Y2K vibes in the glossy 3D rave crew logo, and the awkward industrial future fonts. #raveflyer

Love this Y2K rave flyer aesthetic... bboy and anime influence, yellows and blues, a touch of 3D, not too much over the top Photoshop filtering. #Y2K #raveflyer #ravedesign #design #retrodesign

Peak Y2K... pink, glossy, a 3D character, etc, etc. Pretty great lineup too. #Y2K #raveflyer #techno

Rabbit In The Moon were huge. But this rave flyer is even bigger and bolder in its crazy maximalism. More is more. #Y2K #raveflyer #ravedesign

No LSD was harmed in the making of this rave flyer. Consumed? Yes. Certainly. #raveart #ravedesign #Y2K #raveflyer

The Y2K era obsession with counting down to the Millennial Bug was a vibe. Rave flyers took this on and then some. #Y2K #ravedesign #acidhouse #millennialbug #raveflyers

If you can even read a rave flyer, is it a good design? Who knows. But some epic lineups in the Y2K era all the same. #Y2K #raveart #acidhouse #raveflyer

Rave art in the Y2K era had an obsession with foreign characters, maybe a touch of post-Akira Neo Tokyo influence, and a lot of glowing glowing colours. #Y2K #ravedesign #raveflyers

Peak Y2K rave flyer vibes? A 3D animal, a some kind of repeating shape, and inscrutable fonts. Wrap it up with primary emergency colours and you're good to go. #raveart #Y2K #ravedesign

Just quietly... the Roland Dimension D chorus might be the greatest effects unit ever made (yes even more than the Juno). And all over my favourite 80s albums.