@sean_ae hey sean! i was curious what your thoughts are on .maxproj “projects” in max, if you’d be willing to share. are they useful to you for your style of system or do you prefer regular patches for everything? cheers!
@bobbyrethwish
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@sean_ae just wanna say thank you for these live sets, they’re incredible! maybe your best stuff ever IMO, especially the Lyon set. it was interesting to hear so many updates to the 2022 set in the Melbourne recording! was curious if there have been any big changes to the live rig or your approach in general since those 2022 sets that you’d be willing to share. cheers!!
@sean_ae hey sean! i had a question about your system if you’re willing to share anything. how do you manage parameter modulation? do all your modules have LFO’s built in that can be routed to different params or is it more of a global thing? or do your modules have a million different inlets for modulating different params? i’m also curious how you deal with inlet and outlet connections between your modules in general since I know you guys are swapping poly~’s. thanks!!!
@sean_ae some of the tracks i’m thinking of (to varying degrees) are l3 ctrl, spaces how V, violvoic, spl9, glos ceramic, 1 1 is, acdwn2, etc.
@sean_ae hey sean! huge fan, been lurking on here for a while for your max tips. i’ve got a question for you today!
in some of my favorite AE tracks, it sounds like most the music is emmanating from a single, very malleable instrument rather than multiple clearly defined channels. like a single tree with many branches protruding from it. if this is intentional, i’m curious if you’d share any insights, technical or philosophical. i’d love to learn to harness this power! cheers ❤️