLOW Average Colour R:234.0 G:224.0 B:129.0
• BLUE Average Colour R:76.0 G:135.0 B:188.0
• GREEN Average Colour R:160.0 G:209.0 B:142.0

You can take also a look on this article on How do I measure the colors?

To sum up, the Kodak Vision3 50D performed incredibly well. There is a slight brownish tone that I really enjoy. Since my camera (Nikon FM2) can go up to 1/4000, the speed doesn't worry me that much, and I would go for an iso 100-200 film. However, for people looking to shoot portraits wide open is more than perfect.

The only problem that I find with this film, is that motion film can be troublesome to develop, and generally is not worth the trouble, considering other options, very similar in price to this film. The version from Cinestill, without the remjet (What is the remjet?) will avoid those headaches, but the tag price is quite high.

YES ⇑

• Portraits wide open even with strong light, pleasant skin tones and low speed.
• Landscapes, it gives lot of room to edit, and is a good film to scan.
• Grain is almost inexistent.
• If you can find cheap developing for motion film, there are always good deals in this film.

NO ⇓

• If you like to shoot something that requires speed.
• Compact cameras and their slow aperture will struggle with this film, even in daylight.
• If is difficult for you to find developers for this motion film, there are other less troublesome options.

Check out the gallery for more shots taken with this film!

*Thanks to Matt Osborne for participating with his picture in this review!

Matt Osborne

#filmreviews #motionfilmreview #motionpicturefilmreviews #35mm #35mmfilm #35mmreview #50d #analogphotography #believeinfilm #c41 #color #film #filmreview #fujichrome #fujicolor #fujifilm #halation #implosion #iso50 #kodak #kodakproimage #kodakreview #kodakvision3 #kodakvision350d #lomography #nikon #nikonfm #photography #positive #remjet #review #rollei #slide #ultramax #vision3 #vision350d

Fujicolor C200 Review

Fujicolor C200 is a daylight balanced, ISO 200 film offered by Fujifilm, currently is one of the few films remaining in the Fujifilm consumer series after the discontinuation of Superia 200. Along with Fujicolor C200 the other option is the Fujicolor X-TRA 400, a similar film in the ISO400 range.

When searching for more information about this film, many people wonder if this film is a re-packed Superia 200 others affirm that is Agfa Vista Plus 200. I can confirm that is not any of those, it looks similar to the Agfa, but it is quite different from the Superia 200. I believe the Fujicolor C200 is a different and low-cost Fujifilm emulsion that is cheaply produced, in order to reduce costs and keep a consumer film in the market. The main difference probably is the lack of the famous 4th layer included in Superia 200. Although C200 is introduced as the cheapest option available, I was quite pleased with the results, much more than with the Superia 200. Without getting too technical, here is how the structure of both films looks side by side.

Name | Fujifilm Fujicolor C200
---|---
ISO | 200
Developer | C-41, CN-16
Available formats | 35mm
Exposures | 24, 36
DX coding | Yes
Availability | ★★★★★

The advantage of reviewing a cheap film is that I don't need to break the piggy bank to buy it, I was able to buy several rolls to try them in different lights and situations. With this film, I used my -now defunct- Nikon F100 with the 24-120mm f3.5-5.6D when hiking and camping in Taiwan. A F90x / 50mm f1.8D for the beach trips, along with the Nikon FM2 with a 28mm and a 50mm f1.8 Ais for my daily life shots, trips to the US and a trip in the French Pyrenees.

The Fujicolor C200 is a really balanced film, rendering a quite balanced palette. As with many Fujifilm films, greens are one of its strongest points. Not so vivid as the Superia line, and it always rendered slightly warm green tones. Not as warm as Kodak Colorplus 200, but warmer than I remember them in the real scene.

Shooting at box speed gives you very natural and pleasant blue tones, really wide tonality and surprisingly this film is quite forgiving in the highlights considering its price.

Reds are more muted than other Fujifilm films, films like Superia 200, or the Industrial 100 are much more vivid and intense. Definitely I prefer this muted red tones, a little bit more "red firebrick" than bright red.

Same as blue tones, yellow tones are natural, balanced and true to color.

In addition, I tested this film in some portraits, with some friends withd ifferent skin tones under natural light and direct flash, to see how this film reacts to different situations. You can click to enlarge this gallery.

Is not a film designed for portraits, but still does a really good job. Natural skin tones, slightly more warm or magenta than they were in real life, but it can be easily solved in post (none of these pictures was edited). In my opinion, is MUCH better than the discontinued Superia 200, and better than Superia 400 shot at box speed (overexposing will solve the magenta skin tone). It wouldn't be my top choice for a portrait session, but it definitely has the potential to be an excellent balanced walk-around film.

Color chart and measurement of the colors.

YELLOW Average Colour R:240.0 G:210.0 B:56.0

RED Average Colour R:210.0 G:110.0 B:60.0

BLUE Average Colour R:68.0 G:121.0 B:158.0

GREEN Average Colour R:158.0 G:195.0 B:76.0

See also: How do I measure the colors?

Overexposing the C200 one stop (Shot at 100 ISO)

There is a small yellow cast over the picture, in the green tones it gets more accented than in other tones, blues are more pastel than at box speed.

