Sarah Fritz

272 Followers
64 Following
114 Posts
Clara Schumann know-it-all. Writer. Musician. Public musicologist. Classical music journalist. Working on a book about Clara. she/her @claraschumann @womencomposers @classicalmusic
“We shall grow more and more silent,😍 the Christmas-tree🎄will burn🕯️ more and more faintly, and kisses😘will be our prayers that it may ever remain like this.”🔥❤️
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@claraschumann
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The Clara Schumann Newsletter by Sarah Fritz

Clara Schumann LOVED Christmas.🎄 Her & Robert’s letters to each other around the holiday during their betrothal are😍😭🥰❤️ total romantic loveliness— and let’s be honest—kinda steamy.🔥 In the Clara Schumann newsletter this week! To get it in your inbox—signup link… 💌🎁
https://tinyletter.com/SarahFritz
@claraschumann @womencomposers
The Clara Schumann Newsletter by Sarah Fritz

Clara Wieck, age 18, was the first to perform the FULL Appassionata in public in Vienna, 1838.
Grillparzer—who’d know Beethoven himself—wrote a poem of magical imagery that basically said Clara unlocked Beethoven’s genius as men had failed… 🤭🤩 @claraschumann @classicalmusic
More on Clara Schumann & Beethoven! Her influence on the sonata rep is incalculable. FULL sonatas on public concerts were just NOT done in the age of virtuosity where/when Clara Wieck grew up. She believed in performing ALL movements for the public.
@classicalmusic @claraschumann
Forgot to post this in @claraschumann !!!
Beethoven Day!!!🎉 In 1855, Clara Schumann took 21yr old Johannes Brahms to see the Missa Solemnis at the Cologne cathedral… Planting seeds for the German Requiem… 🤔😍👏🏻🙏🏻
hello world
Clara Schumann would totally support musicians unionizing! The Philadelphia Orchestra hasn’t acknowledged the unionization of its own choir😑🙄😔 If you’d like to tell them to stop being ridiculous—& be like Clara & support musicians’s working rights… 🙏🏻please & thank you!🙏🏻
https://actionnetwork.org/letters/tell-philadelphia-orchestra-association-respect-your-singers-recognize-their-unon/
@claraschumann @claraschumann
Tell Philadelphia Orchestra Association: Respect Your Singers! Recognize Their Union!

Since our formation six years ago as the resident choral ensemble of the Philadelphia Orchestra, the Philadelphia Symphonic Choir has rapidly established itself as the premier chorus for symphonic works, drawing some of the best choral singers from the region and the country. On December 5, we, the singers of the Philadelphia Symphonic Choir, sent a letter to the Philadelphia Orchestra Association announcing that we had signed cards to form a union with the American Guild of Musical Artists (AGMA), the labor union of the finest singers, dancers, and staging staff in opera, choral performance, and concert dance in the United States. We requested that the Association respect our wishes and voluntarily recognize our union by noon on December 12. That deadline passed. We are currently the only group directly involved in the Orchestra’s performances that is not part of a union. The instrumental musicians of the Philadelphia Orchestra are members of Local 77 of the American Federation of Musicians (AFM) and the Kimmel Center stagehands are members of Local 8 of the International Alliance of Theatrical Stage Employees (IATSE). Every day at work, we see the benefits of coming together in union, the strength of collective power, and the gift of solidarity among artists. As highly skilled professional musicians we too deserve to have a collective voice in our working lives. We deserve our union with AGMA. Even though the deadline has passed, it is not too late for the organization to do the right thing and work collaboratively with us on a voluntary recognition process. We now humbly ask for your help. Please demand that the Philadelphia Orchestra Association respect their singers and voluntarily recognize our union! SEND A LETTER! With the support of AGMA, we have launched an Action Network letter-writing campaign and you can send a pre-drafted letter in a matter of minutes. You can send it as is or personalize it any way you’d like. However, PLEASE enter your own personalized SUBJECT LINE to avoid it being sent to spam. The letter will automatically send to: Matias Tarnopolsky, President and CEO; Ryan Fleur, Executive Director; Judia Jackson, Chief People and Culture Officer; Kate Schimmer, Director, Strategic Initiatives; Jeremy Rothman, Chief Programming Officer; and Makiko Freeman, Artistic Administrator. You do not need to be an AGMA member to send a letter through this campaign. Every voice, every supporter of the artists of the Philadelphia Symphonic Choir, matters. We hope you take a further step and encourage friends, family, and colleagues to send a letter as well by sharing this campaign with your network.

Episode #194 on WWCSD (What Would Clara Schumann Do) —
Rather than bashing popular music, work to make your fav music popular too.👍🏻
(Subtweet to Twitter discourse, naturally.)
@claraschumann @classicalmusic
Hector Berlioz’s bday!🎉 Clara Wieck met him in Paris. It didn’t go well.🥶
Robert wrote Hector of Clara’s arrival. Hector visited Clara & they talked at parties etc. Thinking him a friend, Clara asked him to recommend her. Instead, he wrote her concert a bad review.
So she redubbed him her enemy.⚔️ And she told Robert, Hector wasn’t worthy of being his friend. 💥 @classicalmusic @claraschumann