Currently writing PRAXIS Year 2: Difference and Repetition 😱 I've reached a stage where writing a comic script feels kinda miraculous and the feeling of bringing together all the disparate elements and watching them "click" into place is such a buzz.

Especially when I'm weaving a cross-temporal story that has elements of the past and future running through it ✨✨✨

Finally have ethical approval for my queer temporal workshops too, so some of you can expect an invite soon!

Some recent commissions for Dundee University, ConFAB and a queer archive workshop at the Saltire Society.

Most of my work over the last 5 years has been charities and small(ish) community arts organisations, and honestly, it's rewarding work. They value artists, pay going rates, and they're usually really lovely to work with and you get the warm and fuzzies from knowing you're working with people who actually make a difference.

The gulf between that and more "commercial" contracts is huuuuge.