« Double Bill: the films of G.B. Jones », curated by Juliette Desorgues, is on view through December 20.
Influcenced by the post-war media theories of Marshall McLuhan and The Situationist International, as well as the experimental filmmaking of Marie Menken, Vivienne Dick, Kenneth Anger and Derek Jarman, her films maintain a dual quality, political while also irreverent.
Text by Juliette Desorgues
