Baptiste Caramiaux

@bcaramiaux@hci.social
154 Followers
129 Following
79 Posts
Tech and Society / HCI scientist, interest in the cultural, creative and artistic sectors. CNRS, Sorbonne Université. Paris - he/his
Personnal websitehttps://baptistecaramiaux.com/
Group websitehttps://hci.isir.upmc.fr/

♦️ Our next #AI & #Society Salon is soon 🎙️ Join us on 11 June 17:00 CET for a Salon with Marco Donnarumma @Body_sound_machine, sound and performance artist, researcher.

We will discuss human body, tech and power.

➡️ Register here: https://www.eventbrite.com/e/regaining-power-over-ai-dialogue-with-marco-donnarumma-tickets-1394404183449?aff=oddtdtcreator

Salon organized with @qveraliao @Katecrawford Gonzalo Ramos and Jenny Williams.

This is the 5th episode of a series of salons on #AI, #Art, #society check out them here: https://regainingpoweroverai.org/docs/salons/

Our next #AI & #Society Salon is soon 🎙️ Join us on 18 February 18:00pm CET for our 4th Salon with @sinders artist and researcher.

We're hearing a lot about AI at the moment but little about the agency that people have over these technologies.

We'll discuss how we can shape AI and challenge dominant narratives through artistic practice.

Register here: https://www.eventbrite.com/e/regaining-power-over-ai-dialogue-with-caroline-sinders-tickets-1245081886439?aff=oddtdtcreator

Organised with @qveraliao, Gonzalo Ramos, Jenny Williams and @Katecrawford

#AIArt #Art #AIandSociety

Regaining Power over AI: Dialogue with Caroline Sinders

Discussions on the limits of AI in the artistic sector and on possibilities for overcoming these limits

Eventbrite
We show that these narratives conveyed values about creative work, in particular:
🔹 automation over manual work
🔹 efficiency over exploration
🔹 concept over execution
🔹 artifact over process
🔹 short-term over long-term skills

AI is not neutral. AI narratives have long carried stereotypes and political agendas. It comes with stories, values, and perspectives that influence how we perceive artistic work.

➡️ Little research has examined how these narratives operate in the creative and artistic sectors.

As #AI gains a growing space in creation and art, how are the public discourses on AI in the arts shaping creative work?

It what we investigate in a new paper with @Katecrawford, @qveraliao, Gonzalo Ramos and Jenny Williams: arxiv.org/abs/2502.03940

With the help of amazing colleagues and friends from France and Japan, I’m organizing a workshop on creativity support for hand-drawn arts: anime/animation and manga/bande dessinée. Join us to discuss the future of authoring tools for hand-drawn arts!

📅 Feb 10 (Mon)
🕤 1:30 PM - 5:00 PM
📍 Inria Paris (or Zoom Webinar)
🌎 Details and registration: https://chci.pages.dev/chap2025paris

A Workshop on Creativity support for Hand-drawn Art Practices (CHAP)

A Workshop on Creativity Support for Hand-drawn Art Practices (CHAP) will be held in Paris in February 2025, organised by researchers from Japan and France who share an interest in creativity support for animation and comics. The workshop is dedicated to understanding and supporting creative practices in such hand-drawn arts.

Happy to find out this morning that that our #CHI2025 paper has been accepted! ✨

The paper is about Generative AI in Documentary Photography.

It is the first paper of my PhD Student Lenny Martinez, co-supervised with Sarah Fdili Alaoui.

We are organizing a third Salon with Linda Dounia Rebeiz to talk about her work and vision of #AI, #Art and #Technocapitalism

🗓️ Dec 4, 5pm CEST
📻 Online, info and registration here: https://www.eventbrite.com/e/regaining-power-over-ai-dialogue-with-linda-dounia-rebeiz-tickets-1091163713039?aff=oddtdtcreator
👥 w/ Gonzalo Ramos, Jenny Williams, Kate Crawford, Vera Liao

Regaining Power over AI: Dialogue with Linda Dounia Rebeiz

Discussions on the limits of AI in the artistic sector and on possibilities for overcoming these limits

Eventbrite

"Regaining power over #AI: Dialogues with artists"

We are organizing a series of presentations and online discussions with artists to discuss how we can change the narratives of AI in the arts, increase participation, and regain more power over this technology.

For the first episode on June 19 at 6 pm CEST, we will welcome Kyle McDonald.

You can register here: https://lnkd.in/ezNMpAVm

Co-organised with Gonzalo Ramos, Vera (Qingzi) Liao, Kate Crawford, Jenny Williams, Dan Fay

LinkedIn

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En décembre, @LaQuadrature révélait le fonctionnement de l'algorithme de ciblage automatisé des contrôles la CAF, et notamment le fait que l'algorithme cible en particulier les plus précaires. Double peine : être précaire signifie avoir plus de chances de se faire contrôler.

En réponse à notre article, le DG de la CAF a préféré la novlangue : ne parlez pas de discrimination, il ne s'agirait que d'un classement. On revient aujourd'hui sur cette comm' de mauvaise foi.

https://www.laquadrature.net/2024/01/11/notation-des-allocataires-face-aux-faits-la-caf-senferme-dans-le-deni-et-la-mauvaise-foi/

Notation des allocataires : face aux faits, la CAF s’enferme dans le déni et la mauvaise foi

Retrouvez l'ensemble de nos travaux sur l'utilisation par les administrations sociales d'algorithmes de notation sur notre page dédiée et notre Gitlab. « Nous n'avons pas à rougir ou à nous excuser ». Voilà comment le directeur de la CAF -- dans un « Message au sujet des algorithmes » à destination

La Quadrature du Net