You’ve written a great script (or ten) and you finally land representation. Congrats! But now what? Do they just like get you work? Not exactly. So this week’s
#Scriptsky #Screenwriting thread is on what to do after you get an agent and/or manager. Spoiler: the same stuff you did beforehand.
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I’ve been with the same agency for 18 years. They’ve set up lots of meetings for me and helped me get jobs there’s no way I would’ve gotten otherwise. Having great reps makes a huge difference, but there are limited jobs and your reps have lots of clients, so they can’t put you up for everything.
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If a show is hiring, they want to find the best writers available while reading as few writers as possible. Reading writers takes time and execs/showrunners have limited time. So reps can’t put all their writers up for every show. They prioritize certain clients for certain opportunities.
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So if you want to get work, you need to assist and advocate for yourself. Ask your reps for any and all pilot scripts that will be hiring if they get a pick-up. Then, in an excel file, list the pilot, your thoughts on it, if/why you’d be a good fit, and any connections with the folks doing it.
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