@robhorning

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robhorning.substack.com
“Treating “AI companion companies” as innovators operating at the edge of our capabilities to recognize sentience tends to mask how they are selling entertainment products to audiences like any other media company.”
https://robhorning.substack.com/p/reality-raids
Reality raids

A few weeks ago, internet culture writers and link aggregators were sharing a voyeuristic site that randomly plays YouTube videos titled with the default file names that iPhones assign.

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"I want to feel where the grain of the writing goes against its content. The value I extract from engaging with a document isn’t merely in the information I may or may not take away, or whatever I decide its point was supposed to be; I also want to become aware of something subjective in my response, something unique that came out of my specific encounter with something."
https://robhorning.substack.com/p/enough-about-me?utm_source=post-email-title&publication_id=1073994&post_id=149809613&utm_campaign=email-post-title&isFreemail=false&r=145u8&triedRedirect=true&utm_medium=email
Enough about me

The thing to write about in the “tech commentary” space this week is Google’s NotebookLM, a tool that lets users explore a set of documents through an LLM interface instead of reading them.

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Artificial intentionality

As the hype for generative models has been building, so has the colloquial corrective.

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“Generative models support the idea that the ‘completed page’ is a commodity, whose value is in what someone else pays for it and not in the subjective experience of whoever produced it or consumed it.” @robhorning https://robhorning.substack.com/p/commodified-incuriosity
Commodified incuriosity

One thing I mastered in failing to get a Ph.D.

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Unwritten songs

This week Google announced some new image-editing features for its Pixel phones.

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“Generative AI is capable of producing mediocrity at an unimaginable scale and unwinding the sittlichkeit accrued over centuries, but relative to technologies that reproduce inequality & injustice, that are working more directly to make an “ever more degraded & militarized world,” it seems almost utopian, a weapon against ambition, a means of deincentivizing effort & will, evoking a world in which everyone is equally checked out of everything.”
https://robhorning.substack.com/p/fog-of-bafflegab
Fog of bafflegab

In a recent New Left Review article, Cédric Durand offers a bleak vision of one potential economic future:

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https://robhorning.substack.com/p/two-uneven-flagstones notes about photos and involuntary memory, with obligatory Proust references
Two uneven flagstones

Proust’s famous madeleine scene is prefaced by some stage-setting remarks about voluntary memory.

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this is about Emily Nussbaum's reality TV book https://robhorning.substack.com/p/jackass-theme-song
Jackass theme song

In this review of the 1977 collection Aesthetics and Politics, which gathers texts by Adorno, Lukács, Benjamin, Block, and Brecht from the 1930s, Terry Eagleton points out how the appeal of “realism” can be taken for granted:

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O flesh, how art thou fishified

Emotion canceling Information science presents signal and noise as a fundamental dichotomy, presuming that these can ultimately be separated cleanly. This leads to a view that language in its multivalence should ideally be reduced to unambiguous code that is pure signal and no noise, and that technology should aim for that goal of abolishing the need for interpretation in favor of pure, direct transmission that operates like a reflex, so that talking to someone would be like pushing their buttons and pulling their strings. The degree to which communication might convey a range of feelings is the degree to which it fails; it should be purified into a purely “neutral” tone of voice, like a Tao Lin novel.

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about "AI slop" and "brainrot" https://robhorning.substack.com/p/born-sloppy
Born sloppy

There has been a push recently to christen unwanted generative content as “slop”: This New York Times piece by Benjamin Hoffman, for example, defines “slop” as “a broad term that has developed some traction in reference to shoddy or unwanted A.I. content in social media, art, books and, increasingly, in search results,” typified by the now infamous glue pizza. The term feels more or less synonymous with “spam,” but seems to suggest there is something worse about using “AI” to pollute communications, as if there were now something artisanal and dignified about human-crafted spam.

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