This book provides an up-to-date, in-depth survey of 21st-century Spanish horror film and media, exploring both aesthetics and industrial dynamics. It offers detailed analysis of contemporary films and TV series as well as novel approaches to key works within the history of Spanish cinema. While addressing the specificities of the Spanish landscape, this volume also situates the national cinematic output within the international arena, understanding film production and reception as continuously
This collection assembles a wide range of scholarship addressing the intersections, influences, and impacts of the horror genre’s proliferation across multiple forms of media. Covering film, television, websites, video games, tabletop and role-playing games, and social media, the volume highlights works from marginalized voices or from less scrutinized media. Building off one of Horror Studies’ traditional homes in film, the volume first features approaches to previously ignored innovations
How can The Tingler —a post-atomic horror film about a lobster-like creature that manifests on your spine whenever you are afraid—possibly be compared to something as life-affirming and fancy-free as a musical? If we set aside genre and look at the form and content of both The Tingler and another