Rocher is a layered font family that feels like stone. The fonts can be mixed and matched to create unique, layered compositions that add depth to your designs.

We recommend it for logotypes, packaging, mobile apps & headlines.

Get the fonts: https://fonts.ilovetypography.com/fonts/harbor-type/rocher

Cabrio is a humanist sans serif type family that combines geometric shapes with subtle, but playful details of a script typeface. Letters with character as well as an overall compact appearance of the heavier weights lend Cabrio a strong recognisability, especially in larger sizes. Cabrio makes a clear and professional impression and, paired with a human element, it offers a convincing solution for corporate designs and advertising.

https://fonts.ilovetypography.com/fonts/hvd/cabrio

A happy weekend from everyone at ILT.
Brought to you by the lovely Valvolina (also available as web fonts).

https://fonts.ilovetypography.com/fonts/device-fonts/valvolina

THE unique Font Engineering course starts tomorrow.

Only 2 seats remain! Grab yours before it’s too late!

Taught by the guy who wrote the Glyphs manual.

https://academy.ilovetypography.com/font-engineering/

LAST CALL!

Typeface Design for non-Type Designers
This popular weekend workshop is perfect if you’re looking to dip your toes into type design. Taught by the brilliant duo of world-renowned creative director Matteo Bologna and Rainer Scheichelbauer, who wrote the Glyphs manual! Over this fun & hands-on weekend, you’ll learn all you need to know to produce your first font family.

February 21–22 (this weekend!)

https://academy.ilovetypography.com/typeface-design-for-non-type-designers-workshop/

New on the Blog: Steven Heller’s Font of the Month: Cattivo.

“Moritz Kleinsorge has provided more than enough opportunities to transcend the aesthetic expectations of a slab.”

https://ilovetypography.com/2026/02/04/steven-hellers-font-of-the-month-cattivo/

Allumi Inline by Typofonderie reaffirms, by its design, a humanized technological and scientific universe. Pushed to their limits, neither perfectly round nor geometrically square, the shapes of the Allumi Inline embody a human vision of the high-tech universe. The concept is an inline drawn in italic in a Roman skeleton.

https://fonts.ilovetypography.com/fonts/typofonderie/allumi-std-inline

A lively handwriting font from the brilliant Fontfabric team. Madelyn is available in two variants (fill and regular or rough); it comes with some optional and very cool doodles.

https://fonts.ilovetypography.com/fonts/fontfabric/madelyn

Available in a choice of seven static fonts or a single variable font, Almandin, designed by Laurent Bourcellier & Jonathan Fabreguettes, is a lightly calligraphic sans and contains many stylistic variations. It’s also uni-width (its width remains constant across weights). Ideal for editorial design where you need something softer and more organic than your typical neo-grotesque or even your typical humanist sans.

https://fonts.ilovetypography.com/fonts/typographies-fr/almandin