Underexposing C200 one stop (shot at 400 ISO)

Blues become strong and more vibrant. However, greens become muddier and they start to fade in the shadows. Shadows become slightly greenish, really typical feeling of other Fujifilm films. I'm not a fan of this green shadows, but I saw people doing a great job doing low-key portraits and work with this technique and they look amazing. I'd rather go for a similarly-priced 400 ISO if you really need the extra speed.

Fujicolor C200 is a film that I really like. It is widely available, it is cheap, you can buy 24 and 36 exposures and the latitude is amazing, you can easily underexpose without worrying too much on burning the highlights. Grain is quite controlled for such a cheap film. With a good scanner and a few minutes of editing you can get amazing results with it. It wouldn't be my top choice in the range of cheap films, I'd rather shoot Superia X-TRA 400 at ISO200, or Kodak Colorplus at 200 as well. But, you can't go wrong with this film, for almost any situation.

YES

• Daily use, load it in your camera and ready to go. It will respond correctly to any situation.
• Experiment with it, overexpose, underexpose, all the results came out great from every camera I used it.
• Widely available, cheap and good, what else do you need?

NO

• If you are looking for a sharp, clean image. I felt that it can be quite muddy sometimes.
• I wouldn't overexpose it too much, better go for the Superia X-TRA 400 for almost the same price.

Check out the gallery for more shots taken with this film!

#filmreviews #35mm #35mmfilm #35mmfilmreview #35mmreview #agfa #analogphotography #c200review #colorplus #film #filmreview #fujicolor #fujicolorc200 #fujicolorc200review #fujifilm #fujifilmreview #iso200 #iso200film #iso400 #kodakcolorplus200 #nikon #photography #review #superia

Kodak Vision3 50D Review

The Vision3 50D, is a low speed motion picture film from Kodak. Motion picture film when enclosed in single-spool, light-tight cassette, can be used in normal photographic cameras. The Vision3 has a really low ISO, 50, therefore it would be recommended only for bright daylight scenes or situations in where you want to shoot portraits wide open in daylight without using ND filters. The "D" in the name means "Daylight", this film is balanced for exposure with daylight illumination (5500K).

First thing to consider when choosing this film, other than the ISO and color balance, is its Rem-jet layer. If you never heard that word before, I recommend you to read this article first:

What is the Rem-jet layer?

Since the film has to be re-spooled. Every store or manufacturer can have a different “sticker” or appearance in the outside, so when buying this film, look for the specifications and name, more than the color or style of the film.

Name | Kodak Vision3 50D
---|---
ISO | 50
Developer | C-41, ECN-2
Available formats | 35mm
Exposures | 36*
DX coding | No
Availability | ★★☆☆☆

Mostly on-line or specialized stores that also develop this kind of film.

*Depending on the re-spooling.

A thing to point out is that, for my reviews, as a way to standardize them, I always use the same cameras and lenses (Nikon F100 and FM2, paired with a 28, 50 and 135mm Ais) However, for this one I was testing an amazing Olympus OM-30 for a friend, the aperture in the 50mm was stuck at f1.8. That's why I thought a really slow film, would be perfect to try the different speeds. Being stuck at f1.8 means that focusing was a bit harder with some purple fringing and softer images. But, overall the film, lens and camera, performed flawlessly.

If you read any of my other reviews, I normally mention that I'm a big fan of higher speed ISOS, with color negative, an iso 200-400 is the range I'm more comfortable with. Depending on the conditions of the day. In B&W I even like to go 800-1600 and enjoy the grain. I didn't have much expectations to like this film even is quite praised online. Nevertheless, after I saw the first scanned images, I was amazed by the quality and colors of the Kodak Vision3 50D.

This motion film is supposed to be developed in ECN-2 giving and edited later digitally, so is meant to be modified and with a high dynamic-range. Even so, developed with C-41 (allegedly it gives less dynamic range) and without any retouching, just raw scans looked amazing!

Blues are a bit on the pastel side, not too punchy, but definitely giving a lot of room for editing.

Greens are beautiful, and really true to color. In the first picture we can see how every shade of green is different, instead of just having a "mushy" set of trees and bushes.

Yellows are in the same side as the blue tones, pastel, not too contrasty, but giving a lot of room for editing. Considering how gray and dim is the sky in Taipei, I believe the Kodak Vision3 50D did an amazing job rendering this colors.

Reds are vibrant and beautiful, they really mix well with that characteristic brownish tones from Kodak.

I noticed some yellow cast when underexposing the film, easy to correct in post-processing and not noticeable when exposed correctly. The second image is underexposed (Trying to shoot at f8 on a lens with stuck diaphragm)

Finally I tested the film with a couple of portraits, unfortunately I didn't have the time to prepare a nice setup, slightly off colors in this photos, but really true to real life.

Due to lack an time and/or abilities, I couldn't get any nice portrait that represents how good this film is for portraits. So, I decided to reach out for other talented photographers. Just take a look at this astonishing portraits from Matt Osborne .

Color chart and measurement of the colors.

*usually shot at f8, at f1.8 the purple fringe and softness of the lens can be distracting in this case

• RED Average Colour R:217.0 G:167.0 B:124.0
• YELLOW Average Colour R:234.0 G:224.0 B:129.0
• BLUE Average Colour R:76.0 G:135.0 B:188.0
• GREEN Average Colour R:160.0 G:209.0 B:142.0

You can take also a look on this article on How do I measure the colors?

