Arrived at the weekend, the printed copy of this. Among all my publications, I'm particularly pleased somehow by this one.
It's on Iris Murdoch and her Anglican clergy.
Historian of modern/contemporary Christianity, mostly Britain and Ireland: theology, ecumenism, church/state/law; religious arts; publishing/media/technology; Anglicanism; evangelicalism; Anglo-Catholicism.
By day, a librarian now, slightly to my surprise.
(For digital things - libraries, archives, methods, policy, consultancy - see my other account @peterwebster )
| Website | https://peterwebster.me |
| Publications | https://peterwebster.me/publications |
Arrived at the weekend, the printed copy of this. Among all my publications, I'm particularly pleased somehow by this one.
It's on Iris Murdoch and her Anglican clergy.
A treat to myself yesterday from the inestimable Foyles of London: Bernard Haitink's complete Vaughan Williams symphonies, with the London Philharmonic.
There's so much more to Vaughan Williams than 'The Lark Ascending', (wonderful though it undoubtedly is).
Last night, to the Royal Festival Hall, for Haydn's 'Creation'.
Therein lies a tale.
Many years ago, I was booked as a young singer to take the bass solo part in 'Creation'. I was very nervous. It was just a small country church, with an enthusiastic but limited amateur choir. The fee was small. But it was my biggest gig to date, and one aria in particular was a challenge.
During the rehearsal, just before that big aria, the organist (a very experienced local musician who I knew quite well) turned to me and said "Are you sure you're up to this?"
I don't recall how I replied, but 25 years on, I still remember how it felt.
Don't be that guy.
(As it turned out, I did OK.)