
From the 737 Max, to electrical companies burning down states, to the East Palestine derailment, we are living in an era where nobody really bothers to confirm whether or not anything works before foisting it on the world. Recurring costs for things like testing and maintenance are poisonous to growth.

As a result of having had a Calvino jag earlier in the year, I'm reading Orlando Furioso. I have just finished the third canto, which has a prophetic rundown of one character's noble descendants that rivals even the dullest genealogical sections of The Bible. This is a nod to the
I recently finished, as one does, my annual perusal of "On Some Motifs in Baudelaire." I am sorry to report that it continues to feel like it was written at the limit approaching yesterday. I used this dead Impossible Project shot as a bookmark I addition to the larger thematic
There are a lot of points in the whole Olivia Nuzzi press apocalypse (used techically) upon which one could fixate, but for me it was this from the artnews.com article: "How to Disappear was commissioned months before Vanity Fair made the decision to feature the work in the December