To sum up, the Kodak Vision3 50D performed incredibly well. There is a slight brownish tone that I really enjoy. Since my camera (Nikon FM2) can go up to 1/4000, the speed doesn't worry me that much, and I would go for an iso 100-200 film. However, for people looking to shoot portraits wide open is more than perfect.

The only problem that I find with this film, is that motion film can be troublesome to develop, and generally is not worth the trouble, considering other options, very similar in price to this film. The version from Cinestill, without the remjet (What is the remjet?) will avoid those headaches, but the tag price is quite high.

YES ⇑

• Portraits wide open even with strong light, pleasant skin tones and low speed.
• Landscapes, it gives lot of room to edit, and is a good film to scan.
• Grain is almost inexistent.
• If you can find cheap developing for motion film, there are always good deals in this film.

NO ⇓

• If you like to shoot something that requires speed.
• Compact cameras and their slow aperture will struggle with this film, even in daylight.
• If is difficult for you to find developers for this motion film, there are other less troublesome options.

Check out the gallery for more shots taken with this film!

*Thanks to Matt Osborne for participating with his picture in this review!

Matt Osborne

#filmreviews #motionfilmreview #motionpicturefilmreviews #35mm #35mmfilm #35mmreview #50d #analogphotography #believeinfilm #c41 #color #film #filmreview #fujichrome #fujicolor #fujifilm #halation #implosion #iso50 #kodak #kodakproimage #kodakreview #kodakvision3 #kodakvision350d #lomography #nikon #nikonfm #photography #positive #remjet #review #rollei #slide #ultramax #vision3 #vision350d

Fujicolor C200 Review

Fujicolor C200 is a daylight balanced, ISO 200 film offered by Fujifilm, currently is one of the few films remaining in the Fujifilm consumer series after the discontinuation of Superia 200. Along with Fujicolor C200 the other option is the Fujicolor X-TRA 400, a similar film in the ISO400 range.

When searching for more information about this film, many people wonder if this film is a re-packed Superia 200 others affirm that is Agfa Vista Plus 200. I can confirm that is not any of those, it looks similar to the Agfa, but it is quite different from the Superia 200. I believe the Fujicolor C200 is a different and low-cost Fujifilm emulsion that is cheaply produced, in order to reduce costs and keep a consumer film in the market. The main difference probably is the lack of the famous 4th layer included in Superia 200. Although C200 is introduced as the cheapest option available, I was quite pleased with the results, much more than with the Superia 200. Without getting too technical, here is how the structure of both films looks side by side.

Name | Fujifilm Fujicolor C200
---|---
ISO | 200
Developer | C-41, CN-16
Available formats | 35mm
Exposures | 24, 36
DX coding | Yes
Availability | ★★★★★

The advantage of reviewing a cheap film is that I don't need to break the piggy bank to buy it, I was able to buy several rolls to try them in different lights and situations. With this film, I used my -now defunct- Nikon F100 with the 24-120mm f3.5-5.6D when hiking and camping in Taiwan. A F90x / 50mm f1.8D for the beach trips, along with the Nikon FM2 with a 28mm and a 50mm f1.8 Ais for my daily life shots, trips to the US and a trip in the French Pyrenees.

The Fujicolor C200 is a really balanced film, rendering a quite balanced palette. As with many Fujifilm films, greens are one of its strongest points. Not so vivid as the Superia line, and it always rendered slightly warm green tones. Not as warm as Kodak Colorplus 200, but warmer than I remember them in the real scene.

Shooting at box speed gives you very natural and pleasant blue tones, really wide tonality and surprisingly this film is quite forgiving in the highlights considering its price.

Reds are more muted than other Fujifilm films, films like Superia 200, or the Industrial 100 are much more vivid and intense. Definitely I prefer this muted red tones, a little bit more "red firebrick" than bright red.

Same as blue tones, yellow tones are natural, balanced and true to color.

In addition, I tested this film in some portraits, with some friends withd ifferent skin tones under natural light and direct flash, to see how this film reacts to different situations. You can click to enlarge this gallery.

Is not a film designed for portraits, but still does a really good job. Natural skin tones, slightly more warm or magenta than they were in real life, but it can be easily solved in post (none of these pictures was edited). In my opinion, is MUCH better than the discontinued Superia 200, and better than Superia 400 shot at box speed (overexposing will solve the magenta skin tone). It wouldn't be my top choice for a portrait session, but it definitely has the potential to be an excellent balanced walk-around film.

Color chart and measurement of the colors.

YELLOW Average Colour R:240.0 G:210.0 B:56.0

RED Average Colour R:210.0 G:110.0 B:60.0

BLUE Average Colour R:68.0 G:121.0 B:158.0

GREEN Average Colour R:158.0 G:195.0 B:76.0

See also: How do I measure the colors?

Overexposing the C200 one stop (Shot at 100 ISO)

There is a small yellow cast over the picture, in the green tones it gets more accented than in other tones, blues are more pastel than at box speed.

Underexposing C200 one stop (shot at 400 ISO)

Blues become strong and more vibrant. However, greens become muddier and they start to fade in the shadows. Shadows become slightly greenish, really typical feeling of other Fujifilm films. I'm not a fan of this green shadows, but I saw people doing a great job doing low-key portraits and work with this technique and they look amazing. I'd rather go for a similarly-priced 400 ISO if you really need the extra speed.

