Para tu amigue que odias pero que toda regalarle algo porque ajá la sociedad.
Temor y Temblor de Kierkegaard
Death on the installment plan de Louis Ferdinand Cèline
Los irresponsables de Sarah Wynn-Williams
Nobody’s girl de Virginia Roberts Giuffre
En español. Para tu amigo feminista performativo que solo lee a mujeres.
El buen mal de Samanta Schweblin
Paradais de Fernanda Melchor
El monte de las furias de Fernanda Trías
Marciano de Nona Fernández
Se me olvidó que había empezado esto. Sigamos pero más rápido que nos cogió la hora.
Flashlight de Susan Choi. Lo recomendó Obama, o sea para tu amigo snob.
Butter de Asako Yuzuki. Para tu amiga feminista que no aceptaría nunca la idea del 50/50 (otra vez)
Small Boat de Vincent Delecroix. Para tu amigo que todavía cree en el mundo.
In the 1980s and 90s, Satan and his followers were accused of brainwashing children, sacrificing babies, and infiltrating North American society on a massive scale — yet these thousands of alleged Satanists were nowhere to be found. Even so, the narrative became embedded in our cultural memory, warping everything it touched — including the lives of innocent people.. And it never quite died out. In a new 8-part series, Sarah Marshall (You’re Wrong About) explores the tangled web of the Satanic Panic, in a journey that will take you everywhere from Victoria, B.C. to rural Kentucky to San Antonio, Texas. This is a show about the people who experienced the Satanic Panic in real-time — the believers, the skeptics, the bystanders, and the wrongfully-convicted. What was it like to be a psychologist told to look for Satanists in every case; a mother slowly recovering memories of supposed Satanic abuse; a teenager accused of conspiracy to murder? The stories of these eyewitnesses point us toward the real underlying problems — individual and societal — that the Panic was a response to. The fault, as ever, was not with Satanists, but in ourselves.