@sean_ae hi sean, if you don't mind me asking, why did you guys stop playing that last extended bit in the new set from NA/UK25? like the final ~10-ish minutes in Louisville25 or Vancouver25 for example. it kinda appeared for a while during NA dates and then became a half-myth :P
Yaroslav, the Sambian
@the_sambian
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@sean_ae hey Sean, congrats on the Japan shows, hope recovering from the (likely) mad jet lag goes well lol. plunged into 14/15 compilation lately and suddenly remembered you mentioning that New York15 gig was terrible (the one that was in Brooklyn Masonic Temple if I’m not mistaken). one of my favorites within the batch, so got curious — could you share a bit about what was wrong? i assume not the set itself
@sean_ae listened to Amsterdam25's bootleg but starting at when the issues were resolved so 20mins into it, was surprised at how that starting point actually works (imo). i remember you mentioned the recording of that show *probably* existing, is there a chance at this point for it to be released eventually? the soundboard rec starting at such a unique place would be crazy, and good.
@sean_ae Hey Sean, hope you’re doing well!
iirc, you said 2022– sets belong to the same big thing, and some ppl discern the sets’ placements in it by attributing “types” to them with Helsinki being “set A”, LondonB as “set B”, those “types” being like zones in that thing. How much would you say this corresponds to how you structure the runs you can perform at shows? Like, was Madrid having ~30mins of LisbonB as opposed to, say, Brussels not having it, a form of encore?
Thanks!