Fujicolor C200 is a film that I really like. It is widely available, it is cheap, you can buy 24 and 36 exposures and the latitude is amazing, you can easily underexpose without worrying too much on burning the highlights. Grain is quite controlled for such a cheap film. With a good scanner and a few minutes of editing you can get amazing results with it. It wouldn't be my top choice in the range of cheap films, I'd rather shoot Superia X-TRA 400 at ISO200, or Kodak Colorplus at 200 as well. But, you can't go wrong with this film, for almost any situation.

YES

• Daily use, load it in your camera and ready to go. It will respond correctly to any situation.
• Experiment with it, overexpose, underexpose, all the results came out great from every camera I used it.
• Widely available, cheap and good, what else do you need?

NO

• If you are looking for a sharp, clean image. I felt that it can be quite muddy sometimes.
• I wouldn't overexpose it too much, better go for the Superia X-TRA 400 for almost the same price.

Check out the gallery for more shots taken with this film!

#filmreviews #35mm #35mmfilm #35mmfilmreview #35mmreview #agfa #analogphotography #c200review #colorplus #film #filmreview #fujicolor #fujicolorc200 #fujicolorc200review #fujifilm #fujifilmreview #iso200 #iso200film #iso400 #kodakcolorplus200 #nikon #photography #review #superia

Fujicolor C200 Review

Fujicolor C200 is a daylight balanced, ISO 200 film offered by Fujifilm, currently is one of the few films remaining in the Fujifilm consumer series after the discontinuation of Superia 200. Along with Fujicolor C200 the other option is the Fujicolor X-TRA 400, a similar film in the ISO400 range.

When searching for more information about this film, many people wonder if this film is a re-packed Superia 200 others affirm that is Agfa Vista Plus 200. I can confirm that is not any of those, it looks similar to the Agfa, but it is quite different from the Superia 200. I believe the Fujicolor C200 is a different and low-cost Fujifilm emulsion that is cheaply produced, in order to reduce costs and keep a consumer film in the market. The main difference probably is the lack of the famous 4th layer included in Superia 200. Although C200 is introduced as the cheapest option available, I was quite pleased with the results, much more than with the Superia 200. Without getting too technical, here is how the structure of both films looks side by side.

Name | Fujifilm Fujicolor C200
---|---
ISO | 200
Developer | C-41, CN-16
Available formats | 35mm
Exposures | 24, 36
DX coding | Yes
Availability | ★★★★★

The advantage of reviewing a cheap film is that I don't need to break the piggy bank to buy it, I was able to buy several rolls to try them in different lights and situations. With this film, I used my -now defunct- Nikon F100 with the 24-120mm f3.5-5.6D when hiking and camping in Taiwan. A F90x / 50mm f1.8D for the beach trips, along with the Nikon FM2 with a 28mm and a 50mm f1.8 Ais for my daily life shots, trips to the US and a trip in the French Pyrenees.

The Fujicolor C200 is a really balanced film, rendering a quite balanced palette. As with many Fujifilm films, greens are one of its strongest points. Not so vivid as the Superia line, and it always rendered slightly warm green tones. Not as warm as Kodak Colorplus 200, but warmer than I remember them in the real scene.

Shooting at box speed gives you very natural and pleasant blue tones, really wide tonality and surprisingly this film is quite forgiving in the highlights considering its price.

Reds are more muted than other Fujifilm films, films like Superia 200, or the Industrial 100 are much more vivid and intense. Definitely I prefer this muted red tones, a little bit more "red firebrick" than bright red.

Same as blue tones, yellow tones are natural, balanced and true to color.

In addition, I tested this film in some portraits, with some friends withd ifferent skin tones under natural light and direct flash, to see how this film reacts to different situations. You can click to enlarge this gallery.

Is not a film designed for portraits, but still does a really good job. Natural skin tones, slightly more warm or magenta than they were in real life, but it can be easily solved in post (none of these pictures was edited). In my opinion, is MUCH better than the discontinued Superia 200, and better than Superia 400 shot at box speed (overexposing will solve the magenta skin tone). It wouldn't be my top choice for a portrait session, but it definitely has the potential to be an excellent balanced walk-around film.

Color chart and measurement of the colors.

YELLOW Average Colour R:240.0 G:210.0 B:56.0

RED Average Colour R:210.0 G:110.0 B:60.0

BLUE Average Colour R:68.0 G:121.0 B:158.0

GREEN Average Colour R:158.0 G:195.0 B:76.0

See also: How do I measure the colors?

Overexposing the C200 one stop (Shot at 100 ISO)

There is a small yellow cast over the picture, in the green tones it gets more accented than in other tones, blues are more pastel than at box speed.

Underexposing C200 one stop (shot at 400 ISO)

Blues become strong and more vibrant. However, greens become muddier and they start to fade in the shadows. Shadows become slightly greenish, really typical feeling of other Fujifilm films. I'm not a fan of this green shadows, but I saw people doing a great job doing low-key portraits and work with this technique and they look amazing. I'd rather go for a similarly-priced 400 ISO if you really need the extra speed.

Fujicolor C200 is a film that I really like. It is widely available, it is cheap, you can buy 24 and 36 exposures and the latitude is amazing, you can easily underexpose without worrying too much on burning the highlights. Grain is quite controlled for such a cheap film. With a good scanner and a few minutes of editing you can get amazing results with it. It wouldn't be my top choice in the range of cheap films, I'd rather shoot Superia X-TRA 400 at ISO200, or Kodak Colorplus at 200 as well. But, you can't go wrong with this film, for almost any situation.

