Sean "I Will Die On This" Hill

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795 Posts
Irish dark fantasy writer and wizard enjoyer, I publish a weekly microfiction newsletter called Shadows & Sorcery on Substack.
Shadows & Sorceryshadowsandsorcery.substack.com

There was an art challenge on twitter throughout September called "Swordtember" that I took part in

Here's my four favourite swords I did! Each had their own snippets of lore, which you can find in the alt text...

I just passed 600 stories for my Shadows & Sorcery dark fantasy flash fiction publication

I've really enjoyed writing each of these 420k (likely much more) words and I'd love for some folks to check it out and have fun with something a little less traditional but still very accessible, weird, cool, dark, and awesome🙏

https://shadowsandsorcery.substack.com

#MicroFiction #darkfantasy #Fantasy #WorldBuilding

Shadows & Sorcery | Sean Hill | Substack

Weekly fantasy flash fiction right to your inbox. Click to read Shadows & Sorcery, by Sean Hill, a Substack publication. Launched 3 years ago.

I just passed 600 stories for my Shadows & Sorcery dark fantasy flash fiction publication

I've really enjoyed writing each of these 420k (likely much more) words and I'd love for some folks to check it out and have fun with something a little less traditional but still very accessible, weird, cool, dark, and awesome🙏

https://shadowsandsorcery.substack.com

#MicroFiction #darkfantasy #Fantasy #WorldBuilding

Shadows & Sorcery | Sean Hill | Substack

Weekly fantasy flash fiction right to your inbox. Click to read Shadows & Sorcery, by Sean Hill, a Substack publication. Launched 3 years ago.

Hey uh so I've been having trouble trying to keep up and post here, but I wanted to say that on this day three years ago, the first edition (issue 0) of my dark fantasy flash fiction publication Shadows & Sorcery was released

I've written one edition (that's 3-5 stories) nearly every week for three years straight (took a week off once), and one serial chapter a month, and I'm just really proud of that

Hey uh so I've been having trouble trying to keep up and post here, but I wanted to say that on this day three years ago, the first edition (issue 0) of my dark fantasy flash fiction publication Shadows & Sorcery was released

I've written one edition (that's 3-5 stories) nearly every week for three years straight (took a week off once), and one serial chapter a month, and I'm just really proud of that

Here's a take that will get me killed:
I personally believe there's a certain homogenization of storytelling, where we say a story must have this and that...but we're talking about long form storytelling. This leads to people sometimes missing the focus of short fiction.

Saying a short story doesn't have good characters is a little silly. Can it have them? Yes. Does it NEED them? No. It's about focus. Try to understand the intent behind a short work before judging it by a preconception.

I have a short thread on the problems I've observed in getting people to engage with flash fiction.

If stuff I see on here is an indication of what audiences are actually like, then the lack of extensive characterization is a genuine barrier to a readership primarily concerned with character interaction and development.
1/4

#flashfiction #MicroFiction #Writing

And yet, it's probably the single most accessible kind of writing in existence. Any fears of wasted time or focus are cancelled out by the inherent low commitment nature of the format.

So why is it a problem getting people interested? I'd love to hear from folks on this!
4/4

FF is also an *experimental* format. The very word itself comes with inherent preconceptions of difficulty. FF exists almost in opposition to the novel, and comes off to many as a fun, but ultimately empty, shallow, weird exercise, simply because it lacks that familiar space.
3/4
Flash fiction must appeal to secondary and tertiary interests of prose and setting, but even then, FF is an active participation format that requires much reader input--another barrier to those mostly familiar with traditional novels which rely on the art of exposition.
2/4