There is no ethical consumption of HBO’s Harry Potter series

https://lemmy.world/post/44997468

There is no ethical consumption of HBO’s Harry Potter series - Lemmy.World

Lemmy

I’ve always found Harry Potter universe to be quite campy. But I also never got into Lord of the Rings and thought Game of Thrones was awful so my opinion on television media may not be average or popular.
Lord of the Rings is second to none. The amount of development that went into it is staggering. It’s as grand and epic as any of the ancient works of mythology, and that’s what it was intended to be.
Meh. It’s a bit slow.

I’ve thought for a while that Tolkien was a great world builder but a meh storyteller. His big thing was breaking that new ground. Not that I would do any better, but many other authors since have.

Rowling doesn’t have the breaking new ground. I don’t get why her shit got so popular in the first place. I lost interest when the first movie was basically going down a list of pre-Tolkien fantasy tropes like it was a checklist.

I couldn’t get through Tolkien. I tried reading the Hobbit but gave up when it started talking about blue beards and gold belts. It felt too arbitrary to hold my interest.

But the LotR movies are needlessly slow. It’s Peter Jackson’s directing style, which only works in that very specific context where a large portion of the audience is ready to fill in the blank spaces, and the rest of the audience forgives it because they expect it to be a rambling epic.

Every shot is one second too long. You could cut an hour from the runtime just by cutting out the lingering reaction shots. Every time Sam or Frodo says something, it’s followed by two seconds of them staring longingly into each other’s eyes. There are so many things to love about those movies, but they’re basically unwatchable to me.

As for Rowling, I think he success is mostly due to accessibility. They’re easy reads in a way that fantasy books almost never are. The reader doesn’t have to put in any work to get to the world building.

She follows a classical plot structure. She establishes motifs early and only subverts them when subverting them becomes the obvious choice. There are many blue beard/gold belt moments, but they’re propped up by easy-to-understand structures like the house system.

But yeah, then there’s no depth to it after that. I always thought it was overrated.