YES

• Daily use, load it in your camera and ready to go. It will respond correctly to any situation.
• Experiment with it, overexpose, underexpose, all the results came out great from every camera I used it.
• Widely available, cheap and good, what else do you need?

NO

• If you are looking for a sharp, clean image. I felt that it can be quite muddy sometimes.
• I wouldn't overexpose it too much, better go for the Superia X-TRA 400 for almost the same price.

Check out the gallery for more shots taken with this film!

#filmreviews #35mm #35mmfilm #35mmfilmreview #35mmreview #agfa #analogphotography #c200review #colorplus #film #filmreview #fujicolor #fujicolorc200 #fujicolorc200review #fujifilm #fujifilmreview #iso200 #iso200film #iso400 #kodakcolorplus200 #nikon #photography #review #superia

Fujicolor C200 Review

Fujicolor C200 is a daylight balanced, ISO 200 film offered by Fujifilm, currently is one of the few films remaining in the Fujifilm consumer series after the discontinuation of Superia 200. Along with Fujicolor C200 the other option is the Fujicolor X-TRA 400, a similar film in the ISO400 range.

When searching for more information about this film, many people wonder if this film is a re-packed Superia 200 others affirm that is Agfa Vista Plus 200. I can confirm that is not any of those, it looks similar to the Agfa, but it is quite different from the Superia 200. I believe the Fujicolor C200 is a different and low-cost Fujifilm emulsion that is cheaply produced, in order to reduce costs and keep a consumer film in the market. The main difference probably is the lack of the famous 4th layer included in Superia 200. Although C200 is introduced as the cheapest option available, I was quite pleased with the results, much more than with the Superia 200. Without getting too technical, here is how the structure of both films looks side by side.

Name | Fujifilm Fujicolor C200
---|---
ISO | 200
Developer | C-41, CN-16
Available formats | 35mm
Exposures | 24, 36
DX coding | Yes
Availability | ★★★★★

The advantage of reviewing a cheap film is that I don't need to break the piggy bank to buy it, I was able to buy several rolls to try them in different lights and situations. With this film, I used my -now defunct- Nikon F100 with the 24-120mm f3.5-5.6D when hiking and camping in Taiwan. A F90x / 50mm f1.8D for the beach trips, along with the Nikon FM2 with a 28mm and a 50mm f1.8 Ais for my daily life shots, trips to the US and a trip in the French Pyrenees.

The Fujicolor C200 is a really balanced film, rendering a quite balanced palette. As with many Fujifilm films, greens are one of its strongest points. Not so vivid as the Superia line, and it always rendered slightly warm green tones. Not as warm as Kodak Colorplus 200, but warmer than I remember them in the real scene.

Shooting at box speed gives you very natural and pleasant blue tones, really wide tonality and surprisingly this film is quite forgiving in the highlights considering its price.

Reds are more muted than other Fujifilm films, films like Superia 200, or the Industrial 100 are much more vivid and intense. Definitely I prefer this muted red tones, a little bit more "red firebrick" than bright red.

Same as blue tones, yellow tones are natural, balanced and true to color.

In addition, I tested this film in some portraits, with some friends withd ifferent skin tones under natural light and direct flash, to see how this film reacts to different situations. You can click to enlarge this gallery.

Is not a film designed for portraits, but still does a really good job. Natural skin tones, slightly more warm or magenta than they were in real life, but it can be easily solved in post (none of these pictures was edited). In my opinion, is MUCH better than the discontinued Superia 200, and better than Superia 400 shot at box speed (overexposing will solve the magenta skin tone). It wouldn't be my top choice for a portrait session, but it definitely has the potential to be an excellent balanced walk-around film.

Color chart and measurement of the colors.

YELLOW Average Colour R:240.0 G:210.0 B:56.0

RED Average Colour R:210.0 G:110.0 B:60.0

BLUE Average Colour R:68.0 G:121.0 B:158.0

GREEN Average Colour R:158.0 G:195.0 B:76.0

See also: How do I measure the colors?

Overexposing the C200 one stop (Shot at 100 ISO)

There is a small yellow cast over the picture, in the green tones it gets more accented than in other tones, blues are more pastel than at box speed.

Underexposing C200 one stop (shot at 400 ISO)

Blues become strong and more vibrant. However, greens become muddier and they start to fade in the shadows. Shadows become slightly greenish, really typical feeling of other Fujifilm films. I'm not a fan of this green shadows, but I saw people doing a great job doing low-key portraits and work with this technique and they look amazing. I'd rather go for a similarly-priced 400 ISO if you really need the extra speed.

Fujicolor C200 is a film that I really like. It is widely available, it is cheap, you can buy 24 and 36 exposures and the latitude is amazing, you can easily underexpose without worrying too much on burning the highlights. Grain is quite controlled for such a cheap film. With a good scanner and a few minutes of editing you can get amazing results with it. It wouldn't be my top choice in the range of cheap films, I'd rather shoot Superia X-TRA 400 at ISO200, or Kodak Colorplus at 200 as well. But, you can't go wrong with this film, for almost any situation.

YES

• Daily use, load it in your camera and ready to go. It will respond correctly to any situation.
• Experiment with it, overexpose, underexpose, all the results came out great from every camera I used it.
• Widely available, cheap and good, what else do you need?

NO

• If you are looking for a sharp, clean image. I felt that it can be quite muddy sometimes.
• I wouldn't overexpose it too much, better go for the Superia X-TRA 400 for almost the same price.

