> Is thinking about music as applied mathematics a good way to create good music?

As an instruction, I think clearly not, the fact that lots of musicians aren't mathematical at all but create great music seems to prove it to me.

But it is interesting to think about musicians who do seem to think about music this way. Bach is definitely a good example where the system of counterpoint is very complex. I'm not sure if she'd describe herself in these terns, but I've always got the impression Laurie Speigel thinks about music a little like that too. Then there's stuff like Coltrane's Giant Steps, where the whole piece is based around a sort of music theory "trick".

So maybe not generally, but there's definitely some awesome music out of that kind of relationship.

> It's just that "UPF" isn't the right metric for isolating those foods

I've heard this criticism a fair bit, and I sort of agree. The only thing is, what is the right metric? And if we don't have one, and know these foods are causing harm, should we just use UPF as a term anyway?