Check out the gallery for more shots taken with this film!

#filmreviews #35mm #35mmfilm #35mmfilmreview #35mmreview #agfa #analogphotography #c200review #colorplus #film #filmreview #fujicolor #fujicolorc200 #fujicolorc200review #fujifilm #fujifilmreview #iso200 #iso200film #iso400 #kodakcolorplus200 #nikon #photography #review #superia

Kodak Vision3 50D Review

The Vision3 50D, is a low speed motion picture film from Kodak. Motion picture film when enclosed in single-spool, light-tight cassette, can be used in normal photographic cameras. The Vision3 has a really low ISO, 50, therefore it would be recommended only for bright daylight scenes or situations in where you want to shoot portraits wide open in daylight without using ND filters. The "D" in the name means "Daylight", this film is balanced for exposure with daylight illumination (5500K).

First thing to consider when choosing this film, other than the ISO and color balance, is its Rem-jet layer. If you never heard that word before, I recommend you to read this article first:

What is the Rem-jet layer?

Since the film has to be re-spooled. Every store or manufacturer can have a different “sticker” or appearance in the outside, so when buying this film, look for the specifications and name, more than the color or style of the film.

Name | Kodak Vision3 50D
---|---
ISO | 50
Developer | C-41, ECN-2
Available formats | 35mm
Exposures | 36*
DX coding | No
Availability | ★★☆☆☆

Mostly on-line or specialized stores that also develop this kind of film.

*Depending on the re-spooling.

A thing to point out is that, for my reviews, as a way to standardize them, I always use the same cameras and lenses (Nikon F100 and FM2, paired with a 28, 50 and 135mm Ais) However, for this one I was testing an amazing Olympus OM-30 for a friend, the aperture in the 50mm was stuck at f1.8. That's why I thought a really slow film, would be perfect to try the different speeds. Being stuck at f1.8 means that focusing was a bit harder with some purple fringing and softer images. But, overall the film, lens and camera, performed flawlessly.

If you read any of my other reviews, I normally mention that I'm a big fan of higher speed ISOS, with color negative, an iso 200-400 is the range I'm more comfortable with. Depending on the conditions of the day. In B&W I even like to go 800-1600 and enjoy the grain. I didn't have much expectations to like this film even is quite praised online. Nevertheless, after I saw the first scanned images, I was amazed by the quality and colors of the Kodak Vision3 50D.

This motion film is supposed to be developed in ECN-2 giving and edited later digitally, so is meant to be modified and with a high dynamic-range. Even so, developed with C-41 (allegedly it gives less dynamic range) and without any retouching, just raw scans looked amazing!

Blues are a bit on the pastel side, not too punchy, but definitely giving a lot of room for editing.

Greens are beautiful, and really true to color. In the first picture we can see how every shade of green is different, instead of just having a "mushy" set of trees and bushes.

Yellows are in the same side as the blue tones, pastel, not too contrasty, but giving a lot of room for editing. Considering how gray and dim is the sky in Taipei, I believe the Kodak Vision3 50D did an amazing job rendering this colors.

Reds are vibrant and beautiful, they really mix well with that characteristic brownish tones from Kodak.

I noticed some yellow cast when underexposing the film, easy to correct in post-processing and not noticeable when exposed correctly. The second image is underexposed (Trying to shoot at f8 on a lens with stuck diaphragm)

Finally I tested the film with a couple of portraits, unfortunately I didn't have the time to prepare a nice setup, slightly off colors in this photos, but really true to real life.

Due to lack an time and/or abilities, I couldn't get any nice portrait that represents how good this film is for portraits. So, I decided to reach out for other talented photographers. Just take a look at this astonishing portraits from Matt Osborne .

Color chart and measurement of the colors.

*usually shot at f8, at f1.8 the purple fringe and softness of the lens can be distracting in this case

• RED Average Colour R:217.0 G:167.0 B:124.0
• YELLOW Average Colour R:234.0 G:224.0 B:129.0
• BLUE Average Colour R:76.0 G:135.0 B:188.0
• GREEN Average Colour R:160.0 G:209.0 B:142.0

You can take also a look on this article on How do I measure the colors?

To sum up, the Kodak Vision3 50D performed incredibly well. There is a slight brownish tone that I really enjoy. Since my camera (Nikon FM2) can go up to 1/4000, the speed doesn't worry me that much, and I would go for an iso 100-200 film. However, for people looking to shoot portraits wide open is more than perfect.

The only problem that I find with this film, is that motion film can be troublesome to develop, and generally is not worth the trouble, considering other options, very similar in price to this film. The version from Cinestill, without the remjet (What is the remjet?) will avoid those headaches, but the tag price is quite high.

YES ⇑

• Portraits wide open even with strong light, pleasant skin tones and low speed.
• Landscapes, it gives lot of room to edit, and is a good film to scan.
• Grain is almost inexistent.
• If you can find cheap developing for motion film, there are always good deals in this film.

NO ⇓

• If you like to shoot something that requires speed.
• Compact cameras and their slow aperture will struggle with this film, even in daylight.
• If is difficult for you to find developers for this motion film, there are other less troublesome options.

Check out the gallery for more shots taken with this film!

*Thanks to Matt Osborne for participating with his picture in this review!

Matt Osborne

#filmreviews #motionfilmreview #motionpicturefilmreviews #35mm #35mmfilm #35mmreview #50d #analogphotography #believeinfilm #c41 #color #film #filmreview #fujichrome #fujicolor #fujifilm #halation #implosion #iso50 #kodak #kodakproimage #kodakreview #kodakvision3 #kodakvision350d #lomography #nikon #nikonfm #photography #positive #remjet #review #rollei #slide #ultramax #vision3 #vision350d

Fujicolor C200 Review

Fujicolor C200 is a daylight balanced, ISO 200 film offered by Fujifilm, currently is one of the few films remaining in the Fujifilm consumer series after the discontinuation of Superia 200. Along with Fujicolor C200 the other option is the Fujicolor X-TRA 400, a similar film in the ISO400 range.

When searching for more information about this film, many people wonder if this film is a re-packed Superia 200 others affirm that is Agfa Vista Plus 200. I can confirm that is not any of those, it looks similar to the Agfa, but it is quite different from the Superia 200. I believe the Fujicolor C200 is a different and low-cost Fujifilm emulsion that is cheaply produced, in order to reduce costs and keep a consumer film in the market. The main difference probably is the lack of the famous 4th layer included in Superia 200. Although C200 is introduced as the cheapest option available, I was quite pleased with the results, much more than with the Superia 200. Without getting too technical, here is how the structure of both films looks side by side.

Name | Fujifilm Fujicolor C200
---|---
ISO | 200
Developer | C-41, CN-16
Available formats | 35mm
Exposures | 24, 36
DX coding | Yes
Availability | ★★★★★

The advantage of reviewing a cheap film is that I don't need to break the piggy bank to buy it, I was able to buy several rolls to try them in different lights and situations. With this film, I used my -now defunct- Nikon F100 with the 24-120mm f3.5-5.6D when hiking and camping in Taiwan. A F90x / 50mm f1.8D for the beach trips, along with the Nikon FM2 with a 28mm and a 50mm f1.8 Ais for my daily life shots, trips to the US and a trip in the French Pyrenees.

The Fujicolor C200 is a really balanced film, rendering a quite balanced palette. As with many Fujifilm films, greens are one of its strongest points. Not so vivid as the Superia line, and it always rendered slightly warm green tones. Not as warm as Kodak Colorplus 200, but warmer than I remember them in the real scene.

Shooting at box speed gives you very natural and pleasant blue tones, really wide tonality and surprisingly this film is quite forgiving in the highlights considering its price.

Reds are more muted than other Fujifilm films, films like Superia 200, or the Industrial 100 are much more vivid and intense. Definitely I prefer this muted red tones, a little bit more "red firebrick" than bright red.

Same as blue tones, yellow tones are natural, balanced and true to color.

In addition, I tested this film in some portraits, with some friends withd ifferent skin tones under natural light and direct flash, to see how this film reacts to different situations. You can click to enlarge this gallery.

Is not a film designed for portraits, but still does a really good job. Natural skin tones, slightly more warm or magenta than they were in real life, but it can be easily solved in post (none of these pictures was edited). In my opinion, is MUCH better than the discontinued Superia 200, and better than Superia 400 shot at box speed (overexposing will solve the magenta skin tone). It wouldn't be my top choice for a portrait session, but it definitely has the potential to be an excellent balanced walk-around film.

Color chart and measurement of the colors.

YELLOW Average Colour R:240.0 G:210.0 B:56.0

RED Average Colour R:210.0 G:110.0 B:60.0

BLUE Average Colour R:68.0 G:121.0 B:158.0

GREEN Average Colour R:158.0 G:195.0 B:76.0

See also: How do I measure the colors?

Overexposing the C200 one stop (Shot at 100 ISO)

There is a small yellow cast over the picture, in the green tones it gets more accented than in other tones, blues are more pastel than at box speed.

Underexposing C200 one stop (shot at 400 ISO)

Blues become strong and more vibrant. However, greens become muddier and they start to fade in the shadows. Shadows become slightly greenish, really typical feeling of other Fujifilm films. I'm not a fan of this green shadows, but I saw people doing a great job doing low-key portraits and work with this technique and they look amazing. I'd rather go for a similarly-priced 400 ISO if you really need the extra speed.

Fujicolor C200 is a film that I really like. It is widely available, it is cheap, you can buy 24 and 36 exposures and the latitude is amazing, you can easily underexpose without worrying too much on burning the highlights. Grain is quite controlled for such a cheap film. With a good scanner and a few minutes of editing you can get amazing results with it. It wouldn't be my top choice in the range of cheap films, I'd rather shoot Superia X-TRA 400 at ISO200, or Kodak Colorplus at 200 as well. But, you can't go wrong with this film, for almost any situation.

YES

• Daily use, load it in your camera and ready to go. It will respond correctly to any situation.
• Experiment with it, overexpose, underexpose, all the results came out great from every camera I used it.
• Widely available, cheap and good, what else do you need?

NO

• If you are looking for a sharp, clean image. I felt that it can be quite muddy sometimes.
• I wouldn't overexpose it too much, better go for the Superia X-TRA 400 for almost the same price.

Check out the gallery for more shots taken with this film!

#filmreviews #35mm #35mmfilm #35mmfilmreview #35mmreview #agfa #analogphotography #c200review #colorplus #film #filmreview #fujicolor #fujicolorc200 #fujicolorc200review #fujifilm #fujifilmreview #iso200 #iso200film #iso400 #kodakcolorplus200 #nikon #photography #review #superia

Kodak Vision3 50D Review

The Vision3 50D, is a low speed motion picture film from Kodak. Motion picture film when enclosed in single-spool, light-tight cassette, can be used in normal photographic cameras. The Vision3 has a really low ISO, 50, therefore it would be recommended only for bright daylight scenes or situations in where you want to shoot portraits wide open in daylight without using ND filters. The "D" in the name means "Daylight", this film is balanced for exposure with daylight illumination (5500K).

First thing to consider when choosing this film, other than the ISO and color balance, is its Rem-jet layer. If you never heard that word before, I recommend you to read this article first:

What is the Rem-jet layer?

Since the film has to be re-spooled. Every store or manufacturer can have a different “sticker” or appearance in the outside, so when buying this film, look for the specifications and name, more than the color or style of the film.

Name | Kodak Vision3 50D
---|---
ISO | 50
Developer | C-41, ECN-2
Available formats | 35mm
Exposures | 36*
DX coding | No
Availability | ★★☆☆☆

Mostly on-line or specialized stores that also develop this kind of film.

*Depending on the re-spooling.

A thing to point out is that, for my reviews, as a way to standardize them, I always use the same cameras and lenses (Nikon F100 and FM2, paired with a 28, 50 and 135mm Ais) However, for this one I was testing an amazing Olympus OM-30 for a friend, the aperture in the 50mm was stuck at f1.8. That's why I thought a really slow film, would be perfect to try the different speeds. Being stuck at f1.8 means that focusing was a bit harder with some purple fringing and softer images. But, overall the film, lens and camera, performed flawlessly.

If you read any of my other reviews, I normally mention that I'm a big fan of higher speed ISOS, with color negative, an iso 200-400 is the range I'm more comfortable with. Depending on the conditions of the day. In B&W I even like to go 800-1600 and enjoy the grain. I didn't have much expectations to like this film even is quite praised online. Nevertheless, after I saw the first scanned images, I was amazed by the quality and colors of the Kodak Vision3 50D.

This motion film is supposed to be developed in ECN-2 giving and edited later digitally, so is meant to be modified and with a high dynamic-range. Even so, developed with C-41 (allegedly it gives less dynamic range) and without any retouching, just raw scans looked amazing!

Blues are a bit on the pastel side, not too punchy, but definitely giving a lot of room for editing.

Greens are beautiful, and really true to color. In the first picture we can see how every shade of green is different, instead of just having a "mushy" set of trees and bushes.

Yellows are in the same side as the blue tones, pastel, not too contrasty, but giving a lot of room for editing. Considering how gray and dim is the sky in Taipei, I believe the Kodak Vision3 50D did an amazing job rendering this colors.

Reds are vibrant and beautiful, they really mix well with that characteristic brownish tones from Kodak.

I noticed some yellow cast when underexposing the film, easy to correct in post-processing and not noticeable when exposed correctly. The second image is underexposed (Trying to shoot at f8 on a lens with stuck diaphragm)

Finally I tested the film with a couple of portraits, unfortunately I didn't have the time to prepare a nice setup, slightly off colors in this photos, but really true to real life.

Due to lack an time and/or abilities, I couldn't get any nice portrait that represents how good this film is for portraits. So, I decided to reach out for other talented photographers. Just take a look at this astonishing portraits from Matt Osborne .

Color chart and measurement of the colors.

*usually shot at f8, at f1.8 the purple fringe and softness of the lens can be distracting in this case

• RED Average Colour R:217.0 G:167.0 B:124.0
• YELLOW Average Colour R:234.0 G:224.0 B:129.0
• BLUE Average Colour R:76.0 G:135.0 B:188.0
• GREEN Average Colour R:160.0 G:209.0 B:142.0

You can take also a look on this article on How do I measure the colors?

To sum up, the Kodak Vision3 50D performed incredibly well. There is a slight brownish tone that I really enjoy. Since my camera (Nikon FM2) can go up to 1/4000, the speed doesn't worry me that much, and I would go for an iso 100-200 film. However, for people looking to shoot portraits wide open is more than perfect.

The only problem that I find with this film, is that motion film can be troublesome to develop, and generally is not worth the trouble, considering other options, very similar in price to this film. The version from Cinestill, without the remjet (What is the remjet?) will avoid those headaches, but the tag price is quite high.

YES ⇑

• Portraits wide open even with strong light, pleasant skin tones and low speed.
• Landscapes, it gives lot of room to edit, and is a good film to scan.
• Grain is almost inexistent.
• If you can find cheap developing for motion film, there are always good deals in this film.

NO ⇓

• If you like to shoot something that requires speed.
• Compact cameras and their slow aperture will struggle with this film, even in daylight.
• If is difficult for you to find developers for this motion film, there are other less troublesome options.

Check out the gallery for more shots taken with this film!

*Thanks to Matt Osborne for participating with his picture in this review!

Matt Osborne

#filmreviews #motionfilmreview #motionpicturefilmreviews #35mm #35mmfilm #35mmreview #50d #analogphotography #believeinfilm #c41 #color #film #filmreview #fujichrome #fujicolor #fujifilm #halation #implosion #iso50 #kodak #kodakproimage #kodakreview #kodakvision3 #kodakvision350d #lomography #nikon #nikonfm #photography #positive #remjet #review #rollei #slide #ultramax #vision3 